[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-1-en-105":3,"doc-seo-564004-105":53,"doc-detail-564004-en":126},{"code":4,"msg":5,"data":6},0,"success",[7,14,19,24,29,34,39,44,49],{"id":8,"doc_module":9,"doc_module_name":10,"category_name":11,"show_sort_weight":12,"slug":13},11,1,"Template","Presentations",90,"presentations",{"id":15,"doc_module":9,"doc_module_name":10,"category_name":16,"show_sort_weight":17,"slug":18},12,"Resumes",80,"resumes",{"id":20,"doc_module":9,"doc_module_name":10,"category_name":21,"show_sort_weight":22,"slug":23},14,"Invoices",70,"invoices",{"id":25,"doc_module":9,"doc_module_name":10,"category_name":26,"show_sort_weight":27,"slug":28},15,"Posters",60,"posters",{"id":30,"doc_module":9,"doc_module_name":10,"category_name":31,"show_sort_weight":32,"slug":33},16,"Social Media",50,"social-media",{"id":35,"doc_module":9,"doc_module_name":10,"category_name":36,"show_sort_weight":37,"slug":38},17,"Forms",40,"forms",{"id":40,"doc_module":9,"doc_module_name":10,"category_name":41,"show_sort_weight":42,"slug":43},18,"Letters",30,"letters",{"id":45,"doc_module":9,"doc_module_name":10,"category_name":46,"show_sort_weight":47,"slug":48},21,"Paper Templates",5,"papers-templates",{"id":50,"doc_module":9,"doc_module_name":10,"category_name":51,"show_sort_weight":4,"slug":52},158,"General","general-158",{"code":4,"msg":54,"data":55},"ok",{"site_id":56,"language":57,"slug":58,"title":59,"keywords":60,"description":61,"schema_data":62,"social_meta":119,"head_meta":121,"extra_data":123,"updated_unix":125},105,"en","finale-transposition-chart-usage","Finale Transposition Chart - Usage","","Finale Transposition Chart provides a detailed mapping between transposition settings, resulting sounding and written ranges, interval adjustments, key alteration values, and typical instrument usage. The chart lists common Western instruments with specific transposition entries, including octave and interval relationships. It also explains how to perform enharmonic transpositions in Finale, detailing steps to switch from sharp-based key signatures to flat-based ones (and vice versa) using interval and key alter offsets, plus how to avoid unintended changes via staff-style application.",{"@graph":63,"@context":118},[64,80,101],{"@type":65,"itemListElement":66},"BreadcrumbList",[67,71,74,77],{"item":68,"name":69,"@type":70,"position":9},"https://docshare.wps.com","Home","ListItem",{"item":72,"name":10,"@type":70,"position":73},"https://docshare.wps.com/template/",2,{"item":75,"name":11,"@type":70,"position":76},"https://docshare.wps.com/template/presentations/",3,{"item":78,"name":59,"@type":70,"position":79},"https://docshare.wps.com/template/finale-transposition-chart-usage/564004/",4,{"url":78,"name":59,"@type":81,"image":82,"author":87,"headline":59,"publisher":90,"fileFormat":93,"inLanguage":57,"description":61,"dateModified":94,"datePublished":95,"encodingFormat":93,"isAccessibleForFree":96,"interactionStatistic":97},"DigitalDocument",{"url":83,"@type":84,"width":85,"height":86},"https://docshare.wps.com/thumbnails/finale-transposition-chart-usage/564004.png","ImageObject",442,249,{"name":88,"@type":89},"Stanford","Person",{"url":68,"name":91,"@type":92},"DocShare","Organization","application/pdf","2026-10-25","2026-10-12",true,{"@type":98,"interactionType":99,"userInteractionCount":47},"InteractionCounter",{"@type":100},"ViewAction",{"@type":102,"mainEntity":103},"FAQPage",[104,110,114],{"name":105,"@type":106,"acceptedAnswer":107},"What does the transposition chart list for each Trans setting?","Question",{"text":108,"@type":109},"Each entry relates transposition to sounding and written behavior, the interval difference, key alter value, and suggested instrument usage.","Answer",{"name":111,"@type":106,"acceptedAnswer":112},"What does the note about instruments marked with an asterisk (*) mean?",{"text":113,"@type":109},"It indicates a transposition built into Finale 2014.5; otherwise, the document instructs choosing “Other” for those cases.",{"name":115,"@type":106,"acceptedAnswer":116},"How do you change a transposing instrument enharmonically from sharps to flats in Finale?",{"text":117,"@type":109},"Add 1 to Interval, subtract 12 from Key Alter, and leave Simplify Key checked so other key signatures remain unchanged.","https://schema.org",{"og:url":78,"og:type":120,"og:title":59,"og:site_name":91,"og:description":61},"article",{"robots":122,"canonical":78},"index,follow",{"doc_id":124,"site_id":56},564004,1792022946,{"code":4,"msg":5,"data":127},{"doc_id":124,"user_id":128,"nickname":88,"user_avatar":129,"doc_module":9,"category_id":8,"category_name":11,"doc_title":59,"doc_description":61,"doc_content":130,"file_id":131,"file_url":132,"file_type":133,"file_size":134,"view_count":47,"is_deleted":4,"is_public":9,"is_downloadable":9,"audit_status":9,"page_count":73,"language":135,"language_code":57,"site_id":56,"html_lang":57,"table_of_contents":136,"faqs":137,"seo_title":138,"seo_description":61,"update_tm":139,"read_time":9},2336477552062,"https://ap-avatar.wpscdn.com/davatar_994ba38a5ba835b3df7d355c54d3ed8d","Finale Transposition Chart, by MakeMusic user forum member Motet (11/22/2016)  \n\n| Trans. | Sounding | Written | Interval | Key\u003Cbr>Alter | Usage (Some Common Western Instruments) |\n| --- | --- | --- | --- | --- | --- |\n| C | Up 2 octaves | Down 2 octaves | -14 | 0 | Glockenspiel |\n| D¯ | Up min. 9th | Down min. 9th | -8 | 5 | D¯ Piccolo |\n| C * | Up octave | Down octave | -7 | 0 | Piccolo, Celesta, Xylophone, Handbells |\n| B¯ | Up min. 7th | Down min. 7th | -6 | 2 | B¯ Piccolo Trumpet, Soprillo Sax |\n| A | Up maj. 6th | Down maj. 6th | -5 | -3 | A Piccolo Trumpet |\n| A¯ | Up min. 6th | Down min. 6th | -5 | 4 | A¯ Clarinet |\n| F | Up perf. 4th | Down perf. 4th | -3 | 1 | F Trumpet |\n| E | Up maj. 3rd | Down maj. 3rd | -2 | -4 | E Trumpet |\n| E¯* | Up min. 3rd | Down min. 3rd | -2 | 3 | E¯ Clarinet, E¯ Flute, E¯ Trumpet, Soprano Cornet, Sopranino Sax |\n| D | Up maj. 2nd | Down maj. 2nd | -1 | -2 | D Clarinet, D Trumpet |\n| D¯ | Up min. 2nd | Down min. 2nd | -1 | 5 | D¯ Flute |\n| C | Unison | Unison | 0 | 0 | Concert pitch, Horn in C alto |\n| B | Down min. 2nd | Up min. 2nd | 1 | -5 | Horn in B (natural) alto, B Trumpet |\n| B¯* | Down maj. 2nd | Up maj. 2nd | 1 | 2 | B¯ Clarinet, B¯ Trumpet, Soprano Sax, Horn in B¯ alto, Flugelhorn |\n| A * | Down min. 3rd | Up min. 3rd | 2 | -3 | A Clarinet, A Trumpet, Horn in A, Oboe d’Amore |\n| A¯ | Down maj. 3rd | Up maj. 3rd | 2 | 4 | Horn in A¯ |\n| G * | Down perf. 4th | Up perf. 4th | 3 | -1 | Horn in G, Alto Flute |\n| G¯ | Down aug. 4th | Up aug. 4th | 3 | 6 | Horn in G¯ |\n| F\\# | Down dim. 5th | Up dim. 5th | 4 | -6 | Horn in F\\# |\n| F * | Down perf. 5th | Up perf. 5th | 4 | 1 | Horn in F, English Horn, Basset Horn |\n| E | Down min. 6th | Up min. 6th | 5 | -4 | Horn in E |\n| E¯* | Down maj. 6th | Up maj. 6th | 5 | 3 | Alto Clarinet, Alto Sax, Alto Horn (also called Tenor Horn, E¯ Horn, or Althorn), Horn in E¯, E¯ Tuba ( ¸ transposing) |\n| D | Down min. 7th | Up min. 7th | 6 | -2 | Horn in D |\n| D¯ | Down maj. 7th | Up maj. 7th | 6 | 5 | Horn in D¯ |\n| C * | Down octave | Up octave | 7 | 0 | Double Bass ( ¸), Contrabassoon ( ¸), Horn in C, Guitar, Bass Flute, Baritone Oboe, Heckelphone, C Bass Trumpet |\n| B | Down min. 9th | Up min. 9th | 8 | -5 | Horn in B (natural) |\n| B¯* | Down maj. 9th | Up maj. 9th | 8 | 2 | Tenor Sax, B¯ Bass Clarinet, Horn in B¯ basso, B¯ Bass Trumpet. B¯ Tuba ( ¸ transposing), Baritone Horn, Tenor Trombone, Euphonium |\n| A | Down octave\u003Cbr>plus min. 3rd | Up octave plus min. 3rd | 9 | -3 | A Bass Clarinet, Horn in A basso |\n| A¯ | Down octave\u003Cbr>plus maj. 3rd | Up octave plus maj. 3rd | 9 | 4 | Horn in A¯ basso |\n| G | Down octave\u003Cbr>plus perf. 4th | Up octave plus perf. 4th | 10 | -1 | Contra-alto Flute in G, Horn in G basso |\n| F | Down octave\u003Cbr>plus perf. 5th | Up octave plus perf. 5th | 11 | 1 | Contra-alto Flute in F |\n| E¯* | Down octave\u003Cbr>plus maj. 6th | Up octave plus maj. 6th | 12 | 3 | Baritone Sax, Contra-alto Clarinet, E¯ Bass (Tuba) |\n| C | Down 2 octaves | Up 2 octaves | 14 | 0 | Contrabass Flute |\n| B¯ | Down 2 octaves plus maj. 2nd | Up 2 octaves\u003Cbr>plus maj. 2nd | 15 | 2 | Bass Sax, Contrabass Clarinet, B¯ Bass (Tuba) |\n| E¯ | Down 2 octaves plus maj. 6th | Up 2 octaves\u003Cbr>plus maj. 6th | 19 | 3 | Contrabass Sax |\n| C | Down 3 octaves | Up 3 octaves | 21 | 0 | Subcontrabass Flute |\n| B¯ | Down 3 octaves plus maj. 2nd | Up 3 octaves\u003Cbr>plus maj. 2nd | 22 | 2 | Subcontrabass Sax, Tubax |\n\n* denotes a transposition built into Finale 2014.5; for others, choose Other. All instruments are notated in treble clef unless otherwise indicated. The orchestral tuba is usually written in bass clef at concert pitch; the transpositions for tuba above pertain to band music. Horns in bass clef are often written an octave lower that they are in treble clef; subtract 7 from Interval.  \nSee next page for instructions on enharmonic transpositions.  \nEnharmonic Instrument Transposition  \nTo change an instrument’s transposition so that when a key signature of six sharp","cbCaiibxx7iyIkup","https://ap.wps.com/l/cbCaiibxx7iyIkup","pdf",143612,"English","# Transposition Chart\n## Usage (Some Common Western Instruments)\n## Notes for Finale Transposition\n## Enharmonic Instrument Transposition","[{\"question\":\"What does the transposition chart list for each Trans setting?\",\"answer\":\"Each entry relates transposition to sounding and written behavior, the interval difference, key alter value, and suggested instrument usage.\"},{\"question\":\"What does the note about instruments marked with an asterisk (*) mean?\",\"answer\":\"It indicates a transposition built into Finale 2014.5; otherwise, the document instructs choosing “Other” for those cases.\"},{\"question\":\"How do you change a transposing instrument enharmonically from sharps to flats in Finale?\",\"answer\":\"Add 1 to Interval, subtract 12 from Key Alter, and leave Simplify Key checked so other key signatures remain unchanged.\"}]","Finale Transposition Chart - Usage | PDF",1791839808]