[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-1-en-105":3,"doc-detail-563367-en":53,"doc-seo-563367-105":74},{"code":4,"msg":5,"data":6},0,"success",[7,14,19,24,29,34,39,44,49],{"id":8,"doc_module":9,"doc_module_name":10,"category_name":11,"show_sort_weight":12,"slug":13},11,1,"Template","Presentations",90,"presentations",{"id":15,"doc_module":9,"doc_module_name":10,"category_name":16,"show_sort_weight":17,"slug":18},12,"Resumes",80,"resumes",{"id":20,"doc_module":9,"doc_module_name":10,"category_name":21,"show_sort_weight":22,"slug":23},14,"Invoices",70,"invoices",{"id":25,"doc_module":9,"doc_module_name":10,"category_name":26,"show_sort_weight":27,"slug":28},15,"Posters",60,"posters",{"id":30,"doc_module":9,"doc_module_name":10,"category_name":31,"show_sort_weight":32,"slug":33},16,"Social Media",50,"social-media",{"id":35,"doc_module":9,"doc_module_name":10,"category_name":36,"show_sort_weight":37,"slug":38},17,"Forms",40,"forms",{"id":40,"doc_module":9,"doc_module_name":10,"category_name":41,"show_sort_weight":42,"slug":43},18,"Letters",30,"letters",{"id":45,"doc_module":9,"doc_module_name":10,"category_name":46,"show_sort_weight":47,"slug":48},21,"Paper Templates",5,"papers-templates",{"id":50,"doc_module":9,"doc_module_name":10,"category_name":51,"show_sort_weight":4,"slug":52},158,"General","general-158",{"code":4,"msg":5,"data":54},{"doc_id":55,"user_id":56,"nickname":57,"user_avatar":58,"doc_module":9,"category_id":25,"category_name":26,"doc_title":59,"doc_description":60,"doc_content":61,"file_id":62,"file_url":63,"file_type":64,"file_size":65,"view_count":4,"is_deleted":4,"is_public":9,"is_downloadable":9,"audit_status":9,"page_count":66,"language":67,"language_code":68,"site_id":69,"html_lang":68,"table_of_contents":70,"faqs":71,"seo_title":72,"seo_description":60,"update_tm":73,"read_time":9},563367,962090893677,"mieayamfan","https://ap-avatar.wpscdn.com/davatar_3d24733baf745e90a7e4bdd5f77d97b2","Euphonium B.C. Fingering Chart - Non Compensating","Euphonium B.C. fingering chart for a non-compensating setup, presenting note-to-fingering mappings across a range of pitches. The chart includes guidance for pedal tones shown on gray background and indicates options where multiple fingerings exist, noting that the first shown is the most common. It also provides harmonic-series information describing how tube length, opening size, and conical flare influence timbre, while lip vibration and air speed enable movement within the harmonic series without changing valves.","# Euphonium B.C.Fingering Chart\n\n(Non Compensating)  \nNotes on gray background are pedal tones.  \nDb  \nA\\#   Bb  \nB  \nC  \nC\\#  \nD  \n\n|  |  |  |  |  |\n| --- | --- | --- | --- | --- |\n| 6:   |  |  |  |  |\n|  |  |  |  |  |\n|  |  |  |  |  |\n| bo  \u003Cbr>Open   | 亏  \u003Cbr>1234  \u003Cbr>(lip down)   | 1234   | bσ  \u003Cbr>134  \u003Cbr>\\#\\#   | 可  \u003Cbr>234   |\n\nGb  \nAb  \nG\\#  \nEb  \nF\\#  \nF  \nG  \nD  \nE  \n\n|  |  |  |  |  |  |\n| --- | --- | --- | --- | --- | --- |\n|  |  |  |  |  |  |\n|  |  |  |  |  |  |\n|  |  |  |  |  | 20   |\n| be  \u003Cbr>tσ  \u003Cbr>14 or 124   | 24 or 123   | O  \u003Cbr>4 or 13   | be  \u003Cbr>23   | 12 or 3   | 1  \u003Cbr>其e   |\n\nDb  \nA\\#  Bb  \nC\\#  \nB  \nA  \nC  \nD  \n\n|  |  |  |  |  |  |  |  |\n| --- | --- | --- | --- | --- | --- | --- | --- |\n|  |  |  |  |  |  |  |  |\n|  | e   |  |  | 0   | be  \u003Cbr>O   |  |  |\n|  | o   |  |  |  |  |  |  |\n| 2   | Open   |  | 24 or 123   | 4 or 13   | 23   |  | 12 or 3   |\n\nG\\#  \nAb  \nGb  \nEb  \nD\\#  \nE  \nF\\#  \nG  \nF  \n\n|  |  |  |  | O   | be   |\n| --- | --- | --- | --- | --- | --- |\n| O   |  | e   |  |  |  |\n|  |  |  |  |  |  |\n|  |  |  |  |  |  |\n| 1   | 2   | Open   | 23   | 12 or 3   | 1   |\n\nAA\\#BbBCC\\#Db(When more than one fingering is shown,the first is the most common.)  \nbo  \nte  \nbo  \n0  \n\n|  |  |  |  |  |\n| --- | --- | --- | --- | --- |\n| :   |  |  |  |  |\n|  |  |  |  |  |\n|  |  |  |  |  |\n| 2   | Open   | 12 or 3   | 1   | 2 or 23   |\n\nEb  \nD  \nD\\#  \nE  \nF  \n口6  \n旦  \nΩ  \n\n|  |  |  |  |  |\n| --- | --- | --- | --- | --- |\n| :   |  |  |  |  |\n|  |  |  |  |  |\n|  |  |  |  |  |\n| Open or 12   | 1   | 2 or 123   | Open or 4or 13   | 23   |\n\nAb  \nA\\#  \nBb  \nCa三  \nG  \nA  \nB  \nG\\#  \nbo  \n二  \n\\#  \n\\#旦  \n望  \n二  \n\n|  |  |  |  |  |  |\n| --- | --- | --- | --- | --- | --- |\n| :   |  |  |  |  |  |\n|  |  |  |  |  |  |\n|  |  |  |  |  |  |\n| 12 or 3   | 1   | 2   | Open   | 12   | 1   |\n\nW32F  \n# Euphonium B.C.Harmonic Series\n\nThe fundamental pitch of the euphonium is determined by the length of the tube.Its characteristic tone qualityis determined not only by the size of the opening in the tube,but also the amount of conical tubing or flare.  \nRegardlessof the length of tubing,a natural overtone series is produced when the air inside the tube is activatedthrough the vibration of the lips.By changing the tension of the lips and air speed,the performer can movehigher and lower within the harmonic series,without changing valves.  \nAlthough the harmonic series is (in theory)endless,the chart below begins with the fundamental:and continuesthrough the 12th partial.  \nThe 7th and 11th harmonic(partial)is so flat that it is unusable in the series(note the triangular shape of thenote head).  \nPartials:134589101112()Openb(extrenely flat)(extrenely flat)2  \n(extremely flat)(\\#)b后(extremely flat)(extrenely flat)(\\#)(b)(\\#)1-2(extrenely flat)(extremely flat)(\\#)(b)2-35(extrenely flat)(extreznely flat)1-3  \n(4)  \n(extremely flat)(extremely flat)1-2-3(2-4)  \n担  \n\\#o  \n(\\#)  \n(b)  \n(\\#)  \n0  \n(extrernely flat)  \nQ三  \n(extremely fat)","cbCaiqC4qTXZzwNf","https://ap.wps.com/l/cbCaiqC4qTXZzwNf","pdf",138190,2,"English","en",105,"# Euphonium B.C. Fingering Chart - Non Compensating\n## Notes and pedal tones\n## Harmonic series fundamentals","[{\"question\":\"What does “non-compensating” mean in this euphonium fingering chart?\",\"answer\":\"The chart specifically applies to a non-compensating euphonium configuration, organizing fingerings accordingly.\"},{\"question\":\"How are pedal tones indicated?\",\"answer\":\"Pedal tones are noted as the entries on a gray background.\"},{\"question\":\"How can a performer move up and down within the harmonic series without changing valves?\",\"answer\":\"By changing lip tension and air speed, the performer can shift to different positions within the harmonic series while keeping the valves unchanged.\"}]","Euphonium B.C. Fingering Chart - Non Compensating | PDF",1791830474,{"code":4,"msg":75,"data":76},"ok",{"site_id":69,"language":68,"slug":77,"title":59,"keywords":78,"description":60,"schema_data":79,"social_meta":128,"head_meta":130,"extra_data":132,"updated_unix":73},"euphonium-bc-fingering-chart-non-compensating","",{"@graph":80,"@context":127},[81,96,110],{"@type":82,"itemListElement":83},"BreadcrumbList",[84,88,90,93],{"item":85,"name":86,"@type":87,"position":9},"https://docshare.wps.com","Home","ListItem",{"item":89,"name":10,"@type":87,"position":66},"https://docshare.wps.com/template/",{"item":91,"name":26,"@type":87,"position":92},"https://docshare.wps.com/template/posters/",3,{"item":94,"name":59,"@type":87,"position":95},"https://docshare.wps.com/template/euphonium-bc-fingering-chart-non-compensating/563367/",4,{"url":94,"name":59,"@type":97,"author":98,"headline":59,"publisher":100,"fileFormat":103,"inLanguage":68,"description":60,"dateModified":104,"datePublished":104,"encodingFormat":103,"isAccessibleForFree":105,"interactionStatistic":106},"DigitalDocument",{"name":57,"@type":99},"Person",{"url":85,"name":101,"@type":102},"DocShare","Organization","application/pdf","2026-10-12",true,{"@type":107,"interactionType":108,"userInteractionCount":4},"InteractionCounter",{"@type":109},"ViewAction",{"@type":111,"mainEntity":112},"FAQPage",[113,119,123],{"name":114,"@type":115,"acceptedAnswer":116},"What does “non-compensating” mean in this euphonium fingering chart?","Question",{"text":117,"@type":118},"The chart specifically applies to a non-compensating euphonium configuration, organizing fingerings accordingly.","Answer",{"name":120,"@type":115,"acceptedAnswer":121},"How are pedal tones indicated?",{"text":122,"@type":118},"Pedal tones are noted as the entries on a gray background.",{"name":124,"@type":115,"acceptedAnswer":125},"How can a performer move up and down within the harmonic series without changing valves?",{"text":126,"@type":118},"By changing lip tension and air speed, the performer can shift to different positions within the harmonic series while keeping the valves unchanged.","https://schema.org",{"og:url":94,"og:type":129,"og:title":59,"og:site_name":101,"og:description":60},"article",{"robots":131,"canonical":94},"index,follow",{"doc_id":55,"site_id":69}]