[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-1-en-105":3,"doc-seo-568684-105":53,"doc-detail-568684-en":127},{"code":4,"msg":5,"data":6},0,"success",[7,14,19,24,29,34,39,44,49],{"id":8,"doc_module":9,"doc_module_name":10,"category_name":11,"show_sort_weight":12,"slug":13},11,1,"Template","Presentations",90,"presentations",{"id":15,"doc_module":9,"doc_module_name":10,"category_name":16,"show_sort_weight":17,"slug":18},12,"Resumes",80,"resumes",{"id":20,"doc_module":9,"doc_module_name":10,"category_name":21,"show_sort_weight":22,"slug":23},14,"Invoices",70,"invoices",{"id":25,"doc_module":9,"doc_module_name":10,"category_name":26,"show_sort_weight":27,"slug":28},15,"Posters",60,"posters",{"id":30,"doc_module":9,"doc_module_name":10,"category_name":31,"show_sort_weight":32,"slug":33},16,"Social Media",50,"social-media",{"id":35,"doc_module":9,"doc_module_name":10,"category_name":36,"show_sort_weight":37,"slug":38},17,"Forms",40,"forms",{"id":40,"doc_module":9,"doc_module_name":10,"category_name":41,"show_sort_weight":42,"slug":43},18,"Letters",30,"letters",{"id":45,"doc_module":9,"doc_module_name":10,"category_name":46,"show_sort_weight":47,"slug":48},21,"Paper Templates",5,"papers-templates",{"id":50,"doc_module":9,"doc_module_name":10,"category_name":51,"show_sort_weight":4,"slug":52},158,"General","general-158",{"code":4,"msg":54,"data":55},"ok",{"site_id":56,"language":57,"slug":58,"title":59,"keywords":60,"description":61,"schema_data":62,"social_meta":120,"head_meta":122,"extra_data":124,"updated_unix":126},105,"en","bb-trumpet-fingering-chart","Bb Trumpet Fingering Chart","","Bb Trumpet Fingering Chart provides fingerings and pedal-tone guidance for common and altered pitches, including open and valve combinations across multiple reference notes. Notes and partial indications outline which fingerings correspond to positions such as 1, 2, 3, and combined valve systems like 1-2, 1-3, 2-3, and 1-2-3. Additional notes explain how trumpet tube length and conical design shape natural harmonic overtone behavior, including pitch flatness or sharpness of selected partials.",{"@graph":63,"@context":119},[64,80,102],{"@type":65,"itemListElement":66},"BreadcrumbList",[67,71,74,77],{"item":68,"name":69,"@type":70,"position":9},"https://docshare.wps.com","Home","ListItem",{"item":72,"name":10,"@type":70,"position":73},"https://docshare.wps.com/template/",2,{"item":75,"name":51,"@type":70,"position":76},"https://docshare.wps.com/template/general/",3,{"item":78,"name":59,"@type":70,"position":79},"https://docshare.wps.com/template/bb-trumpet-fingering-chart/568684/",4,{"url":78,"name":59,"@type":81,"image":82,"author":87,"headline":59,"publisher":90,"fileFormat":93,"inLanguage":57,"description":61,"dateModified":94,"datePublished":95,"encodingFormat":93,"isAccessibleForFree":96,"interactionStatistic":97},"DigitalDocument",{"url":83,"@type":84,"width":85,"height":86},"https://docshare.wps.com/thumbnails/bb-trumpet-fingering-chart/568684.png","ImageObject",442,249,{"name":88,"@type":89},"Aria Callaghan","Person",{"url":68,"name":91,"@type":92},"DocShare","Organization","application/pdf","2026-10-21","2026-10-13",true,{"@type":98,"interactionType":99,"userInteractionCount":101},"InteractionCounter",{"@type":100},"ViewAction",8,{"@type":103,"mainEntity":104},"FAQPage",[105,111,115],{"name":106,"@type":107,"acceptedAnswer":108},"What does the gray background note guidance indicate for Bb trumpet pedal tones?","Question",{"text":109,"@type":110},"The notes on a gray background are pedal tones, and younger players should use 1-2-3 for all pedal tones.","Answer",{"name":112,"@type":107,"acceptedAnswer":113},"How does the document explain pitch movement within the harmonic series?",{"text":114,"@type":110},"By changing lip tension and air speed, the performer can move higher or lower within the harmonic series without changing valves.",{"name":116,"@type":107,"acceptedAnswer":117},"Which partials are described as unusable or out of tune on the chart?",{"text":118,"@type":110},"The 7th harmonic (partial) is so flat that it is unusable, and the 5th partial is noticeably flat while the 3rd and 6th harmonics are slightly sharp.","https://schema.org",{"og:url":78,"og:type":121,"og:title":59,"og:site_name":91,"og:description":61},"article",{"robots":123,"canonical":78},"index,follow",{"doc_id":125,"site_id":56},568684,1792111011,{"code":4,"msg":5,"data":128},{"doc_id":125,"user_id":129,"nickname":88,"user_avatar":130,"doc_module":9,"category_id":50,"category_name":51,"doc_title":59,"doc_description":61,"doc_content":131,"file_id":132,"file_url":133,"file_type":134,"file_size":135,"view_count":101,"is_deleted":4,"is_public":9,"is_downloadable":9,"audit_status":9,"page_count":73,"language":136,"language_code":57,"site_id":56,"html_lang":57,"table_of_contents":137,"faqs":138,"seo_title":139,"seo_description":61,"update_tm":140,"read_time":9},962084926284,"https://ap-avatar.wpscdn.com/davatar_29158cc5080c5b710cf443261637dec0","# Bb Trumpet Fingering Chart\n\n(Notes on gray background are pedal tones--younger players should use 123 for all pedal tones.)  \nD\\#Eb  \nDb  \nC  \nD  \nE  \nF  \n\n|  |  |  |  |  |  |\n| --- | --- | --- | --- | --- | --- |\n|  |  |  |  |  |  |\n|  |  |  |  |  |  |\n|  |  |  |  |  |  |\n| e  \u003Cbr>三  \u003Cbr>Open   | \\#  \u003Cbr>b  \u003Cbr>123   | 三中  \u003Cbr>13   | 23   | 12   | 1   |\n\nAb  \nGb  \nBb  \nG\\#  \nF\\#  \nB  \nG  \nA  \nA\\#  \n\n|  |  |  |  |  |  |\n| --- | --- | --- | --- | --- | --- |\n|  |  |  |  |  |  |\n|  |  |  |  |  |  |\n|  |  |  |  |  |  |\n| 0  \u003Cbr>bō  \u003Cbr>123   | 可  \u003Cbr>13   | ba  \u003Cbr>23   | 12 or 3   | bo  \u003Cbr>\\#  \u003Cbr>1   | 可  \u003Cbr>2   |\n\nDb  \nD\\#Eb  \nC  \nD  \nE  \nF  \nC\\#  \n\n|  |  |  |  |  |  |\n| --- | --- | --- | --- | --- | --- |\n|  |  |  |  |  |  |\n|  |  |  |  |  |  |\n|  |  |  |  |  | O   |\n| Open   | θ  \u003Cbr>Do  \u003Cbr>123   | O  \u003Cbr>13   | 23   | 12or 3   | 1   |\n\nGb  \nAb  \nF\\#  \nBb  \nG  \nG\\#  \nA  \nA\\#  \nB  \n\n|  |  |  |  |  |  |  |  |\n| --- | --- | --- | --- | --- | --- | --- | --- |\n|  |  |  |  |  |  |  |  |\n|  |  |  | Do   | 0   | be  \u003Cbr>o   |  | e   |\n| be   | e   | 旦   |  |  |  |  |  |\n| 2 or 123   | Open or 13   | 23   |  | 12or 3   | 1 or 123   |  | 2 or 13   |\n\nEb  \nDb  \nC\\#  \nD\\#  \nC  \nE  \nF  \nD  \n\n|  |  |  | Do   | 0   | e   |\n| --- | --- | --- | --- | --- | --- |\n| O   | be  \u003Cbr>to   | 旦   | o   |  |  |\n|  |  |  |  |  |  |\n|  |  |  |  |  |  |\n| Open or 23   | 12 or 3   | 1 or 13   | 2 or 23   | Open or 12   | 1   |\n\nAb  \nGb  \nA\\#  \nBb  \nG  \nA  \nB  \nF\\#  \nG\\#  \nbe  \ne  \nbo  \nθ  \nbo  \no  \n\n|  |  |  |  |  |  |\n| --- | --- | --- | --- | --- | --- |\n|  |  |  |  |  |  |\n|  |  |  |  |  |  |\n|  |  |  |  |  |  |\n| 2   | Open or 13   | 23   | 12or 3   | 1   | 2   |\n\nEb  \nDb  \nC\\#  \nD\\#  \nD  \nC  \nE  \nF  \nbe  \n兰  \nbo  \n\\#  \n担  \n旦  \n兰  \n旦  \n\n|  |  |  |  |  |  |\n| --- | --- | --- | --- | --- | --- |\n|  |  |  |  |  |  |\n|  |  |  |  |  |  |\n|  |  |  |  |  |  |\n| e  \u003Cbr>Open   | 2 or 12   | Open or 1   | 2   | Open   | 1   |\n\n(When more than one fingering is shown,the first is the most common.)  \nW32F  \nTrumpet Harmonic Series  \nThe fundamental pitch of the trumpet/cornet is determined by the length of the tube.Its characteristic tonequality is determined not only by the size of the opening in the tube,but also the amount of conical tubing orflare.  \nRegardless of the length of tubing,a natural overtone series is produced when the air inside the tube is activatedthrough the vibration of the lips.By changing the tension of the lips and air speed,the performer can movehigher and lower within the harmonic series,without changing valves.Although the harmonic series is (in theory)endless,the chart below begins with the fundamental and continues through the 10th partial.  \nThe 7th harmonic(partial)is so flat that it is unusable in the series (note the triangular shape of the note head).The 5th partial is noticeably flat while the 3rd and 6th harmonics are slightly sharp.  \nAlthough the first partial(fundamental)is included on this chart,the small bore of the trumpet/cornet does notallow these notes to be played with a characteristic tone.  \nPartials:  \nOpen  \n1-2  \n2-3  \n1-3  \n1-2-3","cbCaisLBxCHzXvsw","https://ap.wps.com/l/cbCaisLBxCHzXvsw","pdf",447993,"English","# Bb Trumpet Fingering Chart\n## Pedal tone note guidance\n## Fingerings and partial references\n## Trumpet harmonic series notes","[{\"question\":\"What does the gray background note guidance indicate for Bb trumpet pedal tones?\",\"answer\":\"The notes on a gray background are pedal tones, and younger players should use 1-2-3 for all pedal tones.\"},{\"question\":\"How does the document explain pitch movement within the harmonic series?\",\"answer\":\"By changing lip tension and air speed, the performer can move higher or lower within the harmonic series without changing valves.\"},{\"question\":\"Which partials are described as unusable or out of tune on the chart?\",\"answer\":\"The 7th harmonic (partial) is so flat that it is unusable, and the 5th partial is noticeably flat while the 3rd and 6th harmonics are slightly sharp.\"}]","Bb Trumpet Fingering Chart | PDF",1791871922]