[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-1-en-105":3,"doc-seo-256579-105":53,"doc-detail-256579-en":127},{"code":4,"msg":5,"data":6},0,"success",[7,14,19,24,29,34,39,44,49],{"id":8,"doc_module":9,"doc_module_name":10,"category_name":11,"show_sort_weight":12,"slug":13},11,1,"Template","Presentations",90,"presentations",{"id":15,"doc_module":9,"doc_module_name":10,"category_name":16,"show_sort_weight":17,"slug":18},12,"Resumes",80,"resumes",{"id":20,"doc_module":9,"doc_module_name":10,"category_name":21,"show_sort_weight":22,"slug":23},14,"Invoices",70,"invoices",{"id":25,"doc_module":9,"doc_module_name":10,"category_name":26,"show_sort_weight":27,"slug":28},15,"Posters",60,"posters",{"id":30,"doc_module":9,"doc_module_name":10,"category_name":31,"show_sort_weight":32,"slug":33},16,"Social Media",50,"social-media",{"id":35,"doc_module":9,"doc_module_name":10,"category_name":36,"show_sort_weight":37,"slug":38},17,"Forms",40,"forms",{"id":40,"doc_module":9,"doc_module_name":10,"category_name":41,"show_sort_weight":42,"slug":43},18,"Letters",30,"letters",{"id":45,"doc_module":9,"doc_module_name":10,"category_name":46,"show_sort_weight":47,"slug":48},21,"Paper Templates",5,"papers-templates",{"id":50,"doc_module":9,"doc_module_name":10,"category_name":51,"show_sort_weight":4,"slug":52},158,"General","general-158",{"code":4,"msg":54,"data":55},"ok",{"site_id":56,"language":57,"slug":58,"title":59,"keywords":60,"description":61,"schema_data":62,"social_meta":120,"head_meta":122,"extra_data":124,"updated_unix":126},105,"en","hannah-compton-costume-tech-resume-2020","Hannah Compton Costume Tech Resume 2020","","Resume for Hannah Compton focused on costume technology and theater wardrobe work. The document lists stage credits across multiple productions and roles, including costume designer, draper, stitcher, wardrobe supervisor, and wardrobe intern, with associated directors or department supervisors. It also highlights craft and production skills such as hair and makeup, dying and distressing, mask construction, embroidery and beading, jewelry making, millinery, knitting, and photography, plus a valid US driver’s license. Contact details and professional references are provided.",{"@graph":63,"@context":119},[64,80,102],{"@type":65,"itemListElement":66},"BreadcrumbList",[67,71,74,77],{"item":68,"name":69,"@type":70,"position":9},"https://docshare.wps.com","Home","ListItem",{"item":72,"name":10,"@type":70,"position":73},"https://docshare.wps.com/template/",2,{"item":75,"name":16,"@type":70,"position":76},"https://docshare.wps.com/template/resumes/",3,{"item":78,"name":59,"@type":70,"position":79},"https://docshare.wps.com/template/hannah-compton-costume-tech-resume-2020/256579/",4,{"url":78,"name":59,"@type":81,"image":82,"author":87,"headline":59,"publisher":90,"fileFormat":93,"inLanguage":57,"description":61,"dateModified":94,"datePublished":95,"encodingFormat":93,"isAccessibleForFree":96,"interactionStatistic":97},"DigitalDocument",{"url":83,"@type":84,"width":85,"height":86},"https://docshare.wps.com/thumbnails/hannah-compton-costume-tech-resume-2020/256579.png","ImageObject",442,249,{"name":88,"@type":89},"Angel","Person",{"url":68,"name":91,"@type":92},"DocShare","Organization","application/pdf","2026-10-12","2026-09-13",true,{"@type":98,"interactionType":99,"userInteractionCount":101},"InteractionCounter",{"@type":100},"ViewAction",6,{"@type":103,"mainEntity":104},"FAQPage",[105,111,115],{"name":106,"@type":107,"acceptedAnswer":108},"What theater roles and production credits does Hannah Compton include?","Question",{"text":109,"@type":110},"The resume lists costume designer, draper, stitcher, wardrobe supervisor, and wardrobe intern roles across productions from 2014 to 2020, each shown with the producing organization and credited lead director or supervisor.","Answer",{"name":112,"@type":107,"acceptedAnswer":113},"Which specific costume-tech and craft skills are listed?",{"text":114,"@type":110},"Skills include hair and makeup; dying and distressing; mask construction; embroidery and beading; jewelry making; millinery; knitting; and photography, along with additional theater-related capabilities.",{"name":116,"@type":107,"acceptedAnswer":117},"What qualifications and references are provided for verification?",{"text":118,"@type":110},"Education includes a Master of Fine Arts in Costume Design expected May 2020 and a Bachelor of the Arts from Knox College. Professional references name supervisors and include contact information and emails.","https://schema.org",{"og:url":78,"og:type":121,"og:title":59,"og:site_name":91,"og:description":61},"article",{"robots":123,"canonical":78},"index,follow",{"doc_id":125,"site_id":56},256579,1791292712,{"code":4,"msg":5,"data":128},{"doc_id":125,"user_id":129,"nickname":88,"user_avatar":130,"doc_module":9,"category_id":15,"category_name":16,"doc_title":59,"doc_description":61,"doc_content":131,"file_id":132,"file_url":133,"file_type":134,"file_size":135,"view_count":101,"is_deleted":4,"is_public":9,"is_downloadable":9,"audit_status":9,"page_count":9,"language":136,"language_code":57,"site_id":56,"html_lang":57,"table_of_contents":137,"faqs":138,"seo_title":139,"seo_description":61,"update_tm":140,"read_time":4},687207412472,"https://ap-avatar.wpscdn.com/davatar_155a257f0dc6eb9ab79c44ca47cae57d","hannahrcompton@gmail.com 847-903-5608 www.hannahcomptondesign.com  \nCredits  \n\n| Temple University Theater-Philadelphia, PA Graduate Student |  |\n| --- | --- |\n| 2020 Love’s Labor’s Lost the musical Costume Designer | Dir: Peter Reynolds |\n| 2019 An Enemy of the People Costume Designer | Dir: Marcus Giamatti |\n| 2018 A Midsummer Night’s Dream Draper | Des: Kathleen Embrey |\n| 2018 Sideshow Stitcher/Wardrobe Supervisor | Des: Melanie Green |\n| 2018 Romeo and Juliet Draper | Des: Elizabeth S. Ennis |\n| Ohio Light Opera-Wooster, OH Craftsperson |  |\n| 2019 Perchance to Dream | Des: Charlene Gross |\n| 2019 South Pacific | Des: Anne Medlock |\n| Ocean City Theatre Company-Ocean City, NJ Costume Designer |  |\n| 2018 Junie B. Jones the Musical | Dir: Shannon Agnew |\n| 2018 Beauty and the Beast | Dir: Dann Dunn |\n| Wilmette Park District-Wilmette, IL Costume Designer |  |\n| 2017 Lion King | Dir: Wendy Avon |\n| 2016 James and the Giant Peach | Dir: Wendy Avon |\n| Knox College Theater-Galesburg, IL Costume Shop Teaching Assistant |  |\n| 2014 In the Next Room or the Vibrator Play Co-designer with Margo Shively\u003Cbr>Lookingglass Theatre-Chicago, IL Wardrobe Intern | Dir: Liz Carlin Metz |\n| 2014 Lookingglass Alice Wardrobe Intern/ Cover\u003Cbr>Education | Sup: David Galbreath |\n| Temple University-Philadelphia, PA Masters of the Fine Arts in Costume Design, | Expected: May 2020 |\n| Knox College-Galesburg, IL Bachelor of the Arts, Cum Laude, June 2014 | Major: Theatre\u003Cbr>Minor: German |\n| Skills |  |\n\nHair and makeup Dying and Distressing Mask construction  \nEmbroidery and beading Jewelry making Millinery  \nKnitting  \nPhotography  \nValid US Driver’s License  \nReferences  \nJennielynn Streed Costume Shop Supervisor Temple University [jstreed@temple.edu](jstreed@temple.edu)[ ](jstreed@temple.edu)[215-204-8395](215-204-8395)  \nMargo Shively  \nCostume Shop Supervisor Knox College [mshively@knox.edu](mshively@knox.edu)[ ](mshively@knox.edu)[309-341-7808](309-341-7808)  \nAlison Dornheggan Artistic Director of Theatre Wilmette Center for the Arts [adornheggen@wilpark.org](adornheggen@wilpark.org)[ ](adornheggen@wilpark.org)[847-256-9694](847-256-9694)","cbCaij4huMDt9Ksh","https://ap.wps.com/l/cbCaij4huMDt9Ksh","pdf",121117,"English","# Professional Experience\n## Theater Credits\n## Skills and Capabilities\n## Education\n## References","[{\"question\":\"What theater roles and production credits does Hannah Compton include?\",\"answer\":\"The resume lists costume designer, draper, stitcher, wardrobe supervisor, and wardrobe intern roles across productions from 2014 to 2020, each shown with the producing organization and credited lead director or supervisor.\"},{\"question\":\"Which specific costume-tech and craft skills are listed?\",\"answer\":\"Skills include hair and makeup; dying and distressing; mask construction; embroidery and beading; jewelry making; millinery; knitting; and photography, along with additional theater-related capabilities.\"},{\"question\":\"What qualifications and references are provided for verification?\",\"answer\":\"Education includes a Master of Fine Arts in Costume Design expected May 2020 and a Bachelor of the Arts from Knox College. Professional references name supervisors and include contact information and emails.\"}]","Hannah Compton Costume Tech Resume 2020 | PDF",1789304898]