[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-1-en-105":3,"doc-seo-571949-105":53,"doc-detail-571949-en":126},{"code":4,"msg":5,"data":6},0,"success",[7,14,19,24,29,34,39,44,49],{"id":8,"doc_module":9,"doc_module_name":10,"category_name":11,"show_sort_weight":12,"slug":13},11,1,"Template","Presentations",90,"presentations",{"id":15,"doc_module":9,"doc_module_name":10,"category_name":16,"show_sort_weight":17,"slug":18},12,"Resumes",80,"resumes",{"id":20,"doc_module":9,"doc_module_name":10,"category_name":21,"show_sort_weight":22,"slug":23},14,"Invoices",70,"invoices",{"id":25,"doc_module":9,"doc_module_name":10,"category_name":26,"show_sort_weight":27,"slug":28},15,"Posters",60,"posters",{"id":30,"doc_module":9,"doc_module_name":10,"category_name":31,"show_sort_weight":32,"slug":33},16,"Social Media",50,"social-media",{"id":35,"doc_module":9,"doc_module_name":10,"category_name":36,"show_sort_weight":37,"slug":38},17,"Forms",40,"forms",{"id":40,"doc_module":9,"doc_module_name":10,"category_name":41,"show_sort_weight":42,"slug":43},18,"Letters",30,"letters",{"id":45,"doc_module":9,"doc_module_name":10,"category_name":46,"show_sort_weight":47,"slug":48},21,"Paper Templates",5,"papers-templates",{"id":50,"doc_module":9,"doc_module_name":10,"category_name":51,"show_sort_weight":4,"slug":52},158,"General","general-158",{"code":4,"msg":54,"data":55},"ok",{"site_id":56,"language":57,"slug":58,"title":59,"keywords":60,"description":61,"schema_data":62,"social_meta":119,"head_meta":121,"extra_data":123,"updated_unix":125},105,"en","technical-brief-2-tuning-chart","TECHNICAL BRIEF 2 - Tuning Chart","","Technical Brief 2 provides a tuning-frequency chart that links specific frequency ranges to perceived audio effects and common listening outcomes. It details how excessive boost alters power, musical balance, rhythm fundamentals, low-order harmonics, vocal clarity, sibilance harshness, and speech or listening fatigue. The chart also maps key frequency regions such as presence, fullness, boominess, air/shimmer, and resonance to instruments and sound elements like horns, guitars, piano, drums, and harmonica.",{"@graph":63,"@context":118},[64,80,101],{"@type":65,"itemListElement":66},"BreadcrumbList",[67,71,74,77],{"item":68,"name":69,"@type":70,"position":9},"https://docshare.wps.com","Home","ListItem",{"item":72,"name":10,"@type":70,"position":73},"https://docshare.wps.com/template/",2,{"item":75,"name":11,"@type":70,"position":76},"https://docshare.wps.com/template/presentations/",3,{"item":78,"name":59,"@type":70,"position":79},"https://docshare.wps.com/template/technical-brief-2-tuning-chart/571949/",4,{"url":78,"name":59,"@type":81,"image":82,"author":87,"headline":59,"publisher":90,"fileFormat":93,"inLanguage":57,"description":61,"dateModified":94,"datePublished":95,"encodingFormat":93,"isAccessibleForFree":96,"interactionStatistic":97},"DigitalDocument",{"url":83,"@type":84,"width":85,"height":86},"https://docshare.wps.com/thumbnails/technical-brief-2-tuning-chart/571949.png","ImageObject",442,249,{"name":88,"@type":89},"Damian","Person",{"url":68,"name":91,"@type":92},"DocShare","Organization","application/pdf","2026-10-21","2026-10-13",true,{"@type":98,"interactionType":99,"userInteractionCount":79},"InteractionCounter",{"@type":100},"ViewAction",{"@type":102,"mainEntity":103},"FAQPage",[104,110,114],{"name":105,"@type":106,"acceptedAnswer":107},"What happens when there is excessive boost in the 16Hz–60Hz range?","Question",{"text":108,"@type":109},"Results of excessive boost include a stronger sense of power, with music felt more than heard, and it can sound muddy. Equalizing in this band can make the balance boomy and cause the sound to become fat or thin.","Answer",{"name":111,"@type":106,"acceptedAnswer":112},"How do higher frequencies affect vocals and speech?",{"text":113,"@type":109},"In the 3kHz region, listening fatigue may result and voices can gain a lisping quality. Around 5kHz, adding boost can make music seem louder, while sibilance/harshness increases on vocals.",{"name":115,"@type":106,"acceptedAnswer":116},"Which frequency characteristics are associated with “fullness,” “presence,” and “air”?",{"text":117,"@type":109},"Fullness is associated with about 120Hz, boominess with 200–240Hz, presence with about 5kHz, and air/shimmer with roughly 12kHz and 7.5–10kHz. The chart also connects bites at 3–5kHz and resonance/ring effects with nearby regions.","https://schema.org",{"og:url":78,"og:type":120,"og:title":59,"og:site_name":91,"og:description":61},"article",{"robots":122,"canonical":78},"index,follow",{"doc_id":124,"site_id":56},571949,1792337774,{"code":4,"msg":5,"data":127},{"doc_id":124,"user_id":128,"nickname":88,"user_avatar":129,"doc_module":9,"category_id":8,"category_name":11,"doc_title":59,"doc_description":61,"doc_content":130,"file_id":131,"file_url":132,"file_type":133,"file_size":134,"view_count":79,"is_deleted":4,"is_public":9,"is_downloadable":9,"audit_status":9,"page_count":9,"language":135,"language_code":57,"site_id":56,"html_lang":57,"table_of_contents":136,"faqs":137,"seo_title":138,"seo_description":61,"update_tm":139,"read_time":4},137451208677,"https://ap-avatar.wpscdn.com/davatar_155a257f0dc6eb9ab79c44ca47cae57d","TECHNICAL BRIEF 2: Tuning Chart  \n\n| Frequency Range: 16hz-60hz | Effected Area: Results Of Excessive Boost:\u003Cbr>Sense of power, music is felt more than heard. Makes music sound muddy\u003Cbr>Fundamentals of the rhythm section. Equalizing can Makes music sound boomy change the musical balance making it fat or thin.\u003Cbr>Low order harmonics of most musical instruments. Telephone-like quality to music. 500 to 1kHz\u003Cbr>will be horn-like. 1kHz-2kHz will sound tinny. Listening fatigue may result\u003Cbr>Speech recognition. 3kHz-Listening fatigue. Will add a lisping\u003Cbr>quality to voices.\u003Cbr>“M”,“V”, & “B”will become vague.\u003Cbr>Effects clarity and definition of voices and instruments. Sibilance on vocals (harshness) The music will seem closer to the listener. Adding\u003Cbr>boost at 5kHz will make the music seem louder.\u003Cbr>Brilliance and clarity of sounds. Sibilance and/or harshness on voices.\u003Cbr>Fullness at 120Hz; Boominess at 200-240Hz; Presence at 5kHz; Sibilance at 7.5kHz; Air at 12-Sounds “Fat” at 240Hz; will add “Bite” at 3-5kHz.\u003Cbr>Resonant ring at 200-240kHz; Presence and “Slap” at 5kHz.\u003Cbr>Attack or pluck is increased at 700 or 1kHz; Bottom will be added at 60 or 80Hz. String noise at 2.5kHz.“Slap” at 2 .5kHz; Bottom at 60 or 80Hz.\u003Cbr>Fatness at 240Hz; Crispness at 1-2.5kHz; Bottom at 60-80Hz.“Shimmer” at 7.5-10kHz; “Klang” or Gong sound at approx. 200Hz.\u003Cbr>Attack at 5kHz; Fullness at 240Hz.\u003Cbr>Attack at 5kHz; Fullness at 80 or 120Hz.\u003Cbr>Body at 240Hz; Clarity at 2.5kHz.\u003Cbr>Body at 240Hz; Clarity at 2 .5kHz; Bottom at 80 or 120Hz.\u003Cbr>Body at 80-120Hz; Presence at 2.5-5kHz; Crispness at 10kHz; Honky-Tonk sound at 2.5kHz as bandwidth is narrowed. Resonance at 40-60Hz. |\n| --- | --- |\n| 60hz-250hz |  |\n| 250hz-2000hz |  |\n| 2kHz-4kHz |  |\n| 4kHz-6kHz |  |\n| 6kHz-16kHz |  |\n| Key Frequencies:\u003Cbr>Voices\u003Cbr>15kHz. |  |\n| Harmonica |  |\n| Conga |  |\n| Bass Guitar |  |\n| Bass Drum |  |\n| Snare Drum |  |\n| Hi-Hat and Cymbals |  |\n| Toms |  |\n| Floor Toms |  |\n| Electric Guitar |  |\n| Acoustic Guitar |  |\n| Piano |  |\n\nHorns Fullness at 120-240Hz; Shrill at 7.5 or 5kHz.","cbCaieHXSWUKtSMr","https://ap.wps.com/l/cbCaieHXSWUKtSMr","pdf",79459,"English","# Frequency Range Effects\n## 16Hz-60Hz\n## 60Hz-250Hz\n## 250Hz-2000Hz\n## 2kHz-4kHz\n## 4kHz-6kHz\n## 6kHz-16kHz\n## Key Frequencies by Source\n## Horn Effects","[{\"question\":\"What happens when there is excessive boost in the 16Hz–60Hz range?\",\"answer\":\"Results of excessive boost include a stronger sense of power, with music felt more than heard, and it can sound muddy. Equalizing in this band can make the balance boomy and cause the sound to become fat or thin.\"},{\"question\":\"How do higher frequencies affect vocals and speech?\",\"answer\":\"In the 3kHz region, listening fatigue may result and voices can gain a lisping quality. Around 5kHz, adding boost can make music seem louder, while sibilance/harshness increases on vocals.\"},{\"question\":\"Which frequency characteristics are associated with “fullness,” “presence,” and “air”?\",\"answer\":\"Fullness is associated with about 120Hz, boominess with 200–240Hz, presence with about 5kHz, and air/shimmer with roughly 12kHz and 7.5–10kHz. The chart also connects bites at 3–5kHz and resonance/ring effects with nearby regions.\"}]","TECHNICAL BRIEF 2 - Tuning Chart | PDF",1791924682]