Ghost-Eye - Amitav Ghosh - A Novel

Aug 26, 2026

Ghost-Eye explores an experimental, non-linear narrative shaped by magic realism, reincarnation, climate-fiction, and environmental activism. A shock in 1969 Kolkata—young Varsha demanding machh-bhaat—reorients a wealthy family toward the Sunderbans and a previous identity as Isha Mondal. Guided by Dr. Shoma Bose’s focus on reincarnation cases, the plot connects humans and non-humans through Tipu’s heterochromatic ghost-eyes, while activists Tipu and Rafi confront land-grabbing, displacement, and ecological collapse.

LanguageEnglish

CategoryLiterature

FormatPDF

Pages4

Reading Time6 min

AccessFree to download

Narrative themes and method

Experimental structure and magic realism

Reincarnation and identity across worlds

Key characters and their roles

Varsha/Isha and the Bose investigation

Tipu, Rafi, and the NGO in the Sunderbans

Dev, Buddhism, and spirit mythology

Plot framework and central setting

1969 Kolkata and Tavoy symbolism

The Sunderbans and Lusibari

Environmental and political concerns

Climate catastrophe fears and activism

Land-grabbing, exploitation, and bioregional destruction

Conflicts and consequences

External encroachment and fragile ecosystems

Suspicious deaths and resistance

Amitav Ghosh, Ghost-Eye: A Novel. Fourth Estate: An Imprint of Harper Collins Publishers India, 2026. Pp. 322+1. ISBN: 978-93-7307-343-9. Amitav Ghosh’s choice of the title for his 2026 novel Ghost Eye: A Novel clearly sets forth the experimental theme of the work. Tipu, the titular ghost-eye, has heterochromia and asserts that according to Native American mythology “ghosteyes can see two worlds: One of them is the ordinary one that everyone can see… the other one—that’s just for us ghost-eyes”(232) . Indeed, in the novel, Tipu’s ghost-eyes are granted special powers, to see and detect things that others simply cannot. Ghosh’s work captures the strange, the uncanny and things that lie beyond normal lives and daily range of experience. The author almost completely does away with the conventional strictures of modern realist fiction in the novel. Ghosh interweaves multiple strands in the narrative—reincarnation, climate-fiction, environmental activism, impacts of the COVID-19 pandemic situation such as lockdowns and social distancing, and many others—all of these disparate elements are blended together in a non-linear narrative, stylistically using magic realism. In this novel, many characters from Ghosh’s past works make a reappearance – Piya, from The Hungry Tide (2004), Dinu or Dinanath Dutta, Tipu and his partner Rafi from Gun Island (2019) . The Sunderbans also reappear as the backdrop of the novel, with the narrative using the fictional village ofLusibari as one of the locales. These components are deftly combined for the purpose of creating an experimental novel, where novelistic traditions are put aside in the service of the author’s personal commitment to concerns such as representation of the environment and questioning the inherent anthropocentrism perceived in novel-writing. The novel showcases deep underlying connections between categories considered mutually exclusive, such as humans/non-humans, local/global, and others. The narrative opens in 1969 Kolkata with the three-year-old daughter of a wealthy Marwari industrialist family, Varsha, suddenly demanding machh-bhaat (fish and rice) for lunch in a traditional and strictly vegetarian household. The incident triggers extreme shock and trauma for the family, which stems from the idea of eating prohibited food items and is compounded by the child’s strong rejection of her biological mother (she claims that her true family hails from the Sunderbans) . It causes the predominantly urban family to realise that their daughter is referring to her previous birth where she was born into impoverishment and penury in the economically backward Sunderbans, far from the luxury that their wealthy industrialist background provides. They seek professional help for their child, presuming her condition as a psychological malady. Through their family physician, Dr. Monty Bose, the Guptas reach out to his psychiatric wife Dr. Shoma Bose, who specialises in “cases of thereincarnation type”(25). Shoma befriends the child Varsha and gets to know the facts of her past life, where she was Isha Mondal, the daughter of Binoy (a snakecharmer) and Jhorna (a woman of the Adivasi Munda tribe) . The reincarnation element of the plot, therefore, serves to connect the urban, wealthy, upper-class, Marwari family to the remoteness and precarity associated with the liminal Sunderbans zone. Shoma and Monty Bose live in their upscale bungalow Tavoyin Kolkata, which symbolically connects Kolkata to Burma. Dev, originally from Burma, lives with the Bose family, working as their driver. A Buddhist himself, he familiarises Shoma with Buddhist mythology, spirits (the Shindaw Nat) and religious rituals, which she uses to calm down the spirit of the belligerent old mango tree at Tavoy. The narrator is Dinu, based in Brooklyn, who has spent considerable amount of time in Tavoy during his growing up years. Tipu and Rafi are presented as climate-activists. They run an NGO in the Sunderbans region, tryin

FAQs

What experimental elements define Ghost-Eye’s storytelling approach?

The novel relies on magic realism and interweaves reincarnation, climate-fiction, environmental activism, and pandemic-related social disruptions. It avoids conventional strictures of modern realist fiction through a non-linear narrative structure.

Why does the 1969 Kolkata incident involving Varsha matter?

Varsha’s demand for fish and rice in a strict vegetarian household triggers shock and prompts the family to seek help. Her insistence that her true family is from the Sunderbans leads to the discovery of her past life as Isha Mondal.

How do Tipu’s ghost-eyes advance the novel’s environmental activism?

Tipu’s heterochromatic ghost-eyes enable him to see and detect things others cannot, supporting the activists’ restoration project in the Sunderbans. Their NGO work counters altered ecosystems caused by encroachment, exploitation, and political interference.

Aug 26, 2026

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