[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-1-en-105":3,"doc-seo-568553-105":53,"doc-detail-568553-en":126},{"code":4,"msg":5,"data":6},0,"success",[7,14,19,24,29,34,39,44,49],{"id":8,"doc_module":9,"doc_module_name":10,"category_name":11,"show_sort_weight":12,"slug":13},11,1,"Template","Presentations",90,"presentations",{"id":15,"doc_module":9,"doc_module_name":10,"category_name":16,"show_sort_weight":17,"slug":18},12,"Resumes",80,"resumes",{"id":20,"doc_module":9,"doc_module_name":10,"category_name":21,"show_sort_weight":22,"slug":23},14,"Invoices",70,"invoices",{"id":25,"doc_module":9,"doc_module_name":10,"category_name":26,"show_sort_weight":27,"slug":28},15,"Posters",60,"posters",{"id":30,"doc_module":9,"doc_module_name":10,"category_name":31,"show_sort_weight":32,"slug":33},16,"Social Media",50,"social-media",{"id":35,"doc_module":9,"doc_module_name":10,"category_name":36,"show_sort_weight":37,"slug":38},17,"Forms",40,"forms",{"id":40,"doc_module":9,"doc_module_name":10,"category_name":41,"show_sort_weight":42,"slug":43},18,"Letters",30,"letters",{"id":45,"doc_module":9,"doc_module_name":10,"category_name":46,"show_sort_weight":47,"slug":48},21,"Paper Templates",5,"papers-templates",{"id":50,"doc_module":9,"doc_module_name":10,"category_name":51,"show_sort_weight":4,"slug":52},158,"General","general-158",{"code":4,"msg":54,"data":55},"ok",{"site_id":56,"language":57,"slug":58,"title":59,"keywords":60,"description":61,"schema_data":62,"social_meta":119,"head_meta":121,"extra_data":123,"updated_unix":125},105,"en","singapore-symphony-group-annual-report-fy202425","Singapore Symphony Group Annual Report FY2024/25","","Singapore Symphony Group Annual Report FY2024/25 summarizes the organisation’s 2024/25 season achievements, governance, and financial reporting focus. It highlights sustained post-pandemic momentum, including high average attendance across ticketed concerts, growth in digital engagement beyond eight million views, and 110+ live performances serving both domestic and overseas audiences. The report also covers international tours, major collaborations, notable recordings, and ongoing leadership direction toward a OneSSG culture and expanded digital capabilities through 2029.",{"@graph":63,"@context":118},[64,80,101],{"@type":65,"itemListElement":66},"BreadcrumbList",[67,71,74,77],{"item":68,"name":69,"@type":70,"position":9},"https://docshare.wps.com","Home","ListItem",{"item":72,"name":10,"@type":70,"position":73},"https://docshare.wps.com/template/",2,{"item":75,"name":51,"@type":70,"position":76},"https://docshare.wps.com/template/general/",3,{"item":78,"name":59,"@type":70,"position":79},"https://docshare.wps.com/template/singapore-symphony-group-annual-report-fy202425/568553/",4,{"url":78,"name":59,"@type":81,"image":82,"author":87,"headline":59,"publisher":90,"fileFormat":93,"inLanguage":57,"description":61,"dateModified":94,"datePublished":95,"encodingFormat":93,"isAccessibleForFree":96,"interactionStatistic":97},"DigitalDocument",{"url":83,"@type":84,"width":85,"height":86},"https://docshare.wps.com/thumbnails/singapore-symphony-group-annual-report-fy202425/568553.png","ImageObject",442,249,{"name":88,"@type":89},"Emma Wilson","Person",{"url":68,"name":91,"@type":92},"DocShare","Organization","application/pdf","2026-10-20","2026-10-13",true,{"@type":98,"interactionType":99,"userInteractionCount":47},"InteractionCounter",{"@type":100},"ViewAction",{"@type":102,"mainEntity":103},"FAQPage",[104,110,114],{"name":105,"@type":106,"acceptedAnswer":107},"What were the key performance highlights for FY2024/25?","Question",{"text":108,"@type":109},"The report notes an average attendance of 90% across SSG ticketed concerts, over eight million combined digital views, and 110+ live performances welcoming more than 112,000 audience members.","Answer",{"name":111,"@type":106,"acceptedAnswer":112},"How did the group engage internationally during the season?",{"text":113,"@type":109},"It describes sold-out tours in Japan and Australia, the SSO’s invitation to perform in Kyoto as part of Asia Orchestra Week, and an Australian debut in Sydney, Melbourne, and Brisbane.",{"name":115,"@type":106,"acceptedAnswer":116},"What major leadership and future-planning updates are included?",{"text":117,"@type":109},"The report states that under Music Director Hans Graf, the SSO began searching for its next Music Director and announced that Hannu Lintu will take up the appointment with the 2026/27 season.","https://schema.org",{"og:url":78,"og:type":120,"og:title":59,"og:site_name":91,"og:description":61},"article",{"robots":122,"canonical":78},"index,follow",{"doc_id":124,"site_id":56},568553,1792094043,{"code":4,"msg":5,"data":127},{"doc_id":124,"user_id":128,"nickname":88,"user_avatar":129,"doc_module":9,"category_id":50,"category_name":51,"doc_title":59,"doc_description":61,"doc_content":130,"file_id":131,"file_url":132,"file_type":133,"file_size":134,"view_count":47,"is_deleted":4,"is_public":9,"is_downloadable":9,"audit_status":9,"page_count":135,"language":136,"language_code":57,"site_id":56,"html_lang":57,"table_of_contents":137,"faqs":138,"seo_title":139,"seo_description":61,"update_tm":140,"read_time":30},3848291630094,"https://eur-avatar.wpscdn.com/davatar_085a072bc5b1113ac321206ff7593b45","SINGAPORE SYMPHONY GROUP ANNUAL REPORT FY2024/25  \nAYEAR OF  \nPassion  \nSINGAPORE SYMPHONY GROUP  \nThe Singapore Symphony Group is the corporate entity and arts charity that manages the flagship Singapore Symphony Orchestra, the Singapore Symphony Choruses, the Singapore National Youth Orchestra, the Singapore International Piano Festival, as well as the SSO Organ and Chamber Series and the biennial National Piano & Violin Competition. As one of the nation’s leading art companies, we strive to achieve artistic excellence across all our performing entities, impact diverse communities meaningfully and deeply, be a partner and leader in the music ecosystem and a source of national pride, as well as be an employer of choice.  \nLeading up to 2029, our priorities are to invest in a OneSSG culture and digital capabilities, create strong synergies across our performing entities, and work closely with stakeholders to develop the symphonic, choral, and music education ecosystem in Singapore.  \nThe Group is governed by a Board of Directors. We are an Institution of Public Character, supported by the Ministry of Culture, Community and Youth, the National Arts Council, and the Ministry of Education.  \nVISION  \nA leading arts organisation that engages, inspires and reflects Singapore through musical excellence.  \nMISSION  \nWe create memorable shared experiences with music. Through the Singapore Symphony Orchestra and its affiliated performing groups, we spread the love for music, nurture talent, and enrich our diverse communities.  \nVALUES  \nPartnership | Professionalism | Passion  \nCONTENTS  \nO4 O6 22  \nMESSAGE  \nAYEAR IN REVIEW  \nOUR MUSICAL IDENTITY  \n38  \n60  \nLEADERSHIP AND GOVERNANCE  \nFINANCIAL STATEMENTS  \n04 From the Chair & CEO 08 Upholding Musical Excellence  \n10 Guest Soloists & Conductors  \n12 Striking a Chord with Communities  \n14 Passing the Baton Forward  \n16 Building Bridges with Music  \n18 A Legacy of Giving  \n20 A Standing Ovation  \n22 Singapore Symphony Orchestra  \n26 Singapore National Youth Orchestra  \n32 Singapore Symphony Choruses  \n36 ABRSM in Singapore  \n36 Victoria Concert Hall  \n38 Overview of the Charity  \n39 Corporate Information  \n42 Executive Management Team  \n43 Corporate Office Organisation Structure  \n44 Management and Administrative Team  \n45 Board Governance  \n54 Governance Evaluation Checklist  \n04  \nSINGAPORE SYMPHONY GROUP ANNUAL REPORT 24/25  \nFROM THE CHAIR & CEO  \nThe 2024/25 season marked another vibrant chapter for the Singapore Symphony Group, as we continued to build on our post-pandemic momentum. With the enduring support of our audiences, we sustained an average attendance of 90% across all SSG ticketed concerts. Our digital presence also flourished, reaching over eight million combined views across our platforms.  \nThrough more than 110 live performances, we welcomed over 112,000 audience members, including 8,000 overseas concertgoers during our sold-out tours in Japan and Australia  \n– our first international engagements since the pandemic. In October 2024, the SSO was invited to perform at Kyoto Concert Hall as part of Asia Orchestra Week, which was followed by our Australian debut in February 2025 where we performed in Sydney, Melbourne and Brisbane. We were immensely encouraged by the positive reception of the tour, including a 4.5-star review from Limelight (one of Australia’s premier arts publications), and a standing ovation in Brisbane.  \nBeyond the stage, our recordings continued to gain international recognition. The Butterfly Lovers and Paganini recording clinched the \\#1 spot on Apple Music Classical’s Global Top 100 and secured top 10 rankings in the classical charts of the United States, United Kingdom, and Australia. In fact, four of our recordings ranked in the Top 20 of the Australian Recording Industry Association’s Classical Music chart the week after our tour. We also celebrated a third international accolade for the SSO App, which was named an Honoree at the 28th Webby A","cbCaip9awWdMpVSA","https://ap.wps.com/l/cbCaip9awWdMpVSA","pdf",7444202,45,"English","# Message\n## A Year in Review\n## From the Chair & CEO\n## Upholding Musical Excellence\n## Guest Soloists & Conductors\n## Striking a Chord with Communities\n## Passing the Baton Forward\n## Building Bridges with Music\n## A Legacy of Giving\n## A Standing Ovation\n## Singapore Symphony Orchestra\n## Singapore National Youth Orchestra\n## Singapore Symphony Choruses\n## ABRSM in Singapore\n## Victoria Concert Hall\n## Overview of the Charity\n## Corporate Information\n## Executive Management Team\n## Corporate Office Organisation Structure\n## Management and Administrative Team\n## Board Governance\n## Governance Evaluation Checklist\n# Financial Statements","[{\"question\":\"What were the key performance highlights for FY2024/25?\",\"answer\":\"The report notes an average attendance of 90% across SSG ticketed concerts, over eight million combined digital views, and 110+ live performances welcoming more than 112,000 audience members.\"},{\"question\":\"How did the group engage internationally during the season?\",\"answer\":\"It describes sold-out tours in Japan and Australia, the SSO’s invitation to perform in Kyoto as part of Asia Orchestra Week, and an Australian debut in Sydney, Melbourne, and Brisbane.\"},{\"question\":\"What major leadership and future-planning updates are included?\",\"answer\":\"The report states that under Music Director Hans Graf, the SSO began searching for its next Music Director and announced that Hannu Lintu will take up the appointment with the 2026/27 season.\"}]","Singapore Symphony Group Annual Report FY2024/25 | PDF",1791871363]