[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-1-en-105":3,"doc-seo-571842-105":53,"doc-detail-571842-en":126},{"code":4,"msg":5,"data":6},0,"success",[7,14,19,24,29,34,39,44,49],{"id":8,"doc_module":9,"doc_module_name":10,"category_name":11,"show_sort_weight":12,"slug":13},11,1,"Template","Presentations",90,"presentations",{"id":15,"doc_module":9,"doc_module_name":10,"category_name":16,"show_sort_weight":17,"slug":18},12,"Resumes",80,"resumes",{"id":20,"doc_module":9,"doc_module_name":10,"category_name":21,"show_sort_weight":22,"slug":23},14,"Invoices",70,"invoices",{"id":25,"doc_module":9,"doc_module_name":10,"category_name":26,"show_sort_weight":27,"slug":28},15,"Posters",60,"posters",{"id":30,"doc_module":9,"doc_module_name":10,"category_name":31,"show_sort_weight":32,"slug":33},16,"Social Media",50,"social-media",{"id":35,"doc_module":9,"doc_module_name":10,"category_name":36,"show_sort_weight":37,"slug":38},17,"Forms",40,"forms",{"id":40,"doc_module":9,"doc_module_name":10,"category_name":41,"show_sort_weight":42,"slug":43},18,"Letters",30,"letters",{"id":45,"doc_module":9,"doc_module_name":10,"category_name":46,"show_sort_weight":47,"slug":48},21,"Paper Templates",5,"papers-templates",{"id":50,"doc_module":9,"doc_module_name":10,"category_name":51,"show_sort_weight":4,"slug":52},158,"General","general-158",{"code":4,"msg":54,"data":55},"ok",{"site_id":56,"language":57,"slug":58,"title":59,"keywords":60,"description":61,"schema_data":62,"social_meta":119,"head_meta":121,"extra_data":123,"updated_unix":125},105,"en","logic-pro-x-plugins-plugins-cheat-sheet","LOGIC PRO X PLUGINS - Plugins Cheat Sheet","","Quick reference guide to Logic Pro X plug-in types, focused on how to choose and apply essential dynamics and EQ tools. Covers Channel EQ, Linear Phase EQ, Vintage Console EQ, Vintage Tube EQ, plus multiple compressor circuits including Digital Compressor, Studio VCA, Studio FET, Classic VCA, Vintage VCA, Vintage FET, and Vintage Opto. Includes practical notes on subtractive EQ, transparency vs coloration, when to use heavy boosts, and suggested applications for vocals, drums, mix buses, and other instruments.",{"@graph":63,"@context":118},[64,80,101],{"@type":65,"itemListElement":66},"BreadcrumbList",[67,71,74,77],{"item":68,"name":69,"@type":70,"position":9},"https://docshare.wps.com","Home","ListItem",{"item":72,"name":10,"@type":70,"position":73},"https://docshare.wps.com/template/",2,{"item":75,"name":11,"@type":70,"position":76},"https://docshare.wps.com/template/presentations/",3,{"item":78,"name":59,"@type":70,"position":79},"https://docshare.wps.com/template/logic-pro-x-plugins-plugins-cheat-sheet/571842/",4,{"url":78,"name":59,"@type":81,"image":82,"author":87,"headline":59,"publisher":90,"fileFormat":93,"inLanguage":57,"description":61,"dateModified":94,"datePublished":95,"encodingFormat":93,"isAccessibleForFree":96,"interactionStatistic":97},"DigitalDocument",{"url":83,"@type":84,"width":85,"height":86},"https://docshare.wps.com/thumbnails/logic-pro-x-plugins-plugins-cheat-sheet/571842.png","ImageObject",442,249,{"name":88,"@type":89},"Logic","Person",{"url":68,"name":91,"@type":92},"DocShare","Organization","application/pdf","2026-10-23","2026-10-13",true,{"@type":98,"interactionType":99,"userInteractionCount":79},"InteractionCounter",{"@type":100},"ViewAction",{"@type":102,"mainEntity":103},"FAQPage",[104,110,114],{"name":105,"@type":106,"acceptedAnswer":107},"What is the best use case for Channel EQ in Logic Pro X?","Question",{"text":108,"@type":109},"Use it as a workhorse EQ for subtractive tasks like narrow notch cuts. For heavy boosts, consider vintage EQs when Channel EQ sounds too sterile.","Answer",{"name":111,"@type":106,"acceptedAnswer":112},"When should you use Linear Phase EQ?",{"text":113,"@type":109},"Use it when you want transparency and need to solve problems without changing the mix tone, such as on the mix bus or during mastering.",{"name":115,"@type":106,"acceptedAnswer":116},"Which compressor should you try for drums versus vocals?",{"text":117,"@type":109},"For drums, start with Studio FET or Vintage FET for fast, punchy results. For vocals, use Vintage Opto, which supports heavy compression while staying musical, with attention to keeping attack above 5ms.","https://schema.org",{"og:url":78,"og:type":120,"og:title":59,"og:site_name":91,"og:description":61},"article",{"robots":122,"canonical":78},"index,follow",{"doc_id":124,"site_id":56},571842,1792337996,{"code":4,"msg":5,"data":127},{"doc_id":124,"user_id":128,"nickname":88,"user_avatar":129,"doc_module":9,"category_id":8,"category_name":11,"doc_title":59,"doc_description":61,"doc_content":130,"file_id":131,"file_url":132,"file_type":133,"file_size":134,"view_count":79,"is_deleted":4,"is_public":9,"is_downloadable":9,"audit_status":9,"page_count":8,"language":135,"language_code":57,"site_id":56,"html_lang":57,"table_of_contents":136,"faqs":137,"seo_title":138,"seo_description":61,"update_tm":139,"read_time":79},1099513958762,"https://ap-avatar.wpscdn.com/avatar/1000023916a998db790?x-image-process=image/resize,m_fixed,w_180,h_180&k=1784791008015729253","LOGIC PRO X PLUGINS  \nChannel EQ  \nEven with the new vintage equalizers, this will still be your workhorse EQ.  \nFully parametric EQ’s like this are great for subtractive EQ in any case, like the narrow notch cut you see in the image above.  \nPlus, this is the only EQ with a spectrum analyzer, which can be incredibly helpful!  \nBut, when you want to apply heavy boosts, this EQ can start to sound a little sterile and odd. That’s when you should reach for one of the vintage EQs.  \n[www. musicianonamission.com](www. musicianonamission.com)  \nLinear Phase EQ  \nThis EQ functions in the same was as the channel EQ but is more transparent.  \nThis type of EQ can be helpful on your mix buss, or when mastering, if you want to solve a problem without changing the tone of the mix.  \nVintage Console EQ  \nThis is the easiest vintage EQ to use.  \n[www. musicianonamission.com](www. musicianonamission.com)  \nYou don’t have any control over the high end boost, which is a real shame. But the two mid knobs are parametric, and you can set the center frequency.  \nUnfortunately, you can’t adjust the bandwidth of those middle bands either. But this makes the EQ very easy to use-there are only a few controls to think about.  \nThe upside to using this style of EQ is that there is no frequency spectrum in front of you to influence your decisions. You are forced to mix with your ears!  \nVintage Tube EQ  \nThis EQ replicates an old Pultec equalizer. This style of EQ can take some getting used to, as the controls are a little different.  \nYou have both a boost AND attenuate for most frequencies, which seems odd at first.  \nThis EQ is more difficult to use, but is much more versatile. After you’re comfortable with the console EQ, give this a go.  \n[www. musicianonamission.com](www. musicianonamission.com)  \nDigital Compressor  \nThis is the default compressor type. It will do everything you need! If you’re not 100% confident with compression yet, ignore the other models for now.  \nI recommend that you find the right settings with this window, then just flick through the other windows to see which is your favorite for that exact circumstance.  \nYou might need to tweak the settings a little once you find a favorite for that particular channel.  \nThen, once you feel good with the digital compressor, you can jump straight to the other circuits when the situation calls for it…  \n[www. musicianonamission.com](www. musicianonamission.com)  \nStudio VCA  \nVCA style compressors are known for their transparency. When you need to do some heavy lifting, but don’t want the source to sound obviously compressed, give this a go.  \nI tend to use VCA on the mix buss, guitars, keys, bass-anything except vocals or drums.  \n[www. musicianonamission.com](www. musicianonamission.com)  \nStudio FET  \nFET compressors are fast and punchy. Try this on drums. On the snare, on the kick, or even the drum bass. It was made for it!  \n[www. musicianonamission.com](www. musicianonamission.com)  \nClassic VCA  \nThis has a different tone to the Studio VCA. Flick between the different VCA models when you want a VCA style compresor, and see which one suits the track.  \n[www. musicianonamission.com](www. musicianonamission.com)  \nVintage VCA  \nSame as above! Just a different tone to the other VCA circuits.  \n[www. musicianonamission.com](www. musicianonamission.com)  \nVintage FET  \nHere we have another FET, great on drums. This has a slightly different tone to the Studio FET.  \n[www. musicianonamission.com](www. musicianonamission.com)  \nVintage Opto  \nOpto compressors are more musical, and work great on vocals. With this circuit, you can heavily compress the vocals without making them sound over-compressed.  \nJust make sure you keep the attack time above 5ms if you want to avoid making the vocal sound too thick.  \n[www. musicianonamission.com](www. musicianonamission.com)","cbCaioq5MYyEbwp3","https://ap.wps.com/l/cbCaioq5MYyEbwp3","pdf",600841,"English","# Plugins Overview\n## EQ Plug-ins\n## Compressor Plug-ins","[{\"question\":\"What is the best use case for Channel EQ in Logic Pro X?\",\"answer\":\"Use it as a workhorse EQ for subtractive tasks like narrow notch cuts. For heavy boosts, consider vintage EQs when Channel EQ sounds too sterile.\"},{\"question\":\"When should you use Linear Phase EQ?\",\"answer\":\"Use it when you want transparency and need to solve problems without changing the mix tone, such as on the mix bus or during mastering.\"},{\"question\":\"Which compressor should you try for drums versus vocals?\",\"answer\":\"For drums, start with Studio FET or Vintage FET for fast, punchy results. For vocals, use Vintage Opto, which supports heavy compression while staying musical, with attention to keeping attack above 5ms.\"}]","LOGIC PRO X PLUGINS - Plugins Cheat Sheet | PDF",1791923999]