[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-1-en-105":3,"doc-seo-571137-105":53,"doc-detail-571137-en":127},{"code":4,"msg":5,"data":6},0,"success",[7,14,19,24,29,34,39,44,49],{"id":8,"doc_module":9,"doc_module_name":10,"category_name":11,"show_sort_weight":12,"slug":13},11,1,"Template","Presentations",90,"presentations",{"id":15,"doc_module":9,"doc_module_name":10,"category_name":16,"show_sort_weight":17,"slug":18},12,"Resumes",80,"resumes",{"id":20,"doc_module":9,"doc_module_name":10,"category_name":21,"show_sort_weight":22,"slug":23},14,"Invoices",70,"invoices",{"id":25,"doc_module":9,"doc_module_name":10,"category_name":26,"show_sort_weight":27,"slug":28},15,"Posters",60,"posters",{"id":30,"doc_module":9,"doc_module_name":10,"category_name":31,"show_sort_weight":32,"slug":33},16,"Social Media",50,"social-media",{"id":35,"doc_module":9,"doc_module_name":10,"category_name":36,"show_sort_weight":37,"slug":38},17,"Forms",40,"forms",{"id":40,"doc_module":9,"doc_module_name":10,"category_name":41,"show_sort_weight":42,"slug":43},18,"Letters",30,"letters",{"id":45,"doc_module":9,"doc_module_name":10,"category_name":46,"show_sort_weight":47,"slug":48},21,"Paper Templates",5,"papers-templates",{"id":50,"doc_module":9,"doc_module_name":10,"category_name":51,"show_sort_weight":4,"slug":52},158,"General","general-158",{"code":4,"msg":54,"data":55},"ok",{"site_id":56,"language":57,"slug":58,"title":59,"keywords":60,"description":61,"schema_data":62,"social_meta":120,"head_meta":122,"extra_data":124,"updated_unix":126},105,"en","diatonic-major-and-minor-scales-by-andres-segovia","Diatonic Major and Minor Scales - By Andrés Segovia","","Diatonic Major and Minor Scales - By Andrés Segovia outlines scale “movable” shapes and shows how certain keys share identical ascending/descending patterns. It distinguishes when a scale shape changes between ascending and descending, emphasizing fingering guidance expressed as “Fingerings - NOT frets.” Sections cover multiple major keys and minor varieties, including natural, melodic ascending, and melodic (natural) descending, with dedicated diagrams and notes.",{"@graph":63,"@context":119},[64,80,102],{"@type":65,"itemListElement":66},"BreadcrumbList",[67,71,74,77],{"item":68,"name":69,"@type":70,"position":9},"https://docshare.wps.com","Home","ListItem",{"item":72,"name":10,"@type":70,"position":73},"https://docshare.wps.com/template/",2,{"item":75,"name":51,"@type":70,"position":76},"https://docshare.wps.com/template/general/",3,{"item":78,"name":59,"@type":70,"position":79},"https://docshare.wps.com/template/diatonic-major-and-minor-scales-by-andres-segovia/571137/",4,{"url":78,"name":59,"@type":81,"image":82,"author":87,"headline":59,"publisher":90,"fileFormat":93,"inLanguage":57,"description":61,"dateModified":94,"datePublished":95,"encodingFormat":93,"isAccessibleForFree":96,"interactionStatistic":97},"DigitalDocument",{"url":83,"@type":84,"width":85,"height":86},"https://docshare.wps.com/thumbnails/diatonic-major-and-minor-scales-by-andres-segovia/571137.png","ImageObject",442,249,{"name":88,"@type":89},"Cipher","Person",{"url":68,"name":91,"@type":92},"DocShare","Organization","application/pdf","2026-10-21","2026-10-13",true,{"@type":98,"interactionType":99,"userInteractionCount":101},"InteractionCounter",{"@type":100},"ViewAction",8,{"@type":103,"mainEntity":104},"FAQPage",[105,111,115],{"name":106,"@type":107,"acceptedAnswer":108},"What does the document mean by “movable” scale shapes?","Question",{"text":109,"@type":110},"It states that there are only eight different “movable” shapes and that several scales share the same shape when ascending and/or descending.","Answer",{"name":112,"@type":107,"acceptedAnswer":113},"How does the document handle the difference between ascending and descending?",{"text":114,"@type":110},"It explicitly notes cases where the scale shape is the same for ascending & descending and cases where ascending differs from descending, including comparisons to the F Major shape.",{"name":116,"@type":107,"acceptedAnswer":117},"What guidance is provided regarding playing technique?",{"text":118,"@type":110},"The document repeatedly specifies “Fingerings - NOT frets,” indicating the emphasis is on fingering patterns rather than fret positions.","https://schema.org",{"og:url":78,"og:type":121,"og:title":59,"og:site_name":91,"og:description":61},"article",{"robots":123,"canonical":78},"index,follow",{"doc_id":125,"site_id":56},571137,1792085814,{"code":4,"msg":5,"data":128},{"doc_id":125,"user_id":129,"nickname":88,"user_avatar":130,"doc_module":9,"category_id":50,"category_name":51,"doc_title":59,"doc_description":61,"doc_content":131,"file_id":132,"file_url":133,"file_type":134,"file_size":135,"view_count":101,"is_deleted":4,"is_public":9,"is_downloadable":9,"audit_status":9,"page_count":136,"language":137,"language_code":57,"site_id":56,"html_lang":57,"table_of_contents":138,"faqs":139,"seo_title":140,"seo_description":61,"update_tm":141,"read_time":76},687208528416,"https://ap-avatar.wpscdn.com/davatar_9964176cb1d06d4a9deccf72a44ae3dc","Diatonic Major and Minor Scales-By Andrés Segovia  \nAfter carefully analyzing the Diatonic Major and Minor Scales by Andrés Segovia,I have discovered thatthere are only eight different“movable”shapes.  \nThe following scale \"shape\"is the same ascending &descending.  \nThe folloving 5 scales share the sane scales \"shape\".  \nD  \n\n|  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |\n| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |\n|  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |\n|  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |\n|  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |\n| C M   | Eb Major  \u003Cbr>D Major  \u003Cbr>C\\#Major  \u003Cbr>Db Major  \u003Cbr>ajor   |  |  |  |  |  |  |  |  |  |  |  |  |  |\n|  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |\n|  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |\n| A   |  |  |  |  |  |  |  |  |  |  |  |  |  |  |\n| B-  \u003Cbr>—3   |  |  |  |  |  |  |  |  |  |  |  |  |  |  |\n|  |  |  | —4—   |  | —4—   |  |  | —5—   |  |  | —6—   |  |  |  |\n\nFingerings -NOT frets  \nThe following scale shape when ascending is different from when descending.(Notice the similarity inthe descending shape to that of the F Major scale shape).  \nThe follozving 7 scales share the same scales \"shape\".  \n共进  \n共  \nb  \nb  \n百  \nb  \nB Major  \nBb Major  \nA Major  \nG Major  \nAb Major  \nGbMajor  \nF\\#Major  \nB  \n—3—  \nFingerings-NOT frets  \nG Major-Descending  \nThe E Major scale shape is NOT shared with any other keys.Notice the ascending shape is different fromthe descending shape.  \nE Major-Ascending  \nThis shape is the same ascending &descending.  \nFingerings -NOT frets  \n2.  \nO  \n个  \n①  \nThe following scale shape when ascending is different from when descending.  \nThefollowing 7 minor scales share the same ascending  descending scales \"shapes\".  \nFingerings-NOT frets  \n2  \n\n|  |  |  |  |  |  |  | 4   |  |  |  |  |  |  |  |\n| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |\n|  |  |  |  |  |  |  | 丁   | 4   |  |  |  |  |  |  |\n|  |  |  |  |  |  | 3   |  |  |  |  |  |  |  |  |\n|  |  |  |  |  | 2   |  |  |  |  |  |  |  |  |  |\n|  |  |  |  |  |  | 3   | 4   |  |  |  |  |  |  |  |\n\n# Fingerings-NOT frets\n\n4  \n头  \n久  \n7  \nThe following scale shape when ascending is different from when descending.  \nThe folloving 5minor scales share the same ascendingdescending scale \"shapes\".  \n\n|  |  |  |  |  |  |  |  |  |  |  |  |\n| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |\n|  |  |  |  |  |  |  |  |  |  |  |  |\n|  |  |  |  |  |  |  |  |  |  |  |  |\n|  |  |  |  |  |  |  |  |  |  |  |  |\n| c\\#minor  \u003Cbr>ebminor  \u003Cbr>cminor  \u003Cbr>d minor  \u003Cbr>d\\#minor   |  |  |  |  |  |  |  |  |  |  |  |\n|  |  |  |  |  |  |  |  |  |  |  |  |\n|  |  |  |  |  |  |  |  |  |  |  |  |\n|  |  |  |  |  |  |  |  |  |  |  |  |\n|  |  |  |  |  |  |  |  | —6—   |  |  |  |\n| —3   |  | —4—   |  | —5—   |  | —6   |  |  |  |  |  |\n\n# D Melodic Minor-Ascending\n\nFingerings -NOT frets  \n\n|  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |\n| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |\n|  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |\n|  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |\n|  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |\n|  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |\n\n®  \n# D Melodic(Natural)Minor-Descending\n\nFingerings -NOT frets  \n\n|  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |\n| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |\n|  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |\n|  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |\n|  |  |  |  |  |  |  |  |  |  |  |  |  |  |  |\n|  |  |  |  | 个   |  |  |  |  |  |  |  |  |  |  |\n\n3  \n4  \n11  \n# B(Bb)Melodic Minor-Ascending\n\n3  \n111  \nm3  \na  \n1  \n\\#  \nm  \nm a m i  \nm  \ni  \nm  \na  \nm  \na  \nm  \n\\#  \n4  \n1  \n3  \n1  3  4  1  3  \n1  \n3.  \n1  \n3  \n5  \n开  \n①-  \nb7  \n②-  \n④-  \n③-  \n⑤-  \nbb minor  \n-3-4-  \n-1——3—1—3——4-  \n1-3-  \nA  \n1-3-4-  \n-1——3—1—3-  \nB  \n-1-3-4-  \n—1—  \nFingerings -NOT frets  \n\n|  | ","cbCaigBpASqVfPa3","https://ap.wps.com/l/cbCaigBpASqVfPa3","pdf",2108168,7,"English","# Movable scale shapes\n## Fingerings - NOT frets\n# Diatonic major keys (ascending vs descending)\n## Shared ascending/descending shapes\n## E Major special case\n# Minor scales\n## Minor scale shapes shared by key groups\n## D Melodic Minor-Ascending\n## D Melodic(Natural)Minor-Descending\n## B(Bb) Melodic Minor-Ascending\n## B(Bb) Melodic(Natural)Minor-Descending\n# E Melodic Minor-Ascending","[{\"question\":\"What does the document mean by “movable” scale shapes?\",\"answer\":\"It states that there are only eight different “movable” shapes and that several scales share the same shape when ascending and/or descending.\"},{\"question\":\"How does the document handle the difference between ascending and descending?\",\"answer\":\"It explicitly notes cases where the scale shape is the same for ascending \\u0026 descending and cases where ascending differs from descending, including comparisons to the F Major shape.\"},{\"question\":\"What guidance is provided regarding playing technique?\",\"answer\":\"The document repeatedly specifies “Fingerings - NOT frets,” indicating the emphasis is on fingering patterns rather than fret positions.\"}]","Diatonic Major and Minor Scales - By Andrés Segovia | PDF",1791895213]