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The contents cover compositing fundamentals, timeline control, selections and blending, performance optimization, and essential effects work. 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No part of this book may be reproduced or transmitted in any form by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. For information on getting permission for reprints and excerpts, [contact permissions@peachpit.com](contact permissions@peachpit.com).  \nNotice of Liability  \nThe information in this book is distributed on an “As Is” basis, without warranty. While every precaution has been taken in the preparation of the book, neither the author nor Peachpit shall have any liability to any person or entity with respect to any loss or damage caused or alleged to be caused directly or indirectly by the instructions contained in this book or by the computer software and hardware products described in it.  \ntrademarks  \nAdobe, the Adobe logo, and Adobe After Effects are registered trademarks of Adobe Systems Incorporated in the United States and/or in other countries. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and Peachpit was aware of a trademark claim, the designations appear as requested by the owner of the trademark. All other product names and services identified throughout this book are used in editorial fashion only and for the benefit of such companies with no intention of infringement of the trademark. No such use, or the use of any trade name, is intended to convey endorsement or other affiliation with this book.  \nISBN-13: 978-0-321-83459-1  \nISBN-10: 0-321-83459-3 9 8 7 6 5 4 3 2 1  \nPrinted and bound in the United States of America  \nContents  \nForeword to This Edition xi  \nForeword xiii  \nIntroduction xxi  \nSection i Working Foundations  \nChapter 1 Composite in After Effects 1  \nA Basic Composite 2  \nCompositing Is A Over B… and a Bit More 8  \nGet Settings Right 15  \nUsing the User Interface Like a Pro 22  \n“Effects” in After Effects:  \nPlug-ins and Animation Presets 29  \nOutput: Render Queue and Alternatives 30  \nAssemble Any Shot Logically 33  \nChapter 2 The Timeline 35  \nDreaming of a Clutter-Free Workflow 36  \nTiming: Keyframes and the Graph Editor 42  \nShortcuts Are a Professional Necessity 52  \nAnimation: It’s All About Relationships 55  \nAccurate Motion Blur 58  \nTiming and Retiming 62  \nWhat a Bouncing Ball Can Teach You About Yourself 69  \nChapter 3 Selections: The Key to Compositing 71  \nBeyond A Over B: How to Combine Layers 72  \nEdges on Camera (and in the Real World) 78  \nTransparency and How to Work With It 81  \nMask Options and Variable Mask Feather 84  \nMask Modes and Combinations 88  \nAnimated Masks 90  \nComposite With or Without Selections:  \nBlending Modes 92  \nShare a Selection with Track Mattes 98  \nRight Tool for the Job 100  \nChapter 4 Optimize Projects 101  \nWork With Multiple Comps and Projects 102  \nSpecial Case: Adjustment and Guide Layers 110  \nImage Pipeline, Global Performance  \nCache, and Render Speed 113  \nOptimize a Project 126  ","cbCaiiOTyHMXQMgn","https://ap.wps.com/l/cbCaiiOTyHMXQMgn","pdf",2625029,77,"English","# Contents\n## Section i Working Foundations\n## Chapter 1 Composite in After Effects\n## Chapter 2 The Timeline\n## Chapter 3 Selections: The Key to Compositing\n## Chapter 4 Optimize Projects\n## Section ii Effects Compositing Essentials\n## Chapter 5 Color Correction\n## Chapter 6 Color Keying\n## Chapter 7 Rotoscoping and Paint\n## Chapter 8 Effective Motion Tracking\n## Chapter 9 The Camera and Optics\n## Chapter 10 Expressions\n## Chapter 11 Advanced Color Options and HDR","[{\"question\":\"What topics are covered in the working foundations section?\",\"answer\":\"It covers composite fundamentals, timeline workflows, selections and blending, and project optimization including working with multiple comps and performance considerations.\"},{\"question\":\"How does the book approach color work in compositing?\",\"answer\":\"It details color correction methods like levels, curves, and hue/saturation, and explains color keying workflows including Keylight and problem-solving for difficult keys.\"},{\"question\":\"What advanced visual topics are included beyond basic compositing?\",\"answer\":\"The later sections address motion tracking, camera and optics, expressions, and advanced color options such as linear HDR compositing and color management.\"}]","Adobe After Effects CS6 Visual Effects and Compositing Studio Techniques | PDF",1790242527,27]