[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-101360-fr":3,"doc-seo-101360-114":31,"detail-sidebar-cat-0-fr-114":92},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":20,"is_deleted":4,"is_public":21,"is_downloadable":21,"audit_status":21,"page_count":22,"language":23,"language_code":24,"site_id":25,"html_lang":24,"table_of_contents":26,"faqs":27,"seo_title":28,"seo_description":14,"update_tm":29,"read_time":30},101360,962084925782,"Ava Thompson","https://ap-avatar.wpscdn.com/davatar_9964176cb1d06d4a9deccf72a44ae3dc",58,"Récits & Romans","Koni ni Ɲɔhɔɲɛgɛnɛ Jojo - Herminder Ohri wa kafila wu ka najaalaapuyaa","Récit Sénéoufo centré sur Koni et Jojo, où Herminder Ohri accompagne l’histoire à travers des rencontres et des échanges. Le texte met en scène l’interrogation et la réponse des personnages face au danger, puis décrit la fuite et la protection au milieu d’actions concrètes. Des éléments culturels et narratifs structurent la progression : dialogue, apprentissage et solidarité, jusqu’à l’intervention qui révèle une stratégie pour surmonter la situation.","Koni ni  \nƝɔhɔɲɛgɛnɛ Jojo  \nHerminder Ohri wa kafila wu ka najaalaapuyaa.  \nSénoufo, Mamara Livre de récits  \nKoni ni Ɲɔhɔɲɛgɛnɛ Jojo  \nHerminder Ohri wa kafila wu ka najaalaa pu yaa.  \nMali Kalaa minisirigbaha ki wa sɔ we sɛmɛ we kaana. Mali Shɛɛnrɛ Kaɲahashaara Baariɲɔ (AMALAN) k'a sɔ wu kaana, wu yaaɲɔ-baari wu bye wu kadugo, GOÏTAKanchi ni Soungalo DIARRA mu.  \nSénoufo, Mamara  \nMali  \nCopyright © 2021, SIL LEAD Inc. et SIL International  \n[http://creativecommons.org/licenses/by-nc/4.0/](http://creativecommons.org/licenses/by-nc/4.0/)  \n[Cette cr](Cette cr)é[ation](ation) ne peut être utilisée à des fins commerciales. Cette création peut être adaptée ou complétée. Les mentions relatives aux droits d'auteur, d'illustrateur, etc. doivent être conservées.  \nAMALAN (Kanhashi Goyita, Sungalo Jara, Lasina Konate, Amadu Sogoba) di wu gbɔnɲɛri.  \nLazaari Dawu ni Roda Dawu di wu kalaa.  \nAdapté de l’original, Saboo and Jojo , Copyright © 2006, Pratham Books. Sous licence CC BY-NC 4.0.  \nSabou et Jojo, Copyright © 2006, Pratham Books, wu ni w'aforo. Licence CC BY-NC 4.0.  \nWe sɛmɛ w’aja ta All Children Reading: A Grand Challenge for Development (ACR GCD) tɔ wu zin-kapyeɲɛɛnɛɛ pu zuli fanha ni (United States Agency for International Development [USAID], World Vision ni Australian Government) ni Global Book Alliance wu baaripyeɲɛɛgɛ koro fɛni. W’a yaa SIL LEAD, Inc. wu mu, wa li wajibi di ɲɛ, wu di saha ni zin-kapyeɲɛɛnɛɛ ACR GCD kelee Global Book Alliance wu wo ɲagaŋaa ki ni wɛ . We sɛmɛ we yaadee wu kelee wu gbɔnɲɛri wa bɛɛri ɲɛ yaa na weeni ACR GCD wo sariya-korogbɔnɲɛri wɛ, wa ACR GCD naha ja yere we gbɔnɲɛri we funŋɔ keree kelee wu tapiinye yi ɲuŋɔtaan wɛ .  \nYakɔŋɔ ka ni, Koni bi xhɔhɔ wuyɛ nigin naxhɔɔ wu ni. Wu di wu nu wu pye :« Maa, nɛ naha punbile ta la ? » Nu wu di jo : « Ahayi ! »  \nKoni di yegeŋɛ pye na : « Punbilere yɛ la ? »  \nNu wu di jo : « Ahayi ! »  \nKoni di kanɛɛgɛ wa, ki di kologolo fo tige ka fɛrɛ ni. Shiire bye tigepoo li na ! Wugbɔn ki na, na ɲuŋɔ ki yirigi fugba wu ni, fo fugba wu ni, fugba legelege wu ni.  \nWu di ɲii shuun ɲa geemu bi nɔhɔdaan wu weeni wu ɲahatiimɛ pu ni ge.  \nKoni fyaara wo di yegeŋɛ pye : « Kɛnɛ ! Mu ɲɛ jɔ wɛ ? »  \n« Kɛnɛ, nɛ ɲɛ ɲɔhɔɲɛgɛnɛ . Nɛ mɛgɛ ɲɛ Jojo. Nɛ nahaja xhɔhɔ ni mu ni. Ma budugu nɛ tigbo ki ni, nɛ naha shɛ ɲaarini ma ni. »  \nKoni di sira dugu, pu di shɛ leegi koro li ni, faboboŋɔ ki na, ni kugbɔɔ li ni. Koni fundanga wo bi tipile kaan :  \n« Jojo, ŋmahana ɲɛri kadige kyɛ, namɛ kamɛnɛ kyɛ, kanige kyɛ sanha », fo puwa shɛ nɔ wu naɲii Kilɛŋmoo pigɛ .  \nKilɛŋmoo cazege mahajiri caŋaɲii li bye. Nɔgɔbiire ti Koni ɲa Jojo tigbo kini ge, ti di kadahaa kpɔn.  \nJojo di Kilɛshɔ tɛgi na baloo pu le. Wubi tɔnnɔ xuuni, lee di li fahaga wu mu.  \nJojo di nɔgɔbiire ti lɔ shɛ ɲaari, wu di balo bɛ kpɔn ni ti ni. Lee pye fundangatɛɛ dɛ !  \nSipyii bɛɛri di yogo ki cɛlɛ : « Kilɛ wu ma cazege mahajiri caŋaɲii li pye gɛɛ caŋa. » Kilɛshɔ di patee, tadaya ni gilasii taha tabali wu na.","cbCaiuRwB9wTOvZC","https://ap.wps.com/l/cbCaiuRwB9wTOvZC","pdf",3410145,2,1,15,"French","fr",114,"# Koni et Jojo - introductions\n## Dialogues et questions\n## Fuite et protection\n## Intervention finale","[{\"question\":\"Qui sont les personnages principaux du récit ?\",\"answer\":\"Le récit met surtout en scène Koni et Jojo, avec Herminder Ohri comme personnage ou référence narrative centrale.\"},{\"question\":\"Quel rôle jouent les dialogues entre Koni et les autres ?\",\"answer\":\"Les dialogues servent à poser des questions, obtenir des réponses et guider la compréhension de la situation, puis à déclencher des actions.\"},{\"question\":\"Comment l’histoire progresse-t-elle vers une issue ?\",\"answer\":\"Après des échanges et une période de tension, le récit décrit la fuite/protection, puis une intervention finale qui conduit à un apaisement ou à une solution.\"}]","Koni ni Ɲɔhɔɲɛgɛnɛ Jojo - Herminder Ohri wa kafila wu ka najaalaapuyaa | PDF",1784396392,23,{"code":4,"msg":32,"data":33},"ok",{"site_id":25,"language":24,"slug":34,"title":13,"keywords":35,"description":14,"schema_data":36,"social_meta":87,"head_meta":89,"extra_data":91,"updated_unix":29},"koni-ni-hgn-jojo-herminder-ohri-wa-kafila-wu-ka-najaalaapuyaa","",{"@graph":37,"@context":86},[38,54,69],{"@type":39,"itemListElement":40},"BreadcrumbList",[41,45,48,51],{"item":42,"name":43,"@type":44,"position":21},"https://docshare.wps.com","Home","ListItem",{"item":46,"name":47,"@type":44,"position":20},"https://docshare.wps.com/fr/document/","Document",{"item":49,"name":12,"@type":44,"position":50},"https://docshare.wps.com/fr/document/récits-romans/",3,{"item":52,"name":13,"@type":44,"position":53},"https://docshare.wps.com/fr/document/koni-ni-hgn-jojo-herminder-ohri-wa-kafila-wu-ka-najaalaapuyaa/101360/",4,{"url":52,"name":13,"@type":55,"author":56,"headline":13,"publisher":58,"fileFormat":61,"inLanguage":24,"description":14,"dateModified":62,"datePublished":63,"encodingFormat":61,"isAccessibleForFree":64,"interactionStatistic":65},"DigitalDocument",{"name":9,"@type":57},"Person",{"url":42,"name":59,"@type":60},"DocShare","Organization","application/pdf","2026-07-29","2026-07-18",true,{"@type":66,"interactionType":67,"userInteractionCount":20},"InteractionCounter",{"@type":68},"ViewAction",{"@type":70,"mainEntity":71},"FAQPage",[72,78,82],{"name":73,"@type":74,"acceptedAnswer":75},"Qui sont les personnages principaux du récit ?","Question",{"text":76,"@type":77},"Le récit met surtout en scène Koni et Jojo, avec Herminder Ohri comme personnage ou référence narrative centrale.","Answer",{"name":79,"@type":74,"acceptedAnswer":80},"Quel rôle jouent les dialogues entre Koni et les autres ?",{"text":81,"@type":77},"Les dialogues servent à poser des questions, obtenir des réponses et guider la compréhension de la situation, puis à déclencher des actions.",{"name":83,"@type":74,"acceptedAnswer":84},"Comment l’histoire progresse-t-elle vers une issue ?",{"text":85,"@type":77},"Après des échanges et une période de tension, le récit décrit la fuite/protection, puis une intervention finale qui conduit à un apaisement ou à une solution.","https://schema.org",{"og:url":52,"og:type":88,"og:title":13,"og:site_name":59,"og:description":14},"article",{"robots":90,"canonical":52},"index,follow",{"doc_id":7,"site_id":25},{"code":4,"msg":5,"data":93},[94,99,104,107,110,114,118,120,124,128],{"id":95,"doc_module":4,"doc_module_name":47,"category_name":96,"show_sort_weight":97,"slug":98},67,"Général",61,"general",{"id":100,"doc_module":4,"doc_module_name":47,"category_name":101,"show_sort_weight":102,"slug":103},66,"Art de vivre",60,"lifestyle",{"id":97,"doc_module":4,"doc_module_name":47,"category_name":105,"show_sort_weight":102,"slug":106},"Bande dessinée","comic",{"id":102,"doc_module":4,"doc_module_name":47,"category_name":108,"show_sort_weight":102,"slug":109},"Examen","exam",{"id":111,"doc_module":4,"doc_module_name":47,"category_name":112,"show_sort_weight":102,"slug":113},59,"Littérature","literature",{"id":115,"doc_module":4,"doc_module_name":47,"category_name":116,"show_sort_weight":102,"slug":117},64,"Recherche & Rapport","research-report",{"id":11,"doc_module":4,"doc_module_name":47,"category_name":12,"show_sort_weight":102,"slug":119},"story-novel",{"id":121,"doc_module":4,"doc_module_name":47,"category_name":122,"show_sort_weight":102,"slug":123},65,"Religion & Spiritualité","religion-spirituality",{"id":125,"doc_module":4,"doc_module_name":47,"category_name":126,"show_sort_weight":102,"slug":127},63,"Santé & Soins","healthcare",{"id":129,"doc_module":4,"doc_module_name":47,"category_name":130,"show_sort_weight":102,"slug":131},62,"Technologie","technology"]