[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-1-en-105":3,"doc-seo-572992-105":53,"doc-detail-572992-en":127},{"code":4,"msg":5,"data":6},0,"success",[7,14,19,24,29,34,39,44,49],{"id":8,"doc_module":9,"doc_module_name":10,"category_name":11,"show_sort_weight":12,"slug":13},11,1,"Template","Presentations",90,"presentations",{"id":15,"doc_module":9,"doc_module_name":10,"category_name":16,"show_sort_weight":17,"slug":18},12,"Resumes",80,"resumes",{"id":20,"doc_module":9,"doc_module_name":10,"category_name":21,"show_sort_weight":22,"slug":23},14,"Invoices",70,"invoices",{"id":25,"doc_module":9,"doc_module_name":10,"category_name":26,"show_sort_weight":27,"slug":28},15,"Posters",60,"posters",{"id":30,"doc_module":9,"doc_module_name":10,"category_name":31,"show_sort_weight":32,"slug":33},16,"Social Media",50,"social-media",{"id":35,"doc_module":9,"doc_module_name":10,"category_name":36,"show_sort_weight":37,"slug":38},17,"Forms",40,"forms",{"id":40,"doc_module":9,"doc_module_name":10,"category_name":41,"show_sort_weight":42,"slug":43},18,"Letters",30,"letters",{"id":45,"doc_module":9,"doc_module_name":10,"category_name":46,"show_sort_weight":47,"slug":48},21,"Paper Templates",5,"papers-templates",{"id":50,"doc_module":9,"doc_module_name":10,"category_name":51,"show_sort_weight":4,"slug":52},158,"General","general-158",{"code":4,"msg":54,"data":55},"ok",{"site_id":56,"language":57,"slug":58,"title":59,"keywords":60,"description":61,"schema_data":62,"social_meta":120,"head_meta":122,"extra_data":124,"updated_unix":126},105,"en","transpose-song-cheat-sheet-read-me-to-transpose-songs-and-chords","TRANSPOSE SONG CHEAT SHEET - Read Me to Transpose Songs and Chords","","TRANSPOSE SONG CHEAT SHEET provides practical guidance to transpose song chord progressions into different keys using a numbered scale-degree mapping method. It includes key-to-chord tables for multiple tonal centers, explanations for minor chords, open-position and closed-position chord examples, and symbols for ninth chords and suspended 2 chords. Additional sections define vamp (v) and minor vamp (m-v), show how many measures to play passing chords, and include notes for shortened vamp timing and beat-counting.",{"@graph":63,"@context":119},[64,80,102],{"@type":65,"itemListElement":66},"BreadcrumbList",[67,71,74,77],{"item":68,"name":69,"@type":70,"position":9},"https://docshare.wps.com","Home","ListItem",{"item":72,"name":10,"@type":70,"position":73},"https://docshare.wps.com/template/",2,{"item":75,"name":51,"@type":70,"position":76},"https://docshare.wps.com/template/general/",3,{"item":78,"name":59,"@type":70,"position":79},"https://docshare.wps.com/template/transpose-song-cheat-sheet-read-me-to-transpose-songs-and-chords/572992/",4,{"url":78,"name":59,"@type":81,"image":82,"author":87,"headline":59,"publisher":90,"fileFormat":93,"inLanguage":57,"description":61,"dateModified":94,"datePublished":95,"encodingFormat":93,"isAccessibleForFree":96,"interactionStatistic":97},"DigitalDocument",{"url":83,"@type":84,"width":85,"height":86},"https://docshare.wps.com/thumbnails/transpose-song-cheat-sheet-read-me-to-transpose-songs-and-chords/572992.png","ImageObject",442,249,{"name":88,"@type":89},"SANS","Person",{"url":68,"name":91,"@type":92},"DocShare","Organization","application/pdf","2026-10-20","2026-10-13",true,{"@type":98,"interactionType":99,"userInteractionCount":101},"InteractionCounter",{"@type":100},"ViewAction",7,{"@type":103,"mainEntity":104},"FAQPage",[105,111,115],{"name":106,"@type":107,"acceptedAnswer":108},"How do you transpose a chord progression to a new key using the cheat sheet?","Question",{"text":109,"@type":110},"Read the scale-degree numbers (1–7) in the original key, then rewrite those same numbers using the chord degrees of the target key from the chart.","Answer",{"name":112,"@type":107,"acceptedAnswer":113},"What do the symbols (v) and (m-v) mean in the chord notation?",{"text":114,"@type":110},"(v) indicates vamping—playing passing chords on that chord for two measures, typically using the IV chord as the basic passing chord. (m-v) is vamping on a minor chord for two measures with the passing chord sequence specified.",{"name":116,"@type":107,"acceptedAnswer":117},"What is the difference between open-position and closed-position chord examples?",{"text":118,"@type":110},"Open-position chords describe a more “open” hand shape when played, with examples given for C9 (open) and C2 (open). Closed-position examples show the corresponding chord shapes for Bb-derived C9 and C2 in a more “closed up” hand position.","https://schema.org",{"og:url":78,"og:type":121,"og:title":59,"og:site_name":91,"og:description":61},"article",{"robots":123,"canonical":78},"index,follow",{"doc_id":125,"site_id":56},572992,1792021430,{"code":4,"msg":5,"data":128},{"doc_id":125,"user_id":129,"nickname":88,"user_avatar":130,"doc_module":9,"category_id":50,"category_name":51,"doc_title":59,"doc_description":61,"doc_content":131,"file_id":132,"file_url":133,"file_type":134,"file_size":135,"view_count":101,"is_deleted":4,"is_public":9,"is_downloadable":9,"audit_status":9,"page_count":136,"language":137,"language_code":57,"site_id":56,"html_lang":57,"table_of_contents":138,"faqs":139,"seo_title":140,"seo_description":61,"update_tm":141,"read_time":142},962090760505,"https://ap-avatar.wpscdn.com/davatar_155a257f0dc6eb9ab79c44ca47cae57d","TRANSPOSE SONG CHEAT SHEET Transpose any song to a different key using this handy guide.  \nFor example, if the song chord progression is C Am Dm G C  \nand you want to change it to the key of F, just do this.  \nLook at the numbers in the key of C and write them with the numbers.  \n1 6 2 5 1  \nThen write it in the key of F using the numbers in the chart: F Dm Gm C F  \nBe sure to copy if it is a minor chord (Gm) .  \n\n| KEY | 1 (I) | 2 ( ii) | 3 ( iii) | 4 (IV) | 5 (V) | 6 (vi) | 7 (vii*) |\n| --- | --- | --- | --- | --- | --- | --- | --- |\n| C | C | D | E | F | G | A | B |\n| Db | Db | Eb | F | Gb | Ab | Bb | C |\n| D | D | E | F\\# | G | A | B | C\\# |\n| Eb | Eb | F | G | Ab | Bb | C | D |\n| E | E | F\\# | G\\# | A | B | C\\# | D\\# |\n| F | F | G | A | Bb | C | D | E |\n| Gb | Gb | Ab | Bb | B | Db | Eb | F |\n| G | G | A | B | C | D | E | F\\# |\n| Ab | Ab | Bb | C | Db | Eb | F | G |\n| A | A | B | C\\# | D | E | F\\# | G\\# |\n| Bb | Bb | C | D | Eb | F | G | A |\n| B | B | C\\# | D\\# | E | F\\# | G\\# | A\\# |\n\n[www.apostolicpsom.com](www.apostolicpsom.com) The Fastest and Easiest Way to Learn Pentecostal/Gospel Piano (Click)  \nHow To Read  \nThe Apostolic Praise 2014 Chorusbook  \nThis book was written primarily for those who have completed the Apostolic Praise© series, but it can also be used by those who have not. This page is written for those who  \nhave not completed the series .  \nUnique Apostolic Praise© symbols  \n○ = open position chord (where the hand is more “open” when it plays  \nthe chord); For ninth chords, this means the chord is in root  \nposition . For suspended 2 chords, this means 1st inversion .  \nExample of 9 in open position: C9 ○ would be E-G-Bb-D .  \nExample of 2 in open position: C2 ○ would be D-G-C  \n(Closed position chords are where the hand is more  \n“closed up” when it plays the chord.)  \nExample of C9 in closed position: Bb-D-E-G  \nExample of C2 in closed position: C-D-G  \n(v) = This stands for “vamp.” It means you are playing passing chords on that chord for 2 measures . The basic passing chord is always the IV chord, so your passing chord on a C chord would be an F chord.  \nC (v) = C-F-C-F-C-C-F-C-F  \nC7 (v) = C-F-C7-F-C-C-F-C7-F Cm7 (v) = Cm-F-C7-F-Cm-Cm-F-C7-F  \nThis is explained more in-depth in Apostolic Praise 101: A Crash Course in Piano . So if you are unsure how to do this, you need to purchase Apostolic Praise 101.  \n(m-v) = This stands for “minor vamp .” This is when you play passing chords on a minor chord for at 2 measures . For example, the passing chord for Cm would be Bb.(Cm-Bb-Cm-Bb-Cm-Cm-Bb-Cm-Bb)  \n* = This means that you only play the vamp for 1 measure, half of the normal time .  \nC (v)* = C-F-C-F  \nC7 (v)* = C-F-C7-F Cm7 (v)* = Cm-F-C7-F Cm (m-v)* = Cm-Bb-Cm-Bb  \nC / / / = together-right-right-right . This means play on C for 1 measure of four beats . This is kind of self-explanatory. It is explained in AP I.  \n[] = The chords inside only receive half a beat.  \nCount: 1 2 3 + 4 + 1 2 3 4 1  \nC / [Dm-C/E-Dm/F-C/G] C/G / F/G / C  \n© 2013 Richard W. Smith-Apostolic Praise  \nCHEAT SHEET FOR MAJOR SCALES  \n\n|  | I | ii | iii | IV | V | vi | vii◦ | I |\n| --- | --- | --- | --- | --- | --- | --- | --- | --- |\n| C | C | D | E | F | G | A | B | C |\n| fingering | 1 | 2 | 3 | 1 | 2 | 3 | 4 | 5 |\n| F | F | G | A | Bb | C | D | E | F |\n| fingering | 1 | 2 | 3 | 4 | 1 | 2 | 3 | 4 |\n| Bb | Bb | C | D | Eb | F | G | A | Bb |\n| fingering | 2 | 1 | 2 | 3 | 1 | 2 | 3 | 4 |\n| Eb | Eb | F | G | Ab | Bb | C | D | Eb |\n| fingering | 2 | 1 | 2 | 3 | 4 | 1 | 2 | 3 |\n| Ab | Ab | Bb | C | Db | Eb | F | G | Ab |\n| fingering | 2 | 3 | 1 | 2 | 3 | 1 | 2 | 3 |\n| Db | Db | Eb | F | Gb | Ab | Bb | C | Db |\n| fingering | 2 | 3 | 1 | 2 | 3 | 4 | 1 | 2 |\n| Gb | Gb | Ab | Bb | B | Db | Eb | F | Gb |\n| fingering | 2 | 3 | 4 | 1 | 2 | 3 | 4 | 5 |\n| B | B | C\\# | D\\# | E | F\\# | G\\# | A\\# | B |\n| fingering | 1 | 2 | 3 | 1 | 2 | 3 | 4 | 5 |\n| E | E | F\\# | G\\# | A | B | C\\# | D\\# | E |\n| fingering | 1 | 2 | 3 | 1 | 2 | 3 | 4 | 5 |\n| A | A ","cbCaieDjb964xzP5","https://ap.wps.com/l/cbCaieDjb964xzP5","pdf",2541362,139,"English","# Transpose Method\n## Key Number Mapping\n## Minor Chords\n## Chord Position Symbols\n# Vamp and Minor Vamp Notation\n## (v) Vamp\n## (m-v) Minor Vamp\n## Timing Notes and Beat Counting\n# Major Scales Cheat Sheet\n## Chord-Scale Degrees by Key\n# Song List Index","[{\"question\":\"How do you transpose a chord progression to a new key using the cheat sheet?\",\"answer\":\"Read the scale-degree numbers (1–7) in the original key, then rewrite those same numbers using the chord degrees of the target key from the chart.\"},{\"question\":\"What do the symbols (v) and (m-v) mean in the chord notation?\",\"answer\":\"(v) indicates vamping—playing passing chords on that chord for two measures, typically using the IV chord as the basic passing chord. (m-v) is vamping on a minor chord for two measures with the passing chord sequence specified.\"},{\"question\":\"What is the difference between open-position and closed-position chord examples?\",\"answer\":\"Open-position chords describe a more “open” hand shape when played, with examples given for C9 (open) and C2 (open). Closed-position examples show the corresponding chord shapes for Bb-derived C9 and C2 in a more “closed up” hand position.\"}]","TRANSPOSE SONG CHEAT SHEET - Read Me to Transpose Songs and Chords | PDF",1791930428,49]