19 Rεε Zang Shonnang Laa Annabawa

Jul 15, 2026

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The text describes a conflict and reconciliation sequence involving Iliya (Elijah), Laa, and Ahapi. It outlines how Laa is said to have caused or organized tensions with a focus on Israel’s religious practices, while Iliya confronts Ahapi and later tests the situation publicly. Dialogues emphasize divine authority, moral accountability, and the transfer of hope through worship. The narrative culminates with Iliya weakening opposing forces and reinforcing the chosen relationship through decisive, public actions.

LanguageEnglish

CategoryReligion & Spirituality

FormatPDF

Pages25

Reading Time1 h 3 min

19 Rεε Zang Shonnang Laa

Annabawa

Conflict between Iliya and Ahapi

Public confrontation and spiritual outcome

19. Rεε Zang Shonnang Laa 19. Annabawa Ruu keɓe ka yεti labeenang 1Rεε Kpanti (RK)16-18; 2Rεε Kpanti 5; Irimiya 38 Mumuye Na Addini Ka naa nwannang rεε zang Isirela nandon, Laashòngkò ri nyaa nεε rεε zang shonnang ɓiɓε . Rεε zangshonnang keɓe, ri tãa yèe nεε nyaa Laa, ri ti naa kɔɔ zang vuu ɓɔɔ ri tãa ɓεε . Iliya ɓi zang shonnang Laa ka sáa ɓɔɔ Ahapi roo kpanti ka tipi Isirela ɓεε . Ahapi keɓe ɓi zang shikpang, shing zang, ri bang vaka ɓɔɔ zang ɓaa nεε Ba’ali ɓεε . Iliya kɔɔ Ahapi nεε , ‘’N nεε kɔɔ gn kpang, mii a kpang, miisĩng tikpaa ka tipi Isirela kpang.’’ Veɓe lasε Ahapi yεti dɔɔli. Laa kɔɔ Iliya nεε wu dàa waa ka jaa ràng ka jingti. Karuu ɓɔɔ, Ahapi kasε nεε wu nyɔ Iliya vɔrɔ ɓεε . Laa shingnε, jaaning ri atὲ Iliya bɔrɔdi nεε yɔpɔ, gãndi nεε làarang. Ahapi nεε rεε sɔɔja ɓiɓε , ri kãa Iliya, ri ĩi wukpang. Mii lapa á kpang, jaa ràng ri ɔ̃ɔ nandon, nɔng ti waatε kereng kereng. Á Iliya naa dàa kaa tipi ɓɔɔ shing nyaa nεε ɓɔɔ ɓarεɓεε , suvɔɔ ɓɔɔ ka gn nεε ɓeejaa, vuu shaanang ɓarε waa nyaa tɔ, ka ruu ɓɔɔ, diki bee tɔ, mii lapa á kpang, nyɔkɔ ti nwang tɔ ka tipi kaɓa. suvɔɔ keɓe ri kang jing ka Iliya. Ka ruu nɔngkɔ, Laa á ri vuu shaanang gaa gaaka sáa nyɔkɔ nandon. Iliya nwang kaa nɔngkɔ sáa dɔɔli. Ka knti sáa taati nεε yaasεnang, Laa kɔɔ Iliya nεε wu gbãa yuu ta ka tipi Isirela, wu dàa rang yee nεε Ahapitɔkn, ka ruu ɓɔɔ, wu atε mii lapa kaa tɔ ɓεε . Ɓɔɔ Ahapi zi Iliya naa weɓe, kɔɔyi nεε ,“Wukɔ mɔɔ ɓi, zang ɓɔɔ atε zang vuu nyaa kpãanang ka bii ɓεε !” Iliya kasε wu nyaa nεε ,“Mɔkɔ atε zang vuu nyaa kpãanang ɓaa jong ka bii, ɓi nkɔ kpang. mɔɔ yaa Yaawε , Laa ɓɔɔ niizang ɓεε , mɔɔ bang kaa Baali. Ɓaa zang tipi Isirela nyaa tanandon, ri á ka Kɔpɔ Karamεli”. Rεε zang tipi Isirela, nεε rεε zang kparivaa Baali ɓɔɔ ridàa laa bmati tu ziti, tu kopi (450) katɔ ɓεε , ri kpalε zɔɔ ka Kɔpɔ Karamεli. Iliya kɔɔ ri nεε ,“Ka ruu viya nɔɔ kɔ̃sɔ sisĩng manε nɔngkɔ diki diki, viya? Laa kɔ nεε Laa, nɔɔ bang wuu ta. Baali kɔ nεε Laa, nɔɔ ti bang wuu!” Á Iliya kɔɔ rεε kparivaa Baali keɓe nεε ,“Nɔɔ yee guunapo, nɔɔ shĩli bii naa ɓɔɔ nɔɔ dɔ̀ɔ́ Laa vuu nεε mani ɓεε , nɔɔ kɔ waa kpang. N ti palε dòo nɔngkɔ . Laa ɓɔɔ nεε kasε nyaa gàanang ɓuru nεε waa, wukɔ Laa ɓɔɔ niizang ɓεε”. Á rεε kparivaa Baali ri palε naa ɓɔɔ Iliya kɔɔ ri ɓεε , ri kɔ waa kpang. Á rεε kparivaa Baali ri gàa vaka Baali ɓarε nεε , ‘Tãanyaa gàanang ɓuru jong, Baali’. Laa hãa ri nyaa kanɔng ɓɔɔ ri găa Baali, ri ti mɛ̃ε nyaa ka lapa ɓεε , ri yelebii ɓarε nεε yere, ka nɔng ɓɔɔ ri gàá vaka ɓarε ɓεε . Baalikasε ri nyaa ɓi kpang. Ka knti weɓe, Iliya naa shĩli bii, ti shĩli vuu ɓɔɔ wu dɔ̀ Laa ɓεε . Á kɔɔ zang ɓɔɔ ri kpalε zɔɔ ɓεε nεε ri atε mii kabεng bang kopi tu ziti, ri ɓàarὲ ka yuu yɔpɔ ɓɔɔ ri dɔɔ Laa ɓεε , tɔɔ, nɔng wu ya kaa gbãng gbãng.

FAQs

Who are the main figures mentioned in the narrative?

The passage centers on Iliya, Ahapi, Laa, and Baali, with Isirela and its people forming the setting for the events.

What is the role of Laa and Ahapi in the story’s conflict?

Laa is associated with promoting certain practices among the people, while Ahapi becomes the leading authority challenged by Iliya’s message and actions.

What does the story emphasize through Iliya’s confrontation?

The narrative stresses divine authority over Baali worship, accountability of leaders, and the need for genuine faith demonstrated through public acts.

Jul 15, 2026

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