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It defines how to format emphasis and display text (underlined, italic, capitalized), and explains shorthand such as Off Panel and direct notes. The guide also specifies shot description conventions, including present-tense active voice, camera guidance priorities, brevity, avoiding repetition, and rules for dialogue tabbing, action per character, and SFX placement. 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It also instructs how to structure action and visual impact per panel.","Answer","https://schema.org",{"og:url":78,"og:type":112,"og:title":59,"og:site_name":91,"og:description":61},"article",{"robots":114,"canonical":78},"index,follow",{"doc_id":116,"site_id":56},177996,1791664950,{"code":4,"msg":5,"data":119},{"doc_id":116,"user_id":120,"nickname":88,"user_avatar":121,"doc_module":9,"category_id":40,"category_name":41,"doc_title":59,"doc_description":61,"doc_content":122,"file_id":123,"file_url":124,"file_type":125,"file_size":126,"view_count":73,"is_deleted":4,"is_public":9,"is_downloadable":9,"audit_status":9,"page_count":79,"language":127,"language_code":57,"site_id":56,"html_lang":57,"table_of_contents":128,"faqs":129,"seo_title":130,"seo_description":61,"update_tm":131,"read_time":73},34359740700684,"https://ap-avatar.wpscdn.com/avatar/1f400023980c374ae676?_k=1777273430885731487","TITLE – ISSUE 1 – # PAGES\nNOTES TO ART TEAM:\nAny overall personal or general notes about the script to the art team. If you repeat anything out of the ordinary in your writing, give them a heads up here.\nLETTERING/WRITING KEY:\nUnderlined = Bold\u000bItalic = Italic\u000bCapitalized = Display\u000b(OP) = Off Panel\u000b// = Direct Notes and reminders\nIf the word “CAMERA” appears above a panel description, no specific shot or angle is specified.\n\u000f\nPAGE XX ------------------------------ scene XX (X pages)\nPanel 1\nEXT. XXXX – DAY – CAMERA\nDescriptions in present tense, active voice.\n1 CAP\tDialogue. Keep dialogue tabbed over for easier legibility.\n1 JOHN\tDialogue.\nPanel 2\nCAMERA\nMost important aspects of panel first.\n1 CAP \tDialogue.\n1 JANE \tDialogue.\nPanel 3\nCAMERA\nBe brief and clear.\n1 CAP \tDialogue.\n1 JOHN \tDialogue.\nPanel 4\nCAMERA\nAvoid repetition.\n1 CAP \tDialogue.\n1 JANE \tDialogue.\n1 SFX\t(EXPLOSION) BOOOOOOOM\nPanel 5\nCAMERA\nOne action per character, per panel.\n1 CAP \tDialogue.\n1 JOHN \tDialogue.\nPAGE XX ------------------------------ scene XX (X pages)\nPanel 1\nEXT. XXXX – DAY – CAMERA\nOpen strong, end strong.\n1 CAP \tDialogue.\n1 JOHN \tDialogue.\nPanel 2\nCAMERA\nEscalate the Pace, Tension, Conflict, Stakes and Action.\n1 CAP \tDialogue.\n1 JANE \tDialogue.\n1 SFX\t(CLAWS) THHHKK!\nPanel 3\nCAMERA\nHigh emotion and striking visuals.\n1 CAP \tDialogue.\n1 JOHN \tDialogue.\nPanel 4\nCAMERA\nMore threats, less action.\n1 CAP \tDialogue.\n1 JANE \tDialogue.\nPanel 5\nCAMERA\nForeshadow, foreshadow and don’t forget to foreshadow.\n1 CAP \tDialogue.\n1 JOHN \tDialogue.\nEND ISSUE # ------------------------------------------------","cbCainzjUbqdq8AJ","https://ap.wps.com/l/cbCainzjUbqdq8AJ","docx",28450,"English","# NOTES TO ART TEAM\n# LETTERING/WRITING KEY\n## PAGE SCENE TEMPLATE\n## PANEL WRITING GUIDELINES\n## END ISSUE","[{\"question\":\"What are the key rules for writing panel descriptions with “CAMERA” cues?\",\"answer\":\"The guide requires brief, clear descriptions in present tense with active voice, prioritizing the most important aspects first, escalating pace and tension when needed, and avoiding repetition. It also instructs how to structure action and visual impact per panel.\"}]","LETTERING/WRITING KEY - ISSUE 1 - Script writing guide | DOCX",1788330038]