[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-1-en-105":3,"doc-seo-199924-105":53,"doc-detail-199924-en":126},{"code":4,"msg":5,"data":6},0,"success",[7,14,19,24,29,34,39,44,49],{"id":8,"doc_module":9,"doc_module_name":10,"category_name":11,"show_sort_weight":12,"slug":13},11,1,"Template","Presentations",90,"presentations",{"id":15,"doc_module":9,"doc_module_name":10,"category_name":16,"show_sort_weight":17,"slug":18},12,"Resumes",80,"resumes",{"id":20,"doc_module":9,"doc_module_name":10,"category_name":21,"show_sort_weight":22,"slug":23},14,"Invoices",70,"invoices",{"id":25,"doc_module":9,"doc_module_name":10,"category_name":26,"show_sort_weight":27,"slug":28},15,"Posters",60,"posters",{"id":30,"doc_module":9,"doc_module_name":10,"category_name":31,"show_sort_weight":32,"slug":33},16,"Social Media",50,"social-media",{"id":35,"doc_module":9,"doc_module_name":10,"category_name":36,"show_sort_weight":37,"slug":38},17,"Forms",40,"forms",{"id":40,"doc_module":9,"doc_module_name":10,"category_name":41,"show_sort_weight":42,"slug":43},18,"Letters",30,"letters",{"id":45,"doc_module":9,"doc_module_name":10,"category_name":46,"show_sort_weight":47,"slug":48},21,"Paper Templates",5,"papers-templates",{"id":50,"doc_module":9,"doc_module_name":10,"category_name":51,"show_sort_weight":4,"slug":52},158,"General","general-158",{"code":4,"msg":54,"data":55},"ok",{"site_id":56,"language":57,"slug":58,"title":59,"keywords":60,"description":61,"schema_data":62,"social_meta":119,"head_meta":121,"extra_data":123,"updated_unix":125},105,"en","the-romantic-concealment-of-desire-coleridges-and-wordsworth-s-poetic-voices","THE ROMANTIC CONCEALMENT OF DESIRE - COLERIDGE’S AND WORDSWORTH ’S POETIC VOICES","","The study offers an interpretive reading of Samuel Taylor Coleridge’s “The Eolian Harp” and William Wordsworth’s “Lines Written a Few Miles above Tintern Abbey” to reveal desire as the concealed underlying motif of both texts. Although the poetic voices appear to suppress this theme, the close reading highlights a shared thematic line linking these poems with William Blake’s “The Book of Thel” and John Keats’ “Ode on a Grecian Urn”.",{"@graph":63,"@context":118},[64,80,101],{"@type":65,"itemListElement":66},"BreadcrumbList",[67,71,74,77],{"item":68,"name":69,"@type":70,"position":9},"https://docshare.wps.com","Home","ListItem",{"item":72,"name":10,"@type":70,"position":73},"https://docshare.wps.com/template/",2,{"item":75,"name":51,"@type":70,"position":76},"https://docshare.wps.com/template/general/",3,{"item":78,"name":59,"@type":70,"position":79},"https://docshare.wps.com/template/the-romantic-concealment-of-desire-coleridges-and-wordsworth-s-poetic-voices/199924/",4,{"url":78,"name":59,"@type":81,"image":82,"author":87,"headline":59,"publisher":90,"fileFormat":93,"inLanguage":57,"description":61,"dateModified":94,"datePublished":95,"encodingFormat":93,"isAccessibleForFree":96,"interactionStatistic":97},"DigitalDocument",{"url":83,"@type":84,"width":85,"height":86},"https://docshare.wps.com/thumbnails/the-romantic-concealment-of-desire-coleridges-and-wordsworth-s-poetic-voices/199924.png","ImageObject",442,249,{"name":88,"@type":89},"Himbo","Person",{"url":68,"name":91,"@type":92},"DocShare","Organization","application/pdf","2026-09-25","2026-09-04",true,{"@type":98,"interactionType":99,"userInteractionCount":47},"InteractionCounter",{"@type":100},"ViewAction",{"@type":102,"mainEntity":103},"FAQPage",[104,110,114],{"name":105,"@type":106,"acceptedAnswer":107},"What is the central interpretive focus of the study?","Question",{"text":108,"@type":109},"It interprets Coleridge’s and Wordsworth’s poems by foregrounding desire as an underlying motif that the poetic voices attempt to conceal.","Answer",{"name":111,"@type":106,"acceptedAnswer":112},"Which poems are analyzed in the study?",{"text":113,"@type":109},"Samuel Taylor Coleridge’s “The Eolian Harp” and William Wordsworth’s “Lines Written a Few Miles above Tintern Abbey” are the primary focus.",{"name":115,"@type":106,"acceptedAnswer":116},"How do Blake and Keats relate to the argument?",{"text":117,"@type":109},"The reading aligns the poems with William Blake’s “The Book of Thel” and John Keats’ “Ode on a Grecian Urn”, treating them as works that share the same thematic line about desire.","https://schema.org",{"og:url":78,"og:type":120,"og:title":59,"og:site_name":91,"og:description":61},"article",{"robots":122,"canonical":78},"index,follow",{"doc_id":124,"site_id":56},199924,1788507401,{"code":4,"msg":5,"data":127},{"doc_id":124,"user_id":128,"nickname":88,"user_avatar":129,"doc_module":9,"category_id":50,"category_name":51,"doc_title":59,"doc_description":61,"doc_content":130,"file_id":131,"file_url":132,"file_type":133,"file_size":134,"view_count":47,"is_deleted":4,"is_public":9,"is_downloadable":9,"audit_status":9,"page_count":135,"language":136,"language_code":57,"site_id":56,"html_lang":57,"table_of_contents":137,"faqs":138,"seo_title":139,"seo_description":61,"update_tm":125,"read_time":140},687197100911,"https://ap-avatar.wpscdn.com/avatar/a000239b6f1da00475?x-image-process=image/resize,m_fixed,w_180,h_180&k=1785132997149421697","THE ROMANTIC CONCEALMENT OF DESIRE: COLERIDGE’S AND WORDSWORTH ’S POETIC  \nVOICES  \nManuel Botero Camacho  \nUniversidad Complutense de Madrid  \n[mbotero@ucm.es](mbotero@ucm.es)  \nReceived: 22 March 2021  \nAccepted: 9 September 2021  \nDOI: [https://doi.org/10.21071/ltap.v6i6.14040](https://doi.org/10.21071/ltap.v6i6.14040)  \nAbstract  \nThe present study poses an interpretation of Samuel Taylor Coleridge’s“The Eolian Harp” and William Wordsworth’s “Lines Written a Few Miles above Tintern Abbey” so as to evince the subject of desire as the ulterior motif of these texts, even though the poetic voices of these works attempt to conceal such a theme. This reading interprets both poems as compositions that share the same thematic line as William Blake’s “The Book of Thel”and John Keats’“Ode on a Grecian Urn”. Consequently, the close reading of the poems by Wordsworth and Coleridge will be presented.  \nKeywords: Coleridge, Wordsworth, romanticism, desire  \nOCULTAMIENTO ROMÁNTICO DEL DESEO: LAS VOCES POÉTICAS DE COLERIDGE Y DE  \nWORDSWORTH  \nResumen  \nEl presente estudio plantea una interpretación de “El arpa eólica” de Samuel Taylor Coleridge y “Versos compuestos unas millas más arriba de Tintern Abbey” de William Wordsworth con la intención de evidenciar el tema del deseo como el motivo oculto de estos textos, aun cuando las voces poéticas de estas obras aparentemente intentan ocultar este tema. Esta lectura comprende ambos poemas como composiciones que comparten la mismalínea temática que “El libro de Thel” de William Blake y “Oda a una urna griega” de John Keats. En consecuencia, se presentará la lectura detalladade los poemas de Wordsworth y Coleridge.  \nPalabras clave: Coleridge, Wordsworth, romanticismo, deseo  \nTHE ROMANTIC CONCEALMENT OF DESIRE: COLERIDGE’S AND WORDSWORTH ’S POETIC  \nVOICES  \nManuel Botero Camacho  \nUniversidad Complutense de Madrid  \n[mbotero@ucm.es](mbotero@ucm.es)  \nIntroduction  \nThroughout these pages, an analysis of Samuel Taylor Coleridge’s “The Eolian Harp” and William Wordsworth’s “Lines Written a Few Miles above Tintern Abbey” will be proposed. Although both poems are usually approached from the angles of biography and the romantic veneration of Nature, this study poses the subject of desire as a connecting thread between them. This motif also concerns other key figures of this literary period, a fact that would reinforce the suggested reading of Coleridge’s and Wordsworth’s texts. Thus, in order to highlight the theme of desire as the ulterior motif of the poems’ speakers over other traditional understandings, two other works will be briefly discussed in the introduction, William Blake’s “The Book ofThel” and John Keats ’“Ode on a Grecian Urn”.  \nIn “The Book of Thel”, William Blake overtly exposes the theme of desire, since the name of its homonymous protagonist in Greek precisely means that, which poses Thel as a personification and a symbol of desire and reflects the poet’s views on this feeling. Despite being the youngest of Seraphim’s daughters, Thel is destined “To fade away like morning beauty from her mortal day:” (Blake 1988: 3 , l. 3), a line that stresses the ephemerality of the feeling. This inconstancy is alluded again in the speaker’s subsequent comparison ofThel with other ephemeral elements:  \n. . . a reflection in a glass; like shadows in the water.  \nLike dreams of infants. Like a smile upon an infant’s face,  \nLike the dove’s voice, like transient day, like music in the air;  \n(Blake 1988: 3, ll. 9-11)  \nImpermanence is further underlined in Thel’s conversation with the Cloud, which recalls the sentence by Socrates that summarizes Heraclitus’statement that all things move and nothing remains (Plato 1963: 67), as part of the latter’s doctrine of flux. The transience of desire stems from its  \nparadoxical nature, as it dies with its own fulfilment; in other words, the wish to satisfy one’s longed for object, when fulfilled or achieved, leads the drive that originated it to its own de","cbCaibFw5TCfz0tY","https://ap.wps.com/l/cbCaibFw5TCfz0tY","pdf",210428,24,"English","# Introduction\n## Desire as the connecting thread\n## Reconsidering Blake’s \"The Book of Thel\" and Keats’ \"Ode on a Grecian Urn\"","[{\"question\":\"What is the central interpretive focus of the study?\",\"answer\":\"It interprets Coleridge’s and Wordsworth’s poems by foregrounding desire as an underlying motif that the poetic voices attempt to conceal.\"},{\"question\":\"Which poems are analyzed in the study?\",\"answer\":\"Samuel Taylor Coleridge’s “The Eolian Harp” and William Wordsworth’s “Lines Written a Few Miles above Tintern Abbey” are the primary focus.\"},{\"question\":\"How do Blake and Keats relate to the argument?\",\"answer\":\"The reading aligns the poems with William Blake’s “The Book of Thel” and John Keats’ “Ode on a Grecian Urn”, treating them as works that share the same thematic line about desire.\"}]","THE ROMANTIC CONCEALMENT OF DESIRE - COLERIDGE’S AND WORDSWORTH ’S POETIC VOICES | PDF",8]