[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-1-en-105":3,"doc-seo-563288-105":53,"doc-detail-563288-en":127},{"code":4,"msg":5,"data":6},0,"success",[7,14,19,24,29,34,39,44,49],{"id":8,"doc_module":9,"doc_module_name":10,"category_name":11,"show_sort_weight":12,"slug":13},11,1,"Template","Presentations",90,"presentations",{"id":15,"doc_module":9,"doc_module_name":10,"category_name":16,"show_sort_weight":17,"slug":18},12,"Resumes",80,"resumes",{"id":20,"doc_module":9,"doc_module_name":10,"category_name":21,"show_sort_weight":22,"slug":23},14,"Invoices",70,"invoices",{"id":25,"doc_module":9,"doc_module_name":10,"category_name":26,"show_sort_weight":27,"slug":28},15,"Posters",60,"posters",{"id":30,"doc_module":9,"doc_module_name":10,"category_name":31,"show_sort_weight":32,"slug":33},16,"Social Media",50,"social-media",{"id":35,"doc_module":9,"doc_module_name":10,"category_name":36,"show_sort_weight":37,"slug":38},17,"Forms",40,"forms",{"id":40,"doc_module":9,"doc_module_name":10,"category_name":41,"show_sort_weight":42,"slug":43},18,"Letters",30,"letters",{"id":45,"doc_module":9,"doc_module_name":10,"category_name":46,"show_sort_weight":47,"slug":48},21,"Paper Templates",5,"papers-templates",{"id":50,"doc_module":9,"doc_module_name":10,"category_name":51,"show_sort_weight":4,"slug":52},158,"General","general-158",{"code":4,"msg":54,"data":55},"ok",{"site_id":56,"language":57,"slug":58,"title":59,"keywords":60,"description":61,"schema_data":62,"social_meta":120,"head_meta":122,"extra_data":124,"updated_unix":126},105,"en","frequency-spectrum-audio-mixing-guide","Frequency Spectrum - Audio Mixing Guide","","This document serves as a comprehensive visual and technical reference for understanding the frequency spectrum in audio mixing. It maps frequency ranges—from Sub Bass to Highs (20 Hz to 20k Hz)—to specific sonic characteristics, including rumble, boominess, clarity, presence, and air. By categorizing frequencies into 'Too Much', 'Balanced', and 'Too Little', the guide assists sound engineers and producers in identifying unwanted resonances and ensuring balanced tonal quality within a professional audio production context. It acts as an essential diagnostic tool for EQ adjustment, helping users achieve professional-grade frequency separation and sonic definition across various instruments and vocal tracks. Through a clear, structured table, it provides actionable insights into frequency-based character analysis, enabling precise correction of common audio issues like muddy, boxy, or harsh sound profiles while maintaining the natural character and spatial positioning of audio elements.",{"@graph":63,"@context":119},[64,80,102],{"@type":65,"itemListElement":66},"BreadcrumbList",[67,71,74,77],{"item":68,"name":69,"@type":70,"position":9},"https://docshare.wps.com","Home","ListItem",{"item":72,"name":10,"@type":70,"position":73},"https://docshare.wps.com/template/",2,{"item":75,"name":51,"@type":70,"position":76},"https://docshare.wps.com/template/general/",3,{"item":78,"name":59,"@type":70,"position":79},"https://docshare.wps.com/template/frequency-spectrum-audio-mixing-guide/563288/",4,{"url":78,"name":59,"@type":81,"image":82,"author":87,"headline":59,"publisher":90,"fileFormat":93,"inLanguage":57,"description":61,"dateModified":94,"datePublished":95,"encodingFormat":93,"isAccessibleForFree":96,"interactionStatistic":97},"DigitalDocument",{"url":83,"@type":84,"width":85,"height":86},"https://docshare.wps.com/thumbnails/frequency-spectrum-audio-mixing-guide/563288.png","ImageObject",442,249,{"name":88,"@type":89},"Aria","Person",{"url":68,"name":91,"@type":92},"DocShare","Organization","application/pdf","2026-10-30","2026-10-12",true,{"@type":98,"interactionType":99,"userInteractionCount":101},"InteractionCounter",{"@type":100},"ViewAction",8,{"@type":103,"mainEntity":104},"FAQPage",[105,111,115],{"name":106,"@type":107,"acceptedAnswer":108},"What are the primary frequency ranges used in audio mixing?","Question",{"text":109,"@type":110},"The frequency spectrum is divided into Sub Bass, Bass, Low Mids, Mids, Upper Mids, and Highs, ranging from 20 Hz to 20k Hz.","Answer",{"name":112,"@type":107,"acceptedAnswer":113},"How can I identify 'muddy' audio using this spectrum guide?",{"text":114,"@type":110},"Muddy characteristics typically manifest in the Low Mids range and occur when there is 'too much' frequency content in that area, negatively affecting clarity.",{"name":116,"@type":107,"acceptedAnswer":117},"What is the benefit of using this chart for equalization?",{"text":118,"@type":110},"The chart helps you pinpoint specific frequency-based issues like harshness or boxiness, allowing for surgical EQ adjustments to restore balance and professional definition to your mix.","https://schema.org",{"og:url":78,"og:type":121,"og:title":59,"og:site_name":91,"og:description":61},"article",{"robots":123,"canonical":78},"index,follow",{"doc_id":125,"site_id":56},563288,1792086184,{"code":4,"msg":5,"data":128},{"doc_id":125,"user_id":129,"nickname":88,"user_avatar":130,"doc_module":9,"category_id":50,"category_name":51,"doc_title":59,"doc_description":61,"doc_content":131,"file_id":132,"file_url":133,"file_type":134,"file_size":135,"view_count":101,"is_deleted":4,"is_public":9,"is_downloadable":9,"audit_status":9,"page_count":9,"language":136,"language_code":57,"site_id":56,"html_lang":57,"table_of_contents":137,"faqs":138,"seo_title":139,"seo_description":61,"update_tm":140,"read_time":4},2336464648322,"https://ap-avatar.wpscdn.com/avatar/2200025388227c56fec?_k=1778556882303663488","FREQUENCY SPECTRUM  \nTOO MUCH  \nBALANCED  \nTOO LITTLE  \n\n|  | Rumble | Boomy | Muddy | Boxy | Honky/Nasa | \u003Cbr>Tinny\u003Cbr>ly | Harsh\u003Cbr>Too Much Chara\u003Cbr>Sib\u003Cbr>Too Far Forwar | cter\u003Cbr>ilance\u003Cbr>d Pi | Brittle\u003Cbr>ercing |  |\n| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |\n|  | Bottom |  | War\u003Cbr>Punch | m\u003Cbr>Full |  | Ed | Present\u003Cbr>De nition\u003Cbr>ge |  | Air |  |\n|  | Weak | Thin | Clear | Hollow |  | No | Brig\u003Cbr>t Enough Charac\u003Cbr>Distant | ht\u003Cbr>Dark\u003Cbr>ter | Dull |  |\n\n20 Hz 50 Hz 100 Hz 200 Hz 500 Hz 1k Hz 2k Hz 5k Hz 10k Hz 20k Hz  \nSUB BASS BASS LOW MIDS MIDS UPPER MIDS HIGHS","cbCaiiHM2PLuiaaR","https://ap.wps.com/l/cbCaiiHM2PLuiaaR","pdf",49727,"English","# Frequency Spectrum Analysis\n## Frequency Range Classifications\n## Sonic Characteristics Guide","[{\"question\":\"What are the primary frequency ranges used in audio mixing?\",\"answer\":\"The frequency spectrum is divided into Sub Bass, Bass, Low Mids, Mids, Upper Mids, and Highs, ranging from 20 Hz to 20k Hz.\"},{\"question\":\"How can I identify 'muddy' audio using this spectrum guide?\",\"answer\":\"Muddy characteristics typically manifest in the Low Mids range and occur when there is 'too much' frequency content in that area, negatively affecting clarity.\"},{\"question\":\"What is the benefit of using this chart for equalization?\",\"answer\":\"The chart helps you pinpoint specific frequency-based issues like harshness or boxiness, allowing for surgical EQ adjustments to restore balance and professional definition to your mix.\"}]","Frequency Spectrum - Audio Mixing Guide | PDF",1791826808]