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Iluminasi tersebut memuat motif flora renggan, ornamen dekoratif, komposisi simetris, dan detail artistik yang merepresentasikan nilai estetika serta filosofi budaya Jawa. Metode meliputi studi literatur, observasi dan analisis visual, mind mapping dan moodboard, pengembangan sketsa huruf, digitalisasi vektor, penyusunan anatomi huruf, serta pengujian keterbacaan dan konsistensi visual. Hasilnya berupa typeface digital Renggan-Type berisi huruf kapital, huruf kecil, angka, dan tanda baca untuk berbagai media komunikasi visual.",{"@graph":51,"@context":92},[52,68,83],{"@type":53,"itemListElement":54},"BreadcrumbList",[55,59,62,65],{"item":56,"name":57,"@type":58,"position":9},"https://docshare.wps.com","Home","ListItem",{"item":60,"name":10,"@type":58,"position":61},"https://docshare.wps.com/id/template/",2,{"item":63,"name":27,"@type":58,"position":64},"https://docshare.wps.com/id/template/presentasi/",3,{"item":66,"name":47,"@type":58,"position":67},"https://docshare.wps.com/id/template/designing-the-renggan-type-typeface-through-adaptation-of-the-illumination-characteristics-of-babad-tanah-jawa/236265/",4,{"url":66,"name":47,"@type":69,"author":70,"headline":47,"publisher":73,"fileFormat":76,"inLanguage":45,"description":49,"dateModified":77,"datePublished":77,"encodingFormat":76,"isAccessibleForFree":78,"interactionStatistic":79},"DigitalDocument",{"name":71,"@type":72},"Mason","Person",{"url":56,"name":74,"@type":75},"DocShare","Organization","application/pdf","2026-09-11",true,{"@type":80,"interactionType":81,"userInteractionCount":4},"InteractionCounter",{"@type":82},"ViewAction",{"@type":84,"mainEntity":85},"FAQPage",[86],{"name":87,"@type":88,"acceptedAnswer":89},"Apa output dan manfaat hasil perancangan Renggan-Type?","Question",{"text":90,"@type":91},"Hasilnya adalah typeface dekoratif digital Renggan-Type yang memuat huruf kapital, huruf kecil, angka, dan tanda baca, serta diimplementasikan pada berbagai media komunikasi visual. Adaptasi ini menghasilkan identitas visual berbasis nilai budaya Jawa dan alternatif pengembangan tipografi kontemporer dari warisan Nusantara.","Answer","https://schema.org",{"og:url":66,"og:type":94,"og:title":47,"og:site_name":74,"og:description":49},"article",{"robots":96,"canonical":66},"index,follow",{"doc_id":98,"site_id":44},236265,1789104149,{"code":4,"msg":5,"data":101},{"doc_id":98,"user_id":102,"nickname":71,"user_avatar":103,"doc_module":9,"category_id":26,"category_name":27,"doc_title":47,"doc_description":49,"doc_content":104,"file_id":105,"file_url":106,"file_type":107,"file_size":108,"view_count":4,"is_deleted":4,"is_public":9,"is_downloadable":9,"audit_status":9,"page_count":109,"language":110,"language_code":45,"site_id":44,"html_lang":45,"table_of_contents":111,"faqs":112,"seo_title":113,"seo_description":49,"update_tm":99,"read_time":114},5909887256941,"https://ap-avatar.wpscdn.com/davatar_9964176cb1d06d4a9deccf72a44ae3dc","PERANCANGAN TYPEFACE RENGGAN-TYPE  \nMELALUI ADAPTASI KARAKTERISTIK ILUMINASI  \nBABAD TANAH JAWA  \nAlip Rohmani, Dhika Quarta Rosita*), Agung Zainal Muttakin Raden.  \nProgram Studi Desain Komunikasi Visual, Fakultas Bahasa dan Seni, Universitas Indraparasta PGRI, Jl. Nangka Raya No. 58 C, Tanjung Barat, Kec. Jagakarsa, Kota Jakarta Selatan, DKI Jakarta 12530  \n*Penulis korespondensi: Dhika Quarta Rosita, [dhikaqr@gmail.com](dhikaqr@gmail.com), Jakarta Selatan, Indonesia  \nAbstrak. Penelitian ini bertujuan merancang Renggan-Type, sebuah typeface dekoratif yang dikembangkan melalui adaptasi karakteristik visual iluminasi naskah Babad Tanah Jawa sebagai bentuk pelestarian warisan budaya dalam ranah desain komunikasi visual. Iluminasi pada naskah tersebut memiliki kekayaan unsur visual berupa motif flora bergaya renggan, ornamen dekoratif, komposisi simetris, dan detail artistik yang merepresentasikan nilai estetika serta filosofi budaya Jawa. Penelitian menggunakan metode perancangan yang meliputi studi literatur, observasi dan analisis visual terhadap karakteristik iluminasi, penyusunan mind mapping dan moodboard sebagailandasan konseptual, pengembangan sketsa huruf, digitalisasi berbasis vektor, penyusunan sistemanatomi huruf, serta pengujian keterbacaan dan konsistensi visual. Proses adaptasi dilakukandengan mentransformasikan elemen-elemen visual iluminasi ke dalam struktur huruf latin tanpa menghilangkan prinsip legibilitas dan keterbacaan sebagai fungsi utama tipografi. Hasil penelitian berupa typeface dekoratif digital Renggan-Type yang mencakup huruf kapital, huruf kecil, angka, dan tanda baca, serta diimplementasikan pada berbagai media komunikasi visual. Hasil perancangan menunjukkan bahwa adaptasi karakteristik iluminasi Babad Tanah Jawa ke dalam desain typeface mampu menghasilkan identitas visual yang merepresentasikan nilai budaya Jawasekaligus menghadirkan alternatif pengembangan tipografi kontemporer berbasis warisan budaya Nusantara.  \nKata Kunci: Renggan-type, Typeface, Babad Tanah Jawa, Adaptasi Visual, Iluminasi.  \nAbstract: This research aims to design Renggan-Type, a decorative typeface developed through the adaptation of the visual characteristics of the Babad Tanah Jawa manuscript illumination as a form of cultural heritage preservation in the realm of visual communication design. The illumination in the manuscript has a wealth of visual elements in the form of renggan-style floral motifs, decorative ornaments, symmetrical compositions, and artistic details that represent the aesthetic values and philosophy of Javanese culture. The research uses a design method that includes literature studies, visual observation and analysis of the illumination characteristics, the preparation of mind mapping and mood boards as a conceptual basis, the development of letter sketches, vector-based digitization, the preparation of a letter anatomy system, and testing of readability and visual consistency. The adaptation process is carried out by transforming the visual elements of the illumination into a Latin letter structure without eliminating the principles of legibility and readability as the main functions of typography. The results of the research are in the form of a digital decorative typeface Renggan-Type which includes capital letters, lowercase letters, numbers, and punctuation, and is implemented in various visual communication media. The design results show that the adaptation of the illumination characteristics of the Babad Tanah Jawa into typeface design is able to produce a visual identity that represents Javanese cultural values while  \nalso presenting an alternative development of contemporary typography based on the cultural heritage of the archipelago.  \nKeywords: Renggan-type, Typeface, Babad Tanah Jawa, Visual Adaptation, Illumination.  \nPendahuluan  \nSeni merupakan salah satu unsur kebudayaan yang diciptakan dan dikembangkan oleh manusia sebagai sarana untuk memenuhi berbagai kebutuhan dalam kehidupan b","cbCaigbxotyQ5Nc9","https://ap.wps.com/l/cbCaigbxotyQ5Nc9","pdf",1239089,13,"Indonesian","# Pendahuluan\n# Seni dan iluminasi naskah\n# Naskah sebagai warisan budaya\n# Peran tipografi dalam desain grafis","[{\"question\":\"Apa output dan manfaat hasil perancangan Renggan-Type?\",\"answer\":\"Hasilnya adalah typeface dekoratif digital Renggan-Type yang memuat huruf kapital, huruf kecil, angka, dan tanda baca, serta diimplementasikan pada berbagai media komunikasi visual. Adaptasi ini menghasilkan identitas visual berbasis nilai budaya Jawa dan alternatif pengembangan tipografi kontemporer dari warisan Nusantara.\"}]","PERANCANGAN TYPEFACE RENGGAN-TYPE - MELALUI ADAPTASI KARAKTERISTIK ILUMINASI Babad Tanah Jawa | PDF",5]