Integration and Inversion - Western Medieval Knights in Japanese Manga and Anime - 第17卷第1号 2009

Aug 27, 2026

Uploaded by Rizky

The paper analyzes how Western medieval Christian symbols—especially the cross and medieval iconography such as castles, gardens, knights, and stained-glass motifs—are borrowed, transformed, and repurposed within Japanese animation and manga. Focusing on works like Puni Puni Poemi, Kiddy Grade, and other genre series, it examines how these images function less as fixed religious meanings and more as reconfigurable containers for emotional, psychological, and cultural significance. It also introduces a second-part argument on how knighthood and friendship ethics are reshaped through shojo manga narratives.

LanguageEnglish

CategoryResearch & Report

FormatPDF

Pages31

Reading Time1 h 18 min

AccessFree to download

Integration and Inversion

Cross imagery and symbolic redefinition

Medieval iconography and narrative adaptation

Friendship and knighthood: Pretear and knightly virtues

⡨₏ᣋၻ‘⇻╘᪏㒰 제17권 1호 (2009): 89-119 Integration and Inversion: Western Medieval Knights in Japanese Manga and Anime* John Lance Griffith (National Taipei University of Technology) At sunset in dark water near a beach, three crosses stand crookedly, the corpses of a man and of a woman and a pet robotic dog drooping forlornly. Poemi—a magical girl whose greatest desire is to become a famous voice actress—returns home from school to find her adoptive father (an anime director) and her mother murdered by an alien invader.... A beautiful young woman, working for a galactic trade organization, part time as receptionist, part time as secret agent, gets dressed for a secret agent mission, donning a red dress with an inverted crucifix cut-out running from her bosom to her belly.... * An earlier version of this paper was delivered at the 2008 MEMESAK International Conference in Seoul on November 7. 90 John Lance Griffith A sudden crucifix flashed against the sky or imprinted on an unexpected piece of clothing is not uncommon in Japanese anime (= animated film and television), though it can be jarring for a Western viewer, the incongruity and the opaque meaning of the symbol in its (alien) context. Yet it seems to bethe symbolic nature of the cross—not its meaning for the West but its existence as symbol, as an unspecific and potentially endlessly redefined container of emotional and psychological meaning—that appeals strongly to the practitioners of an image-driven genre like animation. It is impossible to say if the summaries above are overreadings of Puni Puni Poemi (a gag comedy parodying various anime genres, the magical girl genre among them) and of Kiddy Grade (a more serious science fiction drama) . The images of the cross leave open possibilities, but the stories do not indicate a specific interpretation or even require one. Yet, in the case of Poemi, that crucifixion is the chosen method of execution for the director (and former hero of Excel Saga, another parody anime) seems not a little suggestive, the director dying for his art (protecting his daughter the voice actress); though the joke perhaps being that he is martyred for (or perceived by her to be martyred for) a girl who, though she interprets his death as a sign that she must rededicate herself to becoming a successful voice actress (more so than to saving the world), really has no talent, as her late director father continually pointed out. And as for Éclair, the heroine of Kiddy Grade with the crosses on her dress, there is something about her flesh pinched by the fabric, visible in the frame of the inverted crucifix; something alluring, seductive; also something painful, something nun-like, holy. Is the cross a fashion statement or a statement of self (the clothes which make the girl, the uniform she wears which is she...)? Some twenty episodes later we realize she is the savior of the otherwise non-Christian universe in which she lives—in fact sacrificing herself not just once but repeatedly through the Integration and Inversion 91 decades as she is reborn again and again in different bodies (though with only fragmentary memory of her past lives and heroics...) . While there has been mounting curiosity among Western scholars about Japanese animation as a significant pop culture form, little attention has been devoted to the interest Japanese artists have in the Western middle ages (most of the scholarly work in the West on anime and manga being devoted to science fiction and horror stories) . 1) However, Japanese anime and manga artists have borrowed and transfigured not just the cross but many other elements of Christianity (stained glass and other trappings of the Church) and of Western medieval culture (the castle, the garden, the knight) . In addition to occasional and relatively brief uses of such images, some anime and manga (= graphic novels) make extended use of medieval iconography, narratives, and narrative techniques: numerous titles

FAQs

What central idea explains the role of the cross in Japanese anime and manga?

The cross is treated as a symbol whose existence and visual container of meaning matter more than a fixed Western religious interpretation, allowing emotional and psychological meanings to be repeatedly redefined in context.

Which works does the essay use to illustrate cross and medieval-symbol adaptation?

It discusses examples including Puni Puni Poemi and Kiddy Grade, and also mentions broader medieval-mode titles and retellings such as Chrono Crusade and Neon Genesis Evangelion.

How does the author connect knights and quests to Japanese anime ethics?

By examining shojo manga narratives, the paper argues that knight imagery and quest structures are used to support ethics centered on friendship and social interdependence.

Aug 27, 2026

Uploaded by Rizky

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