[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-1-en-105":3,"doc-seo-563704-105":53,"doc-detail-563704-en":126},{"code":4,"msg":5,"data":6},0,"success",[7,14,19,24,29,34,39,44,49],{"id":8,"doc_module":9,"doc_module_name":10,"category_name":11,"show_sort_weight":12,"slug":13},11,1,"Template","Presentations",90,"presentations",{"id":15,"doc_module":9,"doc_module_name":10,"category_name":16,"show_sort_weight":17,"slug":18},12,"Resumes",80,"resumes",{"id":20,"doc_module":9,"doc_module_name":10,"category_name":21,"show_sort_weight":22,"slug":23},14,"Invoices",70,"invoices",{"id":25,"doc_module":9,"doc_module_name":10,"category_name":26,"show_sort_weight":27,"slug":28},15,"Posters",60,"posters",{"id":30,"doc_module":9,"doc_module_name":10,"category_name":31,"show_sort_weight":32,"slug":33},16,"Social Media",50,"social-media",{"id":35,"doc_module":9,"doc_module_name":10,"category_name":36,"show_sort_weight":37,"slug":38},17,"Forms",40,"forms",{"id":40,"doc_module":9,"doc_module_name":10,"category_name":41,"show_sort_weight":42,"slug":43},18,"Letters",30,"letters",{"id":45,"doc_module":9,"doc_module_name":10,"category_name":46,"show_sort_weight":47,"slug":48},21,"Paper Templates",5,"papers-templates",{"id":50,"doc_module":9,"doc_module_name":10,"category_name":51,"show_sort_weight":4,"slug":52},158,"General","general-158",{"code":4,"msg":54,"data":55},"ok",{"site_id":56,"language":57,"slug":58,"title":59,"keywords":60,"description":61,"schema_data":62,"social_meta":119,"head_meta":121,"extra_data":123,"updated_unix":125},105,"en","seanwilsonpiano-chord-progression-charts-major-2-5-1-chords","seanwilsonpiano chord progression charts - Major 2-5-1 chords","","Chord progression charts for piano that map common 2-5-1 harmony in major and minor keys. The tables list target roots alongside II, V, and I chord voicings with Drop-2 style note sets, including extended variations such as half-diminished leading movements, V7b9 patterns, and minor-major ninth options. Guidance also covers optional inversions and alternate pathways for resolving into V7b9, supporting practical voicing selection across transposed keys.",{"@graph":63,"@context":118},[64,80,101],{"@type":65,"itemListElement":66},"BreadcrumbList",[67,71,74,77],{"item":68,"name":69,"@type":70,"position":9},"https://docshare.wps.com","Home","ListItem",{"item":72,"name":10,"@type":70,"position":73},"https://docshare.wps.com/template/",2,{"item":75,"name":11,"@type":70,"position":76},"https://docshare.wps.com/template/presentations/",3,{"item":78,"name":59,"@type":70,"position":79},"https://docshare.wps.com/template/seanwilsonpiano-chord-progression-charts-major-2-5-1-chords/563704/",4,{"url":78,"name":59,"@type":81,"image":82,"author":87,"headline":59,"publisher":90,"fileFormat":93,"inLanguage":57,"description":61,"dateModified":94,"datePublished":95,"encodingFormat":93,"isAccessibleForFree":96,"interactionStatistic":97},"DigitalDocument",{"url":83,"@type":84,"width":85,"height":86},"https://docshare.wps.com/thumbnails/seanwilsonpiano-chord-progression-charts-major-2-5-1-chords/563704.png","ImageObject",442,249,{"name":88,"@type":89},"Rainbow Cat","Person",{"url":68,"name":91,"@type":92},"DocShare","Organization","application/pdf","2026-10-19","2026-10-12",true,{"@type":98,"interactionType":99,"userInteractionCount":47},"InteractionCounter",{"@type":100},"ViewAction",{"@type":102,"mainEntity":103},"FAQPage",[104,110,114],{"name":105,"@type":106,"acceptedAnswer":107},"What do the major 2-5-1 chord tables show?","Question",{"text":108,"@type":109},"They list, for each target root, the corresponding II chord voicing, V chord voicing, and I chord voicing, with specific Drop-2 note spellings and the target chord label (e.g., Cmaj7, DMaj7).","Answer",{"name":111,"@type":106,"acceptedAnswer":112},"How are minor 2-5-1 progressions constructed in these charts?",{"text":113,"@type":109},"They provide II chord half-diminished movements, a V chord pattern labeled with V7b9 variants, and an I chord voicing that matches the target chord, including minor-major ninth outcomes (MinMaj7).",{"name":115,"@type":106,"acceptedAnswer":116},"Are there alternative ways to reach the V7b9 chord for minor 2-5-1?",{"text":117,"@type":109},"Yes. The chart includes notes describing an alternate approach using specific hand-motion suggestions and guidance on resolving into the V7bp/V7b9 chord in related keys.","https://schema.org",{"og:url":78,"og:type":120,"og:title":59,"og:site_name":91,"og:description":61},"article",{"robots":122,"canonical":78},"index,follow",{"doc_id":124,"site_id":56},563704,1792033591,{"code":4,"msg":5,"data":127},{"doc_id":124,"user_id":128,"nickname":88,"user_avatar":129,"doc_module":9,"category_id":8,"category_name":11,"doc_title":59,"doc_description":61,"doc_content":130,"file_id":131,"file_url":132,"file_type":133,"file_size":134,"view_count":47,"is_deleted":4,"is_public":9,"is_downloadable":9,"audit_status":9,"page_count":47,"language":135,"language_code":57,"site_id":56,"html_lang":57,"table_of_contents":136,"faqs":137,"seo_title":138,"seo_description":61,"update_tm":139,"read_time":73},962090769181,"https://ap-avatar.wpscdn.com/davatar_6f874abed73319feea01a86fa6f0fab8","| | | |\n| --- | --- | --- |\n| CHORD\u003Cbr>PROGRESSION CHARTS\u003Cbr>SEAN WILSON PIANO . COM |  |  |\n\n(DROP 2 CHORDS)  \n\n| Target Root\u003Cbr>(optional, look at your target chord instead) | II Chord | V Chord | I Chord | Target Chord |\n| --- | --- | --- | --- | --- |\n| C | D-A-C-F | D-G-B-F | C-G-B-E | Cmaj7 |\n| Db | Eb-Bb-Db-Gb | Eb-Ab-C-Gb | Db-Ab-C-F | DbMaj7 |\n| D | E-B-D-G | E-A-C\\#-G | D-A-C\\#-F\\# | DMaj7 |\n| Eb | F-C-Eb-Ab | F-Bb-D-Ab | Eb-Bb-D-G | EbMaj7 |\n| E | F\\#-C\\#-E-A | F\\#-B-D\\#-A | E-B-D\\#-G\\# | EMaj7 |\n| F | G-D-F-Bb | G-C-E-Bb | F-C-E-A | FMaj7 |\n| Gb | Ab-Eb-Gb-B | Ab-Db-F-B | Gb-Db-F-Bb | GbMaj7 |\n| G | A-E-G-C | A-D-F\\#-C | G-D-F\\#-B | GMaj7 |\n| Ab | Bb-F-Ab-Db | Bb-Eb-G-Db | Ab-Eb-G-C | AbMaj7 |\n| A | B-F\\#-A-D | B-E-G\\#-D | A-E-G\\#-C\\# | AMaj7 |\n| Bb | C-G-Bb-Eb | C-F-A-Eb | Bb-F-A-D | BbMaj7 |\n| B | C\\#-G\\#-B-E | C\\#-F\\#-A\\#-E | B-F\\#-A\\#-D\\# | BbMaj7 |\n\n© SEAN WILSON PIANO 2019 • SEAN WILSON PIANO . COM • PAGE 1  \nMAJOR 2-5-1 CHORDS  \n\n| \u003Cbr>(OTHER INVERSIONS) |\n| --- |\n| Target Root\u003Cbr>(optional, look at your target chord instead) II Chord\u003Cbr>(3rd inv) V Chord\u003Cbr>(1st inv) I Chord\u003Cbr>Chord (1st inv) Target Chord |\n| C F-C-D-A F-B-D-G E-B-C-G Cmaj7 Db Gb-Db-Eb-Bb Gb-C-Eb-Ab F-C-Db-Ab DbMaj7 D G-D-E-B G-C\\#-E-A F\\#-C\\#-D-A DMaj7 Eb Ab-Eb-F-C Ab-D-F-Bb G-D-Eb-Bb EbMaj7 E A-E-F\\#-C\\# A-D\\#-F\\#-B G\\#-D\\#-E-B EMaj7 F Bb-F-G-D Bb-E-G-C A-E-F-C FMaj7 Gb B-Gb-Ab-Eb B-F-Ab-Db Bb-F-Gb-Db GbMaj7 G C-G-A-E C-F\\#-A-D B-F\\#-G-D GMaj7 Ab Db-Ab-Bb-F Db-G-Bb-Eb C-G-Ab-Eb AbMaj7 A D-A-B-F\\# D-G\\#-B-E C\\#-G\\#-A-E AMaj7 Bb Eb-Bb-C-G Eb-A-C-F D-A-Bb-F BbMaj7 B E-B-C\\#-G\\# E-A\\#-C\\#-F\\# D\\#-A\\#-B-F\\# BMaj7 |\n| © SEAN WILSON PIANO 2019 • SEAN WILSON PIANO . COM • PAGE 2 |\n\nMAJOR 2-5-1 CHORDS  \n\n| \u003Cbr>(HALF-DIM → V7B9 → MIN9) |\n| --- |\n| Target Root II Chord\u003Cbr>*min7b5 V Chord\u003Cbr>*V7b9 I Chord Target Chord |\n| C D-F-Ab-C G-F-Ab-B-D C-Eb-G-Bb-D Cmin7 Db Eb-Gb-A-Db Ab-Gb-A-C-Eb Db-E-Ab-B-Eb Dbmin7 D E-G-A\\#-D A-C\\#-G-Bb-E D-F-A-C-E Dmin7 Eb F-Ab-B-Eb Bb-D-Ab-B-F Eb-Gb-Bb-Db-F Ebmin7 E F\\#-C-E-A B-D\\#-A-C-F\\# E-G-B-D-F\\# Emin7 F G-Db-F-Bb C-E-Bb-Db-G F-Ab-C-Eb-G Fmin7 Gb Ab-D-Gb-B Db-F-B-D-Ab Gb-A-Db-E-Ab Gbmin7 G A-Eb-G-C D-Gb-C-Eb-A G-Bb-D-F-A Gmin7 Ab Bb-E-Ab-Db Eb-G-Db-E-Bb Ab-B-Eb-Gb-Bb Abmin7 A B-F-A-D E-G\\#-D-F-B A-C-E-G-B Amin7 Bb C-Gb-Bb-Eb F-A-Eb-Gb-C Bb-Db-F-Ab-C Bbmin7 B C\\#-G-B-E F\\#-A\\#-E-G-C\\# B-D-F\\#-A-C\\# Bmin7 E Minor\u003Cbr>Alternate way to get to theV7bp chord\u003Cbr>*translate to other\u003Cbr>keys Hold down B\u003Cbr>LH: E to G to F\\#\u003Cbr>RH: C to E to D\\# (hold C)\u003Cbr>RH pinky: hold an A E-G-B-D-F\\# Emin7 |\n| © SEAN WILSON PIANO 2019 • SEAN WILSON PIANO . COM • PAGE 3 |\n\nMINOR 2-5-1 CHORDS  \n(HALF-DIM → V7B9 → MIN MAJ9)  \n\n| Target Root | II Chord\u003Cbr>*min7b5 | V Chord\u003Cbr>*V7b9\\#5 | I Chord | Target Chord |\n| --- | --- | --- | --- | --- |\n| Notes\u003Cbr>See notes for E and\u003Cbr>apply to other key | For the II chord think of half-diminished movements using the same root. May also move to this from\u003Cbr>dimmaj7 | This chord can be played using a resolve from a Sus9 to the V7b9 chord | Any variation of a minor chord on the Target chord may work here. Including a simple minor triad |  |\n| C | D C-Gb-Bb-Eb | (G) F-Ab-B-D | C-Eb-G-B-D | CMinMaj7 |\n| Db | Eb Db-G-B-E | (Ab) Gb-A-C-Eb | Db-E-Ab-C-Eb | DbMinMaj7 |\n| D | E D-Ab-C-F | C\\#-G-Bb-E | D-F-A-C\\#-E | DMinMaj7 |\n| Eb | F Eb-A-Db-F\\# | (Bb) D-Ab-B-F | Eb-Gb-Bb-D-F | EbMinMaj7 |\n| E | F\\# E-Bb-D-G | (B) D\\#-A-C-F\\# | E-G-B-D\\#-F\\# | EMinMaj7 |\n| F | G F-B-Eb-Ab | (C) E-Bb-Db-G | F-Ab-C-E-G | FMinMaj7 |\n| F\\# | Ab Gb-C-E-A | (Db) F-B-D-Ab | Gb-A-Db-F-Ab | GbMinMaj7 |\n| G | A G-Db-F-Bb | (D) Gb-C-Eb-A | G-Bb-D-Gb-A | GMinMaj7 |\n| Ab | Bb Ab-D-Gb-B | (Eb) G-Db-E-Bb | Ab-B-Eb-G-Bb | AbMinMaj7 |\n| A | B A-Eb-G-C | (E) G\\#-D-F-B | A-C-E-F\\#-C | AMinMaj7 |\n| Bb | C Bb-E-Ab-Db | (F) A-Eb-Gb-C | Bb-Db-F-A-C | BbMinMaj7 |\n| B | C\\# B-F-A-D | (F\\#) A\\#-E-G-C\\# | B-D-F\\#-A\\#-C\\# | BMinMaj7 |\n| E | E-Bb-D-G over F\\#\u003Cbr>*consider starting with E-B-Eb-G then moving the E closest to the top down two half steps\u003Cbr>(","cbCaifu1A7uKc67W","https://ap.wps.com/l/cbCaifu1A7uKc67W","pdf",210595,"English","# Major 2-5-1 chords\n## (Other inversions)\n## (Half-dim → V7b9 → Min9)\n# Minor 2-5-1 chords\n## (Half-dim → V7b9 → Min Maj9)","[{\"question\":\"What do the major 2-5-1 chord tables show?\",\"answer\":\"They list, for each target root, the corresponding II chord voicing, V chord voicing, and I chord voicing, with specific Drop-2 note spellings and the target chord label (e.g., Cmaj7, DMaj7).\"},{\"question\":\"How are minor 2-5-1 progressions constructed in these charts?\",\"answer\":\"They provide II chord half-diminished movements, a V chord pattern labeled with V7b9 variants, and an I chord voicing that matches the target chord, including minor-major ninth outcomes (MinMaj7).\"},{\"question\":\"Are there alternative ways to reach the V7b9 chord for minor 2-5-1?\",\"answer\":\"Yes. The chart includes notes describing an alternate approach using specific hand-motion suggestions and guidance on resolving into the V7bp/V7b9 chord in related keys.\"}]","seanwilsonpiano chord progression charts - Major 2-5-1 chords | PDF",1791837759]