[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-42249-fr":3,"doc-seo-42249-114":30,"detail-sidebar-cat-0-fr-114":92},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":20,"is_deleted":4,"is_public":21,"is_downloadable":21,"audit_status":21,"page_count":22,"language":23,"language_code":24,"site_id":25,"html_lang":24,"table_of_contents":26,"faqs":27,"seo_title":13,"seo_description":14,"update_tm":28,"read_time":29},42249,1374391974564,"Clementine","https://ap-avatar.wpscdn.com/avatar/14000253aa45c000a9e?x-image-process=image/resize,m_fixed,w_180,h_180&k=1779874745381141002",58,"Récits & Romans","L’Automne à Pékin","Recueil littéraire de Boris Vian, daté de 1947, structuré en plusieurs parties et mouvements. La table des matières met en évidence une progression organisée par sections (A, B, C, D) puis par mouvements successifs, chacun subdivisé en chapitres numérotés. Le texte se déploie autour de séquences intitulées « PASSAGE » et « MOUVEMENT », suggérant un parcours narratif rythmé et composé.","Boris Vian  \nL’AUTOMNE À PÉKIN  \n(1947)  \nTable des matières  \nA ................................................................................................5  \n1 ..................................................................................................5  \n2 ................................................................................................12  \n3 ................................................................................................19  \nB ..............................................................................................22  \n1 ................................................................................................22  \n2 ................................................................................................23  \n3 ................................................................................................24  \n4 ................................................................................................26  \n5 ................................................................................................30  \n6 ................................................................................................32  \n7 ................................................................................................34  \n8................................................................................................36  \nC .............................................................................................40  \n1 ................................................................................................40  \n2 ................................................................................................50  \n3 ................................................................................................54  \nD ..............................................................................................57  \n1 ................................................................................................57  \n2 ................................................................................................60  \n3 ................................................................................................62  \n4 ................................................................................................63  \n5 ................................................................................................66  \n6 ................................................................................................67  \n7 ................................................................................................69  \n8................................................................................................74  \nPASSAGE ................................................................................79  \nPREMIER MOUVEMENT......................................................81  \nI..................................................................................................81  \nII ................................................................................................94  \nIII..............................................................................................101  \nIV .............................................................................................108  \nV................................................................................................113  \nVI .............................................................................................122  \nVII............................................................................................128  \nVIII ..........................................................................................140  \nIX .............................................................................................150  \nX...............................................................................................158  \nXI.........................................................................","cbCaim2lAFU0fqqK","https://ap.wps.com/l/cbCaim2lAFU0fqqK","pdf",1272161,5,1,370,"French","fr",114,"# A\n## 1\n## 2\n## 3\n# B\n## 1\n## 2\n## 3\n## 4\n## 5\n## 6\n## 7\n## 8\n# C\n## 1\n## 2\n## 3\n# D\n## 1\n## 2\n## 3\n## 4\n## 5\n## 6\n## 7\n## 8\n# PREMIER MOUVEMENT\n## I\n## II\n## III\n## IV\n## V\n## VI\n## VII\n## VIII\n## IX\n## X\n## XI\n# DEUXIÈME MOUVEMENT\n## I\n## II\n## III\n## IV\n## V\n## VI\n## VII\n## VIII\n## IX\n## X\n## XI\n## XII\n## XIII\n## XIV\n## XV\n# TROISIÈME MOUVEMENT\n## I\n## II","[{\"question\":\"Comment le recueil est-il organisé dans L’Automne à Pékin ?\",\"answer\":\"Il est structuré en plusieurs grandes parties (A, B, C, D) puis en mouvements successifs, chacun comprenant des chapitres numérotés.\"},{\"question\":\"Quel rôle jouent les sections « PASSAGE » dans l’ouvrage ?\",\"answer\":\"Les « PASSAGE » segmentent le texte et marquent des transitions entre différentes phases de la lecture, avant et après les mouvements.\"},{\"question\":\"De quels éléments la table des matières indique-t-elle la progression ?\",\"answer\":\"La table des matières montre une progression par chapitres numérotés au sein des parties et par mouvements, avec des subdivisions détaillées.\"}]",1783349566,570,{"code":4,"msg":31,"data":32},"ok",{"site_id":25,"language":24,"slug":33,"title":13,"keywords":34,"description":14,"schema_data":35,"social_meta":87,"head_meta":89,"extra_data":91,"updated_unix":28},"lautomne-a-pekin","",{"@graph":36,"@context":86},[37,54,69],{"@type":38,"itemListElement":39},"BreadcrumbList",[40,44,48,51],{"item":41,"name":42,"@type":43,"position":21},"https://docshare.wps.com","Home","ListItem",{"item":45,"name":46,"@type":43,"position":47},"https://docshare.wps.com/fr/document/","Document",2,{"item":49,"name":12,"@type":43,"position":50},"https://docshare.wps.com/fr/document/récits-romans/",3,{"item":52,"name":13,"@type":43,"position":53},"https://docshare.wps.com/fr/document/lautomne-a-pekin/42249/",4,{"url":52,"name":13,"@type":55,"author":56,"headline":13,"publisher":58,"fileFormat":61,"inLanguage":24,"description":14,"dateModified":62,"datePublished":63,"encodingFormat":61,"isAccessibleForFree":64,"interactionStatistic":65},"DigitalDocument",{"name":9,"@type":57},"Person",{"url":41,"name":59,"@type":60},"DocShare","Organization","application/pdf","2026-07-19","2026-07-06",true,{"@type":66,"interactionType":67,"userInteractionCount":20},"InteractionCounter",{"@type":68},"ViewAction",{"@type":70,"mainEntity":71},"FAQPage",[72,78,82],{"name":73,"@type":74,"acceptedAnswer":75},"Comment le recueil est-il organisé dans L’Automne à Pékin ?","Question",{"text":76,"@type":77},"Il est structuré en plusieurs grandes parties (A, B, C, D) puis en mouvements successifs, chacun comprenant des chapitres numérotés.","Answer",{"name":79,"@type":74,"acceptedAnswer":80},"Quel rôle jouent les sections « PASSAGE » dans l’ouvrage ?",{"text":81,"@type":77},"Les « PASSAGE » segmentent le texte et marquent des transitions entre différentes phases de la lecture, avant et après les mouvements.",{"name":83,"@type":74,"acceptedAnswer":84},"De quels éléments la table des matières indique-t-elle la progression ?",{"text":85,"@type":77},"La table des matières montre une progression par chapitres numérotés au sein des parties et par mouvements, avec des subdivisions détaillées.","https://schema.org",{"og:url":52,"og:type":88,"og:title":13,"og:site_name":59,"og:description":14},"article",{"robots":90,"canonical":52},"index,follow",{"doc_id":7,"site_id":25},{"code":4,"msg":5,"data":93},[94,99,104,107,110,114,118,120,124,128],{"id":95,"doc_module":4,"doc_module_name":46,"category_name":96,"show_sort_weight":97,"slug":98},67,"Général",61,"general",{"id":100,"doc_module":4,"doc_module_name":46,"category_name":101,"show_sort_weight":102,"slug":103},66,"Art de vivre",60,"lifestyle",{"id":97,"doc_module":4,"doc_module_name":46,"category_name":105,"show_sort_weight":102,"slug":106},"Bande dessinée","comic",{"id":102,"doc_module":4,"doc_module_name":46,"category_name":108,"show_sort_weight":102,"slug":109},"Examen","exam",{"id":111,"doc_module":4,"doc_module_name":46,"category_name":112,"show_sort_weight":102,"slug":113},59,"Littérature","literature",{"id":115,"doc_module":4,"doc_module_name":46,"category_name":116,"show_sort_weight":102,"slug":117},64,"Recherche & Rapport","research-report",{"id":11,"doc_module":4,"doc_module_name":46,"category_name":12,"show_sort_weight":102,"slug":119},"story-novel",{"id":121,"doc_module":4,"doc_module_name":46,"category_name":122,"show_sort_weight":102,"slug":123},65,"Religion & Spiritualité","religion-spirituality",{"id":125,"doc_module":4,"doc_module_name":46,"category_name":126,"show_sort_weight":102,"slug":127},63,"Santé & Soins","healthcare",{"id":129,"doc_module":4,"doc_module_name":46,"category_name":130,"show_sort_weight":102,"slug":131},62,"Technologie","technology"]