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Tight, focused, single-POV.\nCORE CONCEPT\n[ Title (working) ]\n[ Genre / tone ]\n[ One-sentence premise: CHARACTER does/wants THING because of REASON but COMPLICATION ]\n[ Central question the story asks (answered by the end) ]\n[ Emotion you want the reader to feel at the close ]\n[ Approximate word count target ]\nCHARACTER\n[ Protagonist — name and defining trait ]\n[ What do they want? (external goal) ]\n[ What do they need? (internal truth) ]\n[ What are they afraid of / running from? ]\n[ One other significant character and their role ]\nSETTING\n[ Where (location — one or two specific places) ]\n[ When (time period / time of day / season — atmosphere) ]\n[ How does the setting reflect or contrast with character? ]\nSTRUCTURE\nOpening Hook\nStart mid-action or with an arresting image/line. Establish character, voice, and problem in the first paragraph.\n[ First line or opening scene idea ]\nComplication / Rising Tension\nWhat disrupts the status quo? What does the protagonist attempt, and what goes wrong?\n[ Main conflict or complication ]\nTurning Point\nThe moment everything changes. A discovery, a decision, a confrontation. The story pivots here.\n[ What is the turning point? ]\nClimax\nThe highest point of tension. The central question is answered. The protagonist acts — or deliberately does not.\n[ What is the climax scene? ]\nResolution / Closing Image\nShort stories often end on ambiguity or a resonant image rather than full closure. The reader should feel the meaning, not be told it.\n[ How does the story end? What is the final image or line? ]\nCRAFT NOTES\nScene count: 1-3 scenes maximum — short fiction moves fast\nEvery line should do two things: advance plot AND reveal character\nCut the first paragraph — stories almost always start too early\nShow the transformation through action, not internal summary\nThe ending should feel inevitable in retrospect, surprising in the moment","cbCaia9BN9IS9txg","https://ap.wps.com/l/cbCaia9BN9IS9txg","docx",38070,"English","# CORE CONCEPT\n## CHARACTER\n## SETTING\n## STRUCTURE\n## Craft Notes","[{\"question\":\"What craft rules does the template recommend for short fiction?\",\"answer\":\"It suggests using only 1–3 scenes, making every line advance plot and reveal character, starting at the right moment, showing transformation through action, and making the ending feel inevitable in retrospect.\"}]","Short Story - Story Outline | DOCX",1788288456]