[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-1-en-105":3,"doc-seo-563686-105":53,"doc-detail-563686-en":127},{"code":4,"msg":5,"data":6},0,"success",[7,14,19,24,29,34,39,44,49],{"id":8,"doc_module":9,"doc_module_name":10,"category_name":11,"show_sort_weight":12,"slug":13},11,1,"Template","Presentations",90,"presentations",{"id":15,"doc_module":9,"doc_module_name":10,"category_name":16,"show_sort_weight":17,"slug":18},12,"Resumes",80,"resumes",{"id":20,"doc_module":9,"doc_module_name":10,"category_name":21,"show_sort_weight":22,"slug":23},14,"Invoices",70,"invoices",{"id":25,"doc_module":9,"doc_module_name":10,"category_name":26,"show_sort_weight":27,"slug":28},15,"Posters",60,"posters",{"id":30,"doc_module":9,"doc_module_name":10,"category_name":31,"show_sort_weight":32,"slug":33},16,"Social Media",50,"social-media",{"id":35,"doc_module":9,"doc_module_name":10,"category_name":36,"show_sort_weight":37,"slug":38},17,"Forms",40,"forms",{"id":40,"doc_module":9,"doc_module_name":10,"category_name":41,"show_sort_weight":42,"slug":43},18,"Letters",30,"letters",{"id":45,"doc_module":9,"doc_module_name":10,"category_name":46,"show_sort_weight":47,"slug":48},21,"Paper Templates",5,"papers-templates",{"id":50,"doc_module":9,"doc_module_name":10,"category_name":51,"show_sort_weight":4,"slug":52},158,"General","general-158",{"code":4,"msg":54,"data":55},"ok",{"site_id":56,"language":57,"slug":58,"title":59,"keywords":60,"description":61,"schema_data":62,"social_meta":120,"head_meta":122,"extra_data":124,"updated_unix":126},105,"en","jazz-chord-symbols-nomenclature-packet-complete","Jazz Chord Symbols - Nomenclature Packet Complete","","Chord symbol nomenclature mapping for jazz improvisation: explains how one basic chord symbol represents the general sound of multiple specific chord symbols. Provides detailed charts listing specific chord symbols, their spelling (note sets), and scale/avoid-tone guidance, including major and common modal scale associations. Clarifies theoretical completeness via the “complete chord symbol,” how to select chord voicings from allowed scale notes, and learning strategy to memorize basic chords such as C, C7, C-, Cø, and C7alt.",{"@graph":63,"@context":119},[64,80,102],{"@type":65,"itemListElement":66},"BreadcrumbList",[67,71,74,77],{"item":68,"name":69,"@type":70,"position":9},"https://docshare.wps.com","Home","ListItem",{"item":72,"name":10,"@type":70,"position":73},"https://docshare.wps.com/template/",2,{"item":75,"name":51,"@type":70,"position":76},"https://docshare.wps.com/template/general/",3,{"item":78,"name":59,"@type":70,"position":79},"https://docshare.wps.com/template/jazz-chord-symbols-nomenclature-packet-complete/563686/",4,{"url":78,"name":59,"@type":81,"image":82,"author":87,"headline":59,"publisher":90,"fileFormat":93,"inLanguage":57,"description":61,"dateModified":94,"datePublished":95,"encodingFormat":93,"isAccessibleForFree":96,"interactionStatistic":97},"DigitalDocument",{"url":83,"@type":84,"width":85,"height":86},"https://docshare.wps.com/thumbnails/jazz-chord-symbols-nomenclature-packet-complete/563686.png","ImageObject",442,249,{"name":88,"@type":89},"MrHarris58","Person",{"url":68,"name":91,"@type":92},"DocShare","Organization","application/pdf","2026-10-27","2026-10-12",true,{"@type":98,"interactionType":99,"userInteractionCount":101},"InteractionCounter",{"@type":100},"ViewAction",8,{"@type":103,"mainEntity":104},"FAQPage",[105,111,115],{"name":106,"@type":107,"acceptedAnswer":108},"How does a basic chord symbol relate to specific chord symbols?","Question",{"text":109,"@type":110},"A single basic chord symbol represents the general sound shared by several specific chord symbols. Specific symbols are used when greater precision is required in published charts and sheet music.","Answer",{"name":112,"@type":107,"acceptedAnswer":113},"What is a “complete chord symbol” in this nomenclature?",{"text":114,"@type":110},"The complete chord symbol expands the basic symbol into a more detailed representation tied to a scale. It is used theoretically to indicate the full chord information, but it is rarely written out for performance in most charts.",{"name":116,"@type":107,"acceptedAnswer":117},"How should avoid tones be treated when forming chord voicings?",{"text":118,"@type":110},"Avoid tones should be excluded from chord voicings. Any other notes from the implied scale may be used in the pianist’s or guitarist’s chord voicings as indicated in the chart.","https://schema.org",{"og:url":78,"og:type":121,"og:title":59,"og:site_name":91,"og:description":61},"article",{"robots":123,"canonical":78},"index,follow",{"doc_id":125,"site_id":56},563686,1792111178,{"code":4,"msg":5,"data":128},{"doc_id":125,"user_id":129,"nickname":88,"user_avatar":130,"doc_module":9,"category_id":50,"category_name":51,"doc_title":59,"doc_description":61,"doc_content":131,"file_id":132,"file_url":133,"file_type":134,"file_size":135,"view_count":101,"is_deleted":4,"is_public":9,"is_downloadable":9,"audit_status":9,"page_count":136,"language":137,"language_code":57,"site_id":56,"html_lang":57,"table_of_contents":138,"faqs":139,"seo_title":140,"seo_description":61,"update_tm":141,"read_time":142},687212988360,"https://ap-avatar.wpscdn.com/davatar_276721f389ce27ea32af1340a28f341c","2  \n3  \n4  \n“Specific” Chord Symbols Chart 5  \nSymbol  \nC  \nC6  \nC6/9  \nC(add9)  \nCma7  \nCma7(add13)  \nCma9  \nCma13  \nC7  \nC9  \nC 13  \nCmi  \nCmi6  \nCmi6/9  \nCmi(add9)  \nCmi7  \nCmi7(add11)  \nCmi7(add13)  \nCmi9  \nCmi11  \nCmi13  \nCmi(ma7)  \nCmi9(ma7)  \nCmi7(b5)  \nCmi9(b5)  \nCmi11(b5)  \nSpelling  \nC E G  \nC E G A  \nC E G A D  \nC E G D  \nC E G B  \nC E G B A  \nC E G B D  \nC E G B D A  \nC E G Bb  \nC E G Bb D  \nC E G Bb D AC Eb G  \nC Eb G A  \nC Eb G A D  \nC Eb G D  \nC Eb G Bb  \nC Eb G Bb F  \nC Eb G Bb A  \nC Eb G Bb D  \nC Eb G Bb D F  \nC Eb G Bb D F A  \nC Eb G B  \nC Eb G B D  \nC Eb Gb Bb  \nC Eb Gb Bb D  \nC Eb Gb Bb D F  \nSymbol  Spelling  \nCdim C Eb Gb  \nCo7 C Eb Gb A  \nCo7(add ma7) C Eb Gb A B  \nC+ C E G\\#  \nCsus C F G  \nC7sus C F G Bb  \nC9sus C F G Bb D  \nC 13sus C F G Bb D A  \nCma7(b5) C E Gb B  \nCma7(\\#5) C E G\\# B  \nCma7(\\#11) C E G B F\\#  \nCma9(\\#11) C E G B D F\\#  \nCma13(\\#11) C E G B D F\\# AC7(b5) C E Gb Bb  \nC9(b5) C E Gb Bb D  \nC7(\\#5) C E G\\# Bb  \nC9(\\#5) C E G\\# Bb D  \nC7(b9) C E G Bb Db  \nC7(\\#9) C E G Bb D\\#  \nC7(b9 b5) C E Gb Bb Db C7(\\#9\\#5) C E G\\# Bb D\\#  \nC7(b9 \\#5) C E G\\# Bb Db C7(\\#11) C E G Bb F\\#  \nC9(\\#11) C E G Bb D F\\#  \nC7(\\#11b9) C E G Bb Db F\\#  \nC7(\\#11\\#9) C E G Bb D\\# F\\#  \nSymbol  Spelling  \nC 13(b5) C E Gb Bb D A  \nC 13(b9) C E G Bb Db A  \nC 13(\\#11) C E G Bb D F\\# A  \nC7sus(b9) C F G Bb Db  \nC 13sus(b9) C F G Bb Db A  \nAb /C C Eb Ab  \nF /C C F A  \nE /C C E G\\# B  \nBb /C C D F Bb  \nGm7/C C D F G Bb  \nAb(add9)/C C Eb Ab Bb C(add 9 omit 3) C G DC7(omit 3) C G Bb Cmi7(omit 5) C Eb Bb Cma7sus(b5) C F Gb BC7sus(add 3) C E F G Bb C(add b13 add 9) C E G Ab DC+(add \\#9 add b9) C E G\\# Db D\\# Cmi7(add11 omit5) C Eb Bb F  \nB/C  \nA+/CBb7sus /CDbma7(\\#5)/CBbma7(\\#5)/CFma7sus /C  \nDC  \nC D\\# F\\# B  \nC A C\\# E\\#  \nC Eb F Ab Bb  \nC Db F A C  \nC D F\\# A Bb  \nC E F Bb C  \nC E G D F\\# A  \n“Basic” Chord Symbols Chart  \nBasic Symbol  \nC  \nC7  \nC  \nC-∆  \nCø  \nCø9  \nCo  \nC7sus4 or G- /C  \nC∆+4  \nC7+5  \nC7b9  \nC7alt or C7+9  \nC7+4  \nC∆+4+5  \nScale Name  \nMajor  \nMixolydian  \n(5th mode of major)  \nDorian  \n(2nd mode of major)  \nMelodic Minor  \nLocrian  \n(7th mode of major)  \nLocrian \\#2  \n(6th mode of mel min)  \nDiminished (whole-half)  \nMixolydian  \n(5th mode of major)  \nLydian  \nWhole Tone  \nDiminished (half-whole)  \nSuper Locrian  \n(7th mode of mel min)  \nLydian Dominant  \n(4th mode of mel min)  \nLydian Augmented (3rd mode of mel min)  \nScale  \nC D E(F)G A B C avoid tone: 4th (F)  \nC D E(F)G A Bb C avoid tone: 4th (F)  \nC D Eb F G A Bb C  \nC D Eb F G A B C  \nC(Db)Eb F Gb Ab Bb C avoid tone: b2nd (Db)  \nC D Eb F Gb Ab Bb C  \nC D Eb F Gb Ab A B C  \nC D(E)F G A Bb C avoid tone: 3rd (E)  \nC D E F\\# G A B C (4th mode of major)  \nC D E F\\# G\\# Bb C  \nC Db Eb E F\\# G A Bb C  \nC Db Eb Fb Gb Ab Bb C  \nC D E F\\# G A Bb C  \nC D E F\\# G\\# A B C  \nComplete Symbol  \nC∆ 9 13  \nC7 9 13  \nC-7 9 11 13  \nC-∆ 9 11 13  \nCø 11 b13  \nCø 9 11 b13  \nDo Co  \nC7 9 11 13  \nC∆ 9 \\#11 13  \nC7 \\#5 9 \\#11  \nC7 b9 \\#9 \\#11 13  \nC7  \nC7  \nb9 \\#9 \\#11 b13  \n9 \\#11 13  \nC∆\\#5 9 \\#11 13  \n6  \nSpecific Symbols  \nC, C6 , C6/9 , C(add 9), Cma7 , Cma7(add 13),  \nCma9 , Cma13  \nC7 , C9 , C 13  \nCmi, Cmi7 , Cmi7(add 11), Cmi7(add 13), Cmi9 , Cmi11 , Cmi13  \nCmi6 , Cmi6/9 , Cmi(add 9), Cmi(ma7), Cmi9(ma7)  \nCmi7b5  \nCmi9b5 , Cmi11b5  \nCdim, Co7 ,  \nCo7(add ma7), Co9  \nCsus, C7sus, C9sus, C 13sus, G-/C, Bb /C  \nCma7(b5), Cma7(\\#11), Cma9(\\#11), Cma13(\\#11)  \nC+ , C7(b5), C9(b5), C7(\\#5), C9(\\#5)  \nC7(b9), C7(\\#9),  \nC7(b9 b5), C7(b9 \\#11),  \nC7(\\#9 \\#11), C 13(b9)  \nC7(\\#9 \\#5), C7(b9 \\#5)  \nC7(\\#11), C9(\\#11), C 13(b5), C 13(\\#11)  \nCma7(\\#5)  \n7  \nNomenclature  \nOne basic chord symbol represents the general sound for several specific chord symbols. Basic symbols are found in the Jamey Aebersold play-a-long books, Pocket Changes, and on cocktail napkins scribbled on between sets; specific symbols are used in The New Real Book, jazz band charts, and published sheet music. The basic symbol is merely an abbreviation for the “complete chord symbol”(used theoretically b","cbCaicG51RmUxAYL","https://ap.wps.com/l/cbCaicG51RmUxAYL","pdf",4407837,29,"English","# Specific Chord Symbols Chart\n## Symbol list and spellings\n# Basic Chord Symbols Chart\n## Basic symbols and scale names\n## Complete symbols\n# Nomenclature\n## Basic vs specific symbols and learning guidance","[{\"question\":\"How does a basic chord symbol relate to specific chord symbols?\",\"answer\":\"A single basic chord symbol represents the general sound shared by several specific chord symbols. Specific symbols are used when greater precision is required in published charts and sheet music.\"},{\"question\":\"What is a “complete chord symbol” in this nomenclature?\",\"answer\":\"The complete chord symbol expands the basic symbol into a more detailed representation tied to a scale. It is used theoretically to indicate the full chord information, but it is rarely written out for performance in most charts.\"},{\"question\":\"How should avoid tones be treated when forming chord voicings?\",\"answer\":\"Avoid tones should be excluded from chord voicings. Any other notes from the implied scale may be used in the pianist’s or guitarist’s chord voicings as indicated in the chart.\"}]","Jazz Chord Symbols - Nomenclature Packet Complete | PDF",1791837472,10]