[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-1-en-105":3,"doc-seo-245565-105":53,"doc-detail-245565-en":127},{"code":4,"msg":5,"data":6},0,"success",[7,14,19,24,29,34,39,44,49],{"id":8,"doc_module":9,"doc_module_name":10,"category_name":11,"show_sort_weight":12,"slug":13},11,1,"Template","Presentations",90,"presentations",{"id":15,"doc_module":9,"doc_module_name":10,"category_name":16,"show_sort_weight":17,"slug":18},12,"Resumes",80,"resumes",{"id":20,"doc_module":9,"doc_module_name":10,"category_name":21,"show_sort_weight":22,"slug":23},14,"Invoices",70,"invoices",{"id":25,"doc_module":9,"doc_module_name":10,"category_name":26,"show_sort_weight":27,"slug":28},15,"Posters",60,"posters",{"id":30,"doc_module":9,"doc_module_name":10,"category_name":31,"show_sort_weight":32,"slug":33},16,"Social Media",50,"social-media",{"id":35,"doc_module":9,"doc_module_name":10,"category_name":36,"show_sort_weight":37,"slug":38},17,"Forms",40,"forms",{"id":40,"doc_module":9,"doc_module_name":10,"category_name":41,"show_sort_weight":42,"slug":43},18,"Letters",30,"letters",{"id":45,"doc_module":9,"doc_module_name":10,"category_name":46,"show_sort_weight":47,"slug":48},21,"Paper Templates",5,"papers-templates",{"id":50,"doc_module":9,"doc_module_name":10,"category_name":51,"show_sort_weight":4,"slug":52},158,"General","general-158",{"code":4,"msg":54,"data":55},"ok",{"site_id":56,"language":57,"slug":58,"title":59,"keywords":60,"description":61,"schema_data":62,"social_meta":120,"head_meta":122,"extra_data":124,"updated_unix":126},105,"en","a-live-interior-volume-7-issue-4-conceptual-study-of-domestic-interiors","A Live Interior - Volume 7 - Issue 4 - Conceptual study of domestic interiors","","Examines the domestic interior as an unstable condition continuously produced through the arrangement of objects and furniture. Uses architectural representation and laser scanning to document inhabited interiors in two apartment buildings, generating cloud drawings from point-cloud scans. Presents three reading modes—environments, assemblies, and materialities—linking drawing techniques to ways of inhabitation. Discusses how interior understanding shifts with emerging representation techniques, drawing on Robin Evans, Walter Benjamin, and Sylvia Lavin.",{"@graph":63,"@context":119},[64,80,102],{"@type":65,"itemListElement":66},"BreadcrumbList",[67,71,74,77],{"item":68,"name":69,"@type":70,"position":9},"https://docshare.wps.com","Home","ListItem",{"item":72,"name":10,"@type":70,"position":73},"https://docshare.wps.com/template/",2,{"item":75,"name":46,"@type":70,"position":76},"https://docshare.wps.com/template/paper-templates/",3,{"item":78,"name":59,"@type":70,"position":79},"https://docshare.wps.com/template/a-live-interior-volume-7-issue-4-conceptual-study-of-domestic-interiors/245565/",4,{"url":78,"name":59,"@type":81,"image":82,"author":87,"headline":59,"publisher":90,"fileFormat":93,"inLanguage":57,"description":61,"dateModified":94,"datePublished":95,"encodingFormat":93,"isAccessibleForFree":96,"interactionStatistic":97},"DigitalDocument",{"url":83,"@type":84,"width":85,"height":86},"https://docshare.wps.com/thumbnails/a-live-interior-volume-7-issue-4-conceptual-study-of-domestic-interiors/245565.png","ImageObject",442,249,{"name":88,"@type":89},"Theodora","Person",{"url":68,"name":91,"@type":92},"DocShare","Organization","application/pdf","2026-10-07","2026-09-12",true,{"@type":98,"interactionType":99,"userInteractionCount":101},"InteractionCounter",{"@type":100},"ViewAction",7,{"@type":103,"mainEntity":104},"FAQPage",[105,111,115],{"name":106,"@type":107,"acceptedAnswer":108},"How does the paper define the domestic interior?","Question",{"text":109,"@type":110},"As a live environment shaped by elements with different durations, continuously negotiated through rearrangements of furniture, textiles, plants, and smaller items.","Answer",{"name":112,"@type":107,"acceptedAnswer":113},"What methods are used to study inhabited interiors?",{"text":114,"@type":110},"Historical and contemporary conceptions are examined through architectural representation, and contemporary interiors are documented using laser scanning combined with photography.",{"name":116,"@type":107,"acceptedAnswer":117},"How can interior instability be captured in the project?",{"text":118,"@type":110},"Through cloud drawings produced from laser scanning point clouds, which help document and replicate aspects of the interior’s instability as it is produced across scales.","https://schema.org",{"og:url":78,"og:type":121,"og:title":59,"og:site_name":91,"og:description":61},"article",{"robots":123,"canonical":78},"index,follow",{"doc_id":125,"site_id":56},245565,1790827565,{"code":4,"msg":5,"data":128},{"doc_id":125,"user_id":129,"nickname":88,"user_avatar":130,"doc_module":9,"category_id":45,"category_name":46,"doc_title":59,"doc_description":61,"doc_content":131,"file_id":132,"file_url":133,"file_type":134,"file_size":135,"view_count":101,"is_deleted":4,"is_public":9,"is_downloadable":9,"audit_status":9,"page_count":136,"language":137,"language_code":57,"site_id":56,"html_lang":57,"table_of_contents":138,"faqs":139,"seo_title":140,"seo_description":61,"update_tm":141,"read_time":101},687197207919,"https://ap-avatar.wpscdn.com/avatar/a000253d6f5f7c60be?x-image-process=image/resize,m_fixed,w_180,h_180&k=1779446848396160552","Athens Journal of Architecture-Volume 7, Issue 4, October 2021 – Pages 463-482  \nA Live Interior: Environments, Assemblies, Materialities  \nBy Ulrika Karlsson *, Cecilia Lundbäck±, Daniel Norell‡, Einar Rodhe􀀎 & Veronica Skeppe§  \nThis paper examines the interior as a condition that is continuously in production through the arrangement of objects and furniture. This is done along two lines of inquiry. First by examining a few different historical and contemporary conceptions of the domestic interior through the lens of architectural representation. Second by using the technique of laser scanning to document a number of inhabited interiors in two apartment buildings. Through a series of representations, or cloud drawings, produced from the scans, the paper presents three ways of reading the interior: as environments, as assemblies, and as materialities. Departing from Robin Evans’ writing on drawing techniques for representing the interior and their correlation to ways of inhabitation, the paper poses questions around how the understanding of the interior may shift when using emerging techniques for architectural representation. Through readings of Walter Benjamin as well as Sylvia Lavin, the paper discusses such shifts in relation to changes in the conception of the interior and the objects that it contains.  \nIntroduction  \nThe domestic interior can be understood as a live environment, shaped by elements of varying temporality. Wallpaper, baseboards, mouldings, and flooring typically have a shorter duration than the architectural framework that supports them. Furniture as well as textiles, plants and the myriad of smaller items that occupy desks and shelves are rearranged in a continuous negotiation between the interior and its inhabitants. Overall, this makes the domestic interior an unstable condition, constantly in production.  \nDomestic interiors present a specific set of issues for architectural representation. While the exterior of a building often can be captured in its totality in a set of elevations, a void inside it, such as a room, typically becomes fractured by plan and section cuts that slice through it. Further, unlike the exterior, the interior mediates between architecture and human habitation through accommodation of everyday domestic life. A floor plan, for example, has in this sense been characterized by Pier Vittorio Aureli as a “concrete abstraction”, since it “translates many determinations – money, measures, code, gender, class, rituals,  \n*Professor, School of Architecture, KTH Royal Institute of Technology, Sweden.  \n±Lecturer, School of Architecture, KTH Royal Institute of Technology, Sweden.  \n‡Senior Lecturer, Department of Architecture and Civil Engineering, Chalmers University of Technology, Sweden.  \n􀀎Senior Lecturer, Konstfack, College of Arts, Crafts and Design, Sweden.  \n§Research Engineer, School of Architecture, KTH Royal Institute of Technology, Sweden.  \n[https://doi.org/10.30958/aja.7-4-3](https://doi.org/10.30958/aja.7-4-3) doi=10.30958/aja.7-4-3  \nVol. 7, No. 4 Karlsson et al.: A Live Interior: Environments, Assemblies, Materialities  \nbeliefs, ideologies, environmental conditions, etc.– into a specific spatial layout.”1 Yet, as life in the interior is played out across scales – from rooms, to furniture, to objects – much of it often eludes being addressed in the abstracted language of architectural drawing. This is an issue of medium specificity as well as of disciplinary boundaries. Drawing has historically been conditioned by the practice of outlining, of drawing contours with lines, which promotes engagement with some properties of surfaces and objects while downplaying others. In addition, what becomes included or excluded in a drawing is dependent on professional responsibilities, belonging to fields such as architecture, interior architecture, furniture design, or industrial design.  \nBy surveying contemporary domestic scenes in drawings, the research project Interiors Matter: A","cbCaipGHkuMsgC1h","https://ap.wps.com/l/cbCaipGHkuMsgC1h","pdf",523676,20,"English","# Introduction\n# Representation and Inhabitation\n# From Collection to Stuff\n# Capturing the Live Interior\n# Cloud Drawings\n## Environments, Assemblies, Materialities\n# Conclusions","[{\"question\":\"How does the paper define the domestic interior?\",\"answer\":\"As a live environment shaped by elements with different durations, continuously negotiated through rearrangements of furniture, textiles, plants, and smaller items.\"},{\"question\":\"What methods are used to study inhabited interiors?\",\"answer\":\"Historical and contemporary conceptions are examined through architectural representation, and contemporary interiors are documented using laser scanning combined with photography.\"},{\"question\":\"How can interior instability be captured in the project?\",\"answer\":\"Through cloud drawings produced from laser scanning point clouds, which help document and replicate aspects of the interior’s instability as it is produced across scales.\"}]","A Live Interior - Volume 7 - Issue 4 - Conceptual study of domestic interiors | PDF",1789229444]