[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-1-en-105":3,"doc-seo-279071-105":53,"doc-detail-279071-en":130},{"code":4,"msg":5,"data":6},0,"success",[7,14,19,24,29,34,39,44,49],{"id":8,"doc_module":9,"doc_module_name":10,"category_name":11,"show_sort_weight":12,"slug":13},11,1,"Template","Presentations",90,"presentations",{"id":15,"doc_module":9,"doc_module_name":10,"category_name":16,"show_sort_weight":17,"slug":18},12,"Resumes",80,"resumes",{"id":20,"doc_module":9,"doc_module_name":10,"category_name":21,"show_sort_weight":22,"slug":23},14,"Invoices",70,"invoices",{"id":25,"doc_module":9,"doc_module_name":10,"category_name":26,"show_sort_weight":27,"slug":28},15,"Posters",60,"posters",{"id":30,"doc_module":9,"doc_module_name":10,"category_name":31,"show_sort_weight":32,"slug":33},16,"Social Media",50,"social-media",{"id":35,"doc_module":9,"doc_module_name":10,"category_name":36,"show_sort_weight":37,"slug":38},17,"Forms",40,"forms",{"id":40,"doc_module":9,"doc_module_name":10,"category_name":41,"show_sort_weight":42,"slug":43},18,"Letters",30,"letters",{"id":45,"doc_module":9,"doc_module_name":10,"category_name":46,"show_sort_weight":47,"slug":48},21,"Paper Templates",5,"papers-templates",{"id":50,"doc_module":9,"doc_module_name":10,"category_name":51,"show_sort_weight":4,"slug":52},158,"General","general-158",{"code":4,"msg":54,"data":55},"ok",{"site_id":56,"language":57,"slug":58,"title":59,"keywords":60,"description":61,"schema_data":62,"social_meta":123,"head_meta":125,"extra_data":127,"updated_unix":129},105,"en","dma-recital-ii-daily-dailies","DMA Recital II - Daily Dailies","","DMA Recital II: Daily Dailies presents a performance fulfilling the Doctor of Musical Arts in Performance through a documentary-inspired “live” mockumentary. The program traces a music student’s weekly passage from Wednesday night through Saturday night, using Liza Lim’s Love Letter as a recurring personal journal of changing days. Dream works follow after each Love Letter, portraying calm, infinite expansion, and emotional struggle with noise. Daily rituals and evening tasks are shaped through new and commissioned works, culminating in weekend resolution.",{"@graph":63,"@context":122},[64,80,101],{"@type":65,"itemListElement":66},"BreadcrumbList",[67,71,74,77],{"item":68,"name":69,"@type":70,"position":9},"https://docshare.wps.com","Home","ListItem",{"item":72,"name":10,"@type":70,"position":73},"https://docshare.wps.com/template/",2,{"item":75,"name":11,"@type":70,"position":76},"https://docshare.wps.com/template/presentations/",3,{"item":78,"name":59,"@type":70,"position":79},"https://docshare.wps.com/template/dma-recital-ii-daily-dailies/279071/",4,{"url":78,"name":59,"@type":81,"image":82,"author":87,"headline":59,"publisher":90,"fileFormat":93,"inLanguage":57,"description":61,"dateModified":94,"datePublished":95,"encodingFormat":93,"isAccessibleForFree":96,"interactionStatistic":97},"DigitalDocument",{"url":83,"@type":84,"width":85,"height":86},"https://docshare.wps.com/thumbnails/dma-recital-ii-daily-dailies/279071.png","ImageObject",442,249,{"name":88,"@type":89},"Theodore","Person",{"url":68,"name":91,"@type":92},"DocShare","Organization","application/pdf","2026-10-29","2026-09-15",true,{"@type":98,"interactionType":99,"userInteractionCount":8},"InteractionCounter",{"@type":100},"ViewAction",{"@type":102,"mainEntity":103},"FAQPage",[104,110,114,118],{"name":105,"@type":106,"acceptedAnswer":107},"What concept organizes the recital program?","Question",{"text":108,"@type":109},"The recital is inspired by documentary filmmaking, presented as a live mockumentary that documents a music student’s weekly life from Wednesday night through Saturday night.","Answer",{"name":111,"@type":106,"acceptedAnswer":112},"How does Liza Lim’s Love Letter function within the recital?",{"text":113,"@type":109},"Love Letter serves as a recurring end-of-day marker and builds sounds from instructions tied to a letter written by the performer, changing each return like a different day.",{"name":115,"@type":106,"acceptedAnswer":116},"What is the “Dream Cycle” in the program?",{"text":117,"@type":109},"After each Love Letter, the recital presents works representing dreams, chosen to form an emotional journey that contrasts calm introspection with absurd repetitions.",{"name":119,"@type":106,"acceptedAnswer":120},"What do Movements and Same for Tomorrow focus on?",{"text":121,"@type":109},"Movements centers habitual morning rituals—waking, morning rites, and selecting an outfit—while Same for Tomorrow is dedicated to the everyday and depicts life through two movements spanning regulated morning and blurred night tasks.","https://schema.org",{"og:url":78,"og:type":124,"og:title":59,"og:site_name":91,"og:description":61},"article",{"robots":126,"canonical":78},"index,follow",{"doc_id":128,"site_id":56},279071,1791493031,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":88,"user_avatar":133,"doc_module":9,"category_id":8,"category_name":11,"doc_title":59,"doc_description":61,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":8,"is_deleted":4,"is_public":9,"is_downloadable":9,"audit_status":9,"page_count":47,"language":139,"language_code":57,"site_id":56,"html_lang":57,"table_of_contents":140,"faqs":141,"seo_title":142,"seo_description":61,"update_tm":143,"read_time":73},7971461740886,"https://ap-avatar.wpscdn.com/davatar_3d24733baf745e90a7e4bdd5f77d97b2","Chi-En Wong, Percussion  \nDMA Recital II: Daily Dailies  \nJonathan Huard, Yi-Hsuan Lo, Bevis Ng, Chieh-Hsun Wang; percussion  \nFish Yu, concert production  \nThomas Li, video design  \nThis recital is in partial fulfillment of the Doctor of Musical Arts in Performance.  \nChi-En Wong is a student of Aiyun Huang.  \nFriday, March 13, 2026 at 7:30 PM | Walter Hall , 80 Queen’s Park  \nPROGRAM  \nMovements *  \nI. Mirror  \nII. Outfit  \nHsiu-Ping Patrick Wu (b. 1996)  \n*world premiere  \nSame for Tomorrow *  \nI. 8:00 A.M.  \nAn-Ni Wei (b. 1997)  \n*world premiere  \nLove Letter I  \nLiza Lim (b. 1966)  \nArabesco Infinito  \nAlejandro Viñao (b. 1951)  \nJonathan Huard, vibraphone  \nMovements  \nIII. Waking  \nIV. Mirror02  \nV. Outfit02  \nHsiu-Ping Patrick Wu (b. 1996)  \nSame for Tomorrow  \nII. Between Tasks  \nAn-Ni Wei (b. 1997)  \nLove Letter II  \nLiza Lim (b. 1966)  \nMiracle Ear  \nDavid Lang (b. 1957)  \nMovements  \nVI. Wake  \nHsiu-Ping Patrick Wu (b. 1996)  \nLiving Room Music  \nJohn Cage (1912–1992)  \nYi-Hsuan Lo, Bevis Ng, Chieh-Hsun Wang; percussion  \nShimmer  \nVivian Fung (b. 1975)  \nDaily Dailies  \nThis recital is inspired by the idea of documentary filmmaking. When I first envisioned this project, I wanted to depict the specific life I am living at this moment—making the performance deeply personal while remaining relatable to others. To achieve this, I have stageda “live” mockumentary in the recital setting, documenting a music student’s journey from Wednesday night through Saturday night.  \nRather than beginning with a brand-new morning, I chose to start with a reflective night. In this program, Liza Lim’s Love Letter serves as a recurring marker of the end of the day—a“love letter” to myself. The work contains a set of instructions in which all sounds are constructed from a letter written by the performer. Each time the piece returns in this recital, it appears differently, as no one truly lives the same day twice. It functions as a personal journal, reflecting how my day unfolds and documenting the feelings evoked by the events I experience or observe.  \nThe Dream Cycle  \nFor me, dreams are inseparable from nighttime. The possibilities within a dream are endless, and the emotions they carry are infinite: tranquil, horrifying, exciting, frustrating, or fascinating. Following each Love Letter are the works that represent dreams in this program:  \nShimmer, Arabesco Infinito, and Miracle Ear. It is rare that we remember every detail of our dreams, but if I could choose what to dream about, these works would form that journey.  \nVivian Fung’s Shimmer is, to me, a peaceful dream world. Tranquility emerges from the stability of a low drone, while the high, shimmering gestures—almost improvised—add delicate color above it. As the first dream of the recital, it offers suspension and light before the mechanical rituals of morning begin. It sets a tone of calm introspection that contrasts with the absurd repetitions found elsewhere in my week.  \nAlejandro Viñao’s Arabesco Infinito represents the infinite expansion of a dream state. Built on the concept of an arabesque—a simple rhythmic or melodic figure that evolves into complex, unpredictable patterns—the piece transforms repetition into imagination. As a music student, I often encounter repetition through daily technical practice; within this dream, however, repetition becomes a creative force. The music moves toward grooves or rhythmic attractors, mirroring how the mind settles into familiar yet ever-shifting landscapes during sleep.  \nDavid Lang’s Miracle Ear signifies the final dream of the recital and carries the greatest emotional weight. David Lang wrote this piece in honor of his father, inspired by the way hearing aids—ironically branded “Miracle Ear” in late-night advertisements—can make listening  \nto music more difficult by amplifying background noise and sharp attacks. In my dream, this becomes the struggle to hold onto a melody amid interference: an attempt to hear music through the ","cbCaiiFI454byJRt","https://ap.wps.com/l/cbCaiiFI454byJRt","pdf",299120,"English","# Program\n## Movements\n## Dream Cycle\n## The Daily Rituals\n## Resolution: The Weekend","[{\"question\":\"What concept organizes the recital program?\",\"answer\":\"The recital is inspired by documentary filmmaking, presented as a live mockumentary that documents a music student’s weekly life from Wednesday night through Saturday night.\"},{\"question\":\"How does Liza Lim’s Love Letter function within the recital?\",\"answer\":\"Love Letter serves as a recurring end-of-day marker and builds sounds from instructions tied to a letter written by the performer, changing each return like a different day.\"},{\"question\":\"What is the “Dream Cycle” in the program?\",\"answer\":\"After each Love Letter, the recital presents works representing dreams, chosen to form an emotional journey that contrasts calm introspection with absurd repetitions.\"},{\"question\":\"What do Movements and Same for Tomorrow focus on?\",\"answer\":\"Movements centers habitual morning rituals—waking, morning rites, and selecting an outfit—while Same for Tomorrow is dedicated to the everyday and depicts life through two movements spanning regulated morning and blurred night tasks.\"}]","DMA Recital II - Daily Dailies | PDF",1789515203]