[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-1-en-105":3,"doc-seo-563685-105":53,"doc-detail-563685-en":127},{"code":4,"msg":5,"data":6},0,"success",[7,14,19,24,29,34,39,44,49],{"id":8,"doc_module":9,"doc_module_name":10,"category_name":11,"show_sort_weight":12,"slug":13},11,1,"Template","Presentations",90,"presentations",{"id":15,"doc_module":9,"doc_module_name":10,"category_name":16,"show_sort_weight":17,"slug":18},12,"Resumes",80,"resumes",{"id":20,"doc_module":9,"doc_module_name":10,"category_name":21,"show_sort_weight":22,"slug":23},14,"Invoices",70,"invoices",{"id":25,"doc_module":9,"doc_module_name":10,"category_name":26,"show_sort_weight":27,"slug":28},15,"Posters",60,"posters",{"id":30,"doc_module":9,"doc_module_name":10,"category_name":31,"show_sort_weight":32,"slug":33},16,"Social Media",50,"social-media",{"id":35,"doc_module":9,"doc_module_name":10,"category_name":36,"show_sort_weight":37,"slug":38},17,"Forms",40,"forms",{"id":40,"doc_module":9,"doc_module_name":10,"category_name":41,"show_sort_weight":42,"slug":43},18,"Letters",30,"letters",{"id":45,"doc_module":9,"doc_module_name":10,"category_name":46,"show_sort_weight":47,"slug":48},21,"Paper Templates",5,"papers-templates",{"id":50,"doc_module":9,"doc_module_name":10,"category_name":51,"show_sort_weight":4,"slug":52},158,"General","general-158",{"code":4,"msg":54,"data":55},"ok",{"site_id":56,"language":57,"slug":58,"title":59,"keywords":60,"description":61,"schema_data":62,"social_meta":120,"head_meta":122,"extra_data":124,"updated_unix":126},105,"en","chord-construction-chart","Chord Construction Chart","","Chord Construction Chart provides a compact mapping of chord types to interval formulas and chord names. It lists major, minor, suspended, added-tone, and extended chords (sixth through thirteenth), along with common variations such as power chords, flat or sharp fifths, and altered ninth, eleventh, and thirteenth degrees. The chart also includes diminished and augmented families, specifying how to assemble each chord from scale-degree components for consistent harmonic labeling.",{"@graph":63,"@context":119},[64,80,102],{"@type":65,"itemListElement":66},"BreadcrumbList",[67,71,74,77],{"item":68,"name":69,"@type":70,"position":9},"https://docshare.wps.com","Home","ListItem",{"item":72,"name":10,"@type":70,"position":73},"https://docshare.wps.com/template/",2,{"item":75,"name":51,"@type":70,"position":76},"https://docshare.wps.com/template/general/",3,{"item":78,"name":59,"@type":70,"position":79},"https://docshare.wps.com/template/chord-construction-chart/563685/",4,{"url":78,"name":59,"@type":81,"image":82,"author":87,"headline":59,"publisher":90,"fileFormat":93,"inLanguage":57,"description":61,"dateModified":94,"datePublished":95,"encodingFormat":93,"isAccessibleForFree":96,"interactionStatistic":97},"DigitalDocument",{"url":83,"@type":84,"width":85,"height":86},"https://docshare.wps.com/thumbnails/chord-construction-chart/563685.png","ImageObject",442,249,{"name":88,"@type":89},"anakgang17","Person",{"url":68,"name":91,"@type":92},"DocShare","Organization","application/pdf","2026-10-27","2026-10-12",true,{"@type":98,"interactionType":99,"userInteractionCount":101},"InteractionCounter",{"@type":100},"ViewAction",8,{"@type":103,"mainEntity":104},"FAQPage",[105,111,115],{"name":106,"@type":107,"acceptedAnswer":108},"How are chord formulas represented in the chart?","Question",{"text":109,"@type":110},"Each chord type is given as a sequence of scale-degree intervals (e.g., 1-3-5 or 1-b3-5-b7).","Answer",{"name":112,"@type":107,"acceptedAnswer":113},"What chord names correspond to the listed formulas?",{"text":114,"@type":110},"The chart pairs each formula with a chord name using common shorthand (e.g., Xmaj7, Xm, X7sus4).",{"name":116,"@type":107,"acceptedAnswer":117},"Does the chart include altered extensions like sharp or flat ninths?",{"text":118,"@type":110},"Yes. It provides variants such as X7#9, X7b9, Xmaj7#11, and other altered eleventh and thirteenth forms.","https://schema.org",{"og:url":78,"og:type":121,"og:title":59,"og:site_name":91,"og:description":61},"article",{"robots":123,"canonical":78},"index,follow",{"doc_id":125,"site_id":56},563685,1792019197,{"code":4,"msg":5,"data":128},{"doc_id":125,"user_id":129,"nickname":88,"user_avatar":130,"doc_module":9,"category_id":50,"category_name":51,"doc_title":59,"doc_description":61,"doc_content":131,"file_id":132,"file_url":133,"file_type":134,"file_size":135,"view_count":101,"is_deleted":4,"is_public":9,"is_downloadable":9,"audit_status":9,"page_count":9,"language":136,"language_code":57,"site_id":56,"html_lang":57,"table_of_contents":137,"faqs":138,"seo_title":139,"seo_description":61,"update_tm":140,"read_time":4},962090883568,"https://ap-avatar.wpscdn.com/davatar_a8503ba1806abce46bf441b54a3ca4cd","CHORD CONSTRUCTION CHART  \n\n| CHORD TYPE | FORMULA | CHORD NAME |\n| --- | --- | --- |\n| major | 1-3-5 | X |\n| fifth (power chord) | 1-5 | X5 |\n| suspended fourth | 1-4-5 | Xsus4 |\n| suspended second | 1-2-5 | Xsus2 |\n| added ninth | 1-3-5-9 | Xadd9 |\n| sixth | 1-3-5-6 | X6 |\n| sixth, added ninth | 1-3-5-6-9 | X6/9 |\n| major seventh | 1-3-5-7 | Xmaj7 |\n| major ninth | 1-3-5-7-9 | Xmaj9 |\n| major seventh, sharp eleven | 1-3-5-7-\\#11 | Xmaj7\\#11 |\n| major thirteenth | 1-3-5-7-9-13 | Xmaj13 |\n| minor | 1-b3-5 | Xm |\n| minor, added ninth | 1-b3-5-9 | Xm(add9) |\n| minor sixth | 1-b3-5-6 | Xm6 |\n| minor, flat sixth | 1-b3-5-b6 | Xmb6 |\n| minor sixth, added ninth | 1-b3-5-6-9 | Xm6/9 |\n| minor seventh | 1-b3-5-b7 | Xm7 |\n| minor seven, flat fifth | 1-b3-b5-b7 | Xm7b5 |\n| minor, major seventh | 1-b3-5-7 | Xm(maj7) |\n| minor ninth | 1-b3-5-b7-9 | Xm9 |\n| minor ninth, flat fifth | 1-b3-b5-b7-9 | Xm9b5 |\n| minor ninth, major seventh | 1-b3-5-7-9 | Xm9(maj7) |\n| minor eleventh | 1-b3-5-b7-9-11 | Xm11 |\n| minor thirteenth | 1-b3-5-b7-9-11-13 | Xm13 |\n| dominant seventh | 1-3-5-b7 | X7 |\n| seventh, suspended fourth | 1-4-5-b7 | X7sus4 |\n| seventh, flat fifth | 1-3-b5-b7 | X7b5 |\n| ninth | 1-3-5-b7-9 | X9 |\n| ninth, suspended fourth | 1-4-5-b7-9 | X9sus4 |\n| ninth, flat fifth | 1-3-b5-b7-9 | X9b5 |\n| seventh, flat ninth | 1-3-5-b7-b9 | X7b9 |\n| seventh, sharp ninth | 1-3-5-b7-\\#9 | X7\\#9 |\n| seventh, flat fifth, sharp ninth | 1-3-b5-b7-\\#9 | X7b5(\\#9) |\n| eleventh | 1-5-b7-9-11 | X11 |\n| seventh, sharp eleventh | 1-3-5-b7-\\#11 | X7\\#11 |\n| thirteenth | 1-3-5-b7-9-13 | X13 |\n| thirteenth, suspended fourth | 1-4-5-b7-9-13 | X13sus4 |\n| augmented | 1-3-\\#5 | Xaug |\n| seventh, sharp fifth | 1-3-\\#5-b7 | Xaug7 |\n| ninth, sharp fifth | 1-3-\\#5-b7-9 | Xaug9 |\n| seventh, sharp fifth, flat ninth | 1-3-\\#5-b7-b9 | Xaug7b9 |\n| seventh, sharp fifth, sharp ninth | 1-3-\\#5-b7-\\#9 | Xaug7\\#9 |\n| diminished | 1-b3-b5 | Xdim |\n| diminished seventh | 1-b3-b5-bb7 | Xdim7 |","cbCaiioI9ZF95g8q","https://ap.wps.com/l/cbCaiioI9ZF95g8q","pdf",46126,"English","# Chord Types and Formulas\n## Major to Extended Chords\n## Minor and Altered Variants\n## Dominant, Suspended, Augmented, and Diminished Chords","[{\"question\":\"How are chord formulas represented in the chart?\",\"answer\":\"Each chord type is given as a sequence of scale-degree intervals (e.g., 1-3-5 or 1-b3-5-b7).\"},{\"question\":\"What chord names correspond to the listed formulas?\",\"answer\":\"The chart pairs each formula with a chord name using common shorthand (e.g., Xmaj7, Xm, X7sus4).\"},{\"question\":\"Does the chart include altered extensions like sharp or flat ninths?\",\"answer\":\"Yes. It provides variants such as X7#9, X7b9, Xmaj7#11, and other altered eleventh and thirteenth forms.\"}]","Chord Construction Chart | PDF",1791837472]