Organising Poetry - The Coleridge Circle, 1790-1798

Sep 20, 2026

Organising Poetry presents a scholarly study titled “Organising Poetry” centered on “The Coleridge Circle” during 1790–1798. The front matter establishes authorship by David Fairer and publication details from Oxford University Press. It includes acknowledgements describing permissions to reuse earlier versions of chapters and materials, linking parts of the book to prior essays, lectures, and published journal articles. The text also reflects on critical influences and research support across academic conferences and collections.

LanguageEnglish

CategoryLiterature

FormatPDF

Pages360

Reading Time9 h 14 min

AccessFree to download

Acknowledgements

Permissions and earlier publications

Research support and critical influences

Organising Poetry This page intentionally left blank ORGANISING POETRY The Coleridge Circle, 1790–1798 DAVID FAIRER 3 Great Clarendon Street, Oxford ox2 6dp Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With ofﬁces in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York q David Fairer 2009 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2009 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging-in-Publication Data Library of Congress Control Number: 2009923179 Typeset by SPI Publisher Services, Pondicherry, India Printed in Great Britain on acid-free paper by Biddles Ltd., King’s Lynn, Norfolk ISBN 978–0–19–929616–3 1 3 5 7 9 10 8 6 4 2 For Adam Acknowledgements I gratefully acknowledge the permission of the following publishers and editors to include material that has appeared in an earlier form elsewhere: aversion of Chapter 4 ﬁrst appeared as a tribute to Roger Lonsdale in Tradition in Transition: Women Writers, Marginal Texts, and the Eighteenth-Century Canon, ed. Alvaro Ribeiro and James G. Basker (Oxford University Press, 1996), 314–38; Chapter 5 is extended from the essay in Robert Southey and the Contexts of English Romanticism, ed. Lynda Pratt (Ashgate, 2006), 1–17; Chapter 6 has been developed from the essay in Thomas Chatterton and Romantic Culture, ed. Nick Groom (Macmillan, 1999), 228–52; Chapter 8 originally appeared in Studies in Romanticism, 41 (Winter 2002), 585–604, and is here reproduced by permission of the Trustees of Boston University; parts of Chapters 10 and 11 were published respectively in The Coleridge Bulletin, ns 21 (Spring 2003), 20–33, and The Charles Lamb Bulletin, ns 131 (July 2005), 62–75; a substantial part of Chapter 3 was included in ‘Gaps and Tracings: Gothic Lines in the 1790s’, delivered as the inaugural Landor Lecture, University of Aberystwyth, and was printed in their pamphlet monograph series. My warm thanks to all. Parts of many chapters were ﬁrst tested out in lectures and papers delivered to the Wordsworth Summer Conference, Grasmere; the International Coleridge Conference, Cannington, Somerset; the Friends of Coleridge Weekend, Kilve; the Charles Lamb Society; the Eighteenth-Century Seminar, Smith College, Northampton, MA; the American Society for Eighteenth-Century Studies Annual Meetings, at Austin, Montreal, and Atlanta; the Eighteenth-Century Worlds Seminar, University of Liverpool; the Eighteenth-Century/Romantic Research group, University of Exeter; the Romantic Realignments Seminar, University of Oxford; and the Midlands Romantic seminar, University of Nottingham. I am grateful for permissions to reproduce material, obtained as follows: three plates from Piranesi’s Pri

FAQs

Who is the author of Organising Poetry?

David Fairer is listed as the author of Organising Poetry.

What time period does the book’s subtitle focus on?

The subtitle specifies “The Coleridge Circle, 1790–1798,” indicating a focus on those years.

What is covered in the acknowledgements section?

The acknowledgements describe permission to include material previously published in earlier forms, and they note research support from libraries, collections, and scholars.

Sep 20, 2026

Uploaded by River Wang