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The material includes critical endorsements highlighting its charm, iridescent yet profound humor, and its quintessentially English sensibility with affectionate critique. Supporting sections offer biographical context on Beerbohm’s education, dandy persona, essays and caricatures, and lasting literary influence, alongside publication and afterword information by Sara Lodge.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":10,"@type":76,"position":81},"https://docshare.wps.com/document/story-novel/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/zuleika-dobson-max-beerbohm/144109/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/zuleika-dobson-max-beerbohm/144109.png","ImageObject",300,407,{"name":92,"@type":93},"Clementine","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-27","2026-08-25",true,{"@type":102,"interactionType":103,"userInteractionCount":52},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"Zuleika Dobson的主要文学特征是什么？","Question",{"text":112,"@type":113},"材料强调其“farcical/ fantasy”精神，风格机智、讽刺克制而带强烈个性，并以冷幽默与高雅文体呈现。","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"谁为Zuleika Dobson提供了赞誉与评论？",{"text":117,"@type":113},"文本中收录了Virginia Woolf、Evelyn Waugh、E. M. Forster、Bertrand Russell等多位作者与媒体的评价。",{"name":119,"@type":110,"acceptedAnswer":120},"Max Beerbohm在这份材料中有哪些背景信息？",{"text":121,"@type":113},"材料概述了他在牛津的经历、作为随笔家与漫画家的职业发展、与奥斯卡·王尔德相关的经历，以及他后来的人生迁居与逝世等要点。","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},144109,1787698299,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":8,"category_name":10,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":52,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":139,"language":140,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":67,"update_tm":129,"read_time":144},1374391974564,"https://ap-avatar.wpscdn.com/avatar/14000253aa45c000a9e?x-image-process=image/resize,m_fixed,w_180,h_180&k=1779874745381141002","PRAISE FOR ZULEIKA DOBSON  \nAND MAX BEERBOHM  \n“Mr. Beerbohm in his way is perfect … He has brought personality into literature, not unconsciously and impurely, but so consciously and purely that we do not know whether there is any relation between Max the essayist and Mr. Beerbohm the man. We only know that the spirit of personality permeates every word that he writes …He is without doubt the prince of his profession.”  \n—VIRGINIA WOOLF  \n“Beerbohm was a genius of the purest kind. He stands at the summit of his art.”  \n—EVELYN WAUGH  \n“Zuleika Dobson is a highly accomplished and superbly written book whose spirit is farcical. It is a great work—the most consistent achievement of fantasy in our time … So funny and charming, so iridescent yet so profound.”  \n—E. M. FORSTER  \n“Perfectly delightful … All style and wit, a pretty fantasy served up in exquisite, ornamented prose.”  \n—MICHIKO KAKUTANI  \n“I read Zuleika Dobson with pleasure. It represents the Oxford that the two World Wars have destroyed with a charm that is not likely to be reproduced anywhere in the world for the next thousand years.”  \n—BERTRAND RUSSELL  \n“Of comic novels that have quaʃed the elixir of ‘classic’: Zuleika Dobson by Max Beerbohm.”  \n—CYNTHIA OZICK  \n“Among the masked dandies of Edwardian comedy, Max Beerbohmis the most happily armored by a deep and almost innocent love of himself as a work of art.”  \n—V. S. PRITCHETT  \n“In his best stories there is more than a whisper of magic realism—amurmur, however distant, of questions about the nature of reality.”  \n—JOHN MORTIMER  \n“Elegantly stylized satire.”  \n—THE NEW YORKER  \n“Erudite and lively.”  \n—THE VILLAGE VOICE  \n“Graceful, witty, and charming.”  \n—SEWANEE REVIEW  \n“Max Beerbohm, I dare say (and I believe it has been said before), is the most subtly gifted English essayist since Charles Lamb. It is not surprising that he has (now for many years) been referred to as ‘the incomparable Max,’ for what other contemporary has never once missed ɹre, never failed to achieve perfection in the ɹeld of his choice? Whether in caricature, short story, fable, parody, or essay, he has always been consummate in grace, tact, insouciant airy precision.”  \n—CHRISTOPHER MORLEY  \n“The greatest of English comic artists.”  \n—THE TIMES (LONDON)  \n“A perfect fantasy.”  \n—THE NEW YORK REVIEW OF BOOKS  \n“There is no doubt about the cool irony of the style, or the fact that it’s unlike any other book that’s ever been written.”  \n—THE NEW YORK TIMES  \n“Quintessentially English comic novel: sparkling with irony andaʃectionate critique of a country.”  \n—THE WEEKLY STANDARD  \n“If Zuleika Dobson is too frivolous to be certiɹed as ‘canonical,’ it is clearly a perennially revivable minor classic, uniquely redolent of a particular time and place.”  \n—L. A. TIMES  \nZULEIKA DOBSON  \nSIR HENRY MAXIMILIAN “MAX” BEERBOHM (1872–1956) was the youngest of nine children born in London to well-to-do Lithuanian immigrants. As a boy he showed no propensity for writing or artwork, but despite the lack of formal training, upon entering Merton College, Oxford, he quickly became known for his essays and caricatures (and for being a dandy). When The Strand Magazine published thirty-six of his drawings in 1892, his career took oʃ, and he left school without a degree. (Oxford would later give him an honorary degree.) He went to America brieɻy, to write press releases for his brother’s theatrical company, then returned to England and wrote essays and drew caricatures for his friend Aubrey Beardsley’s The Yellow Book magazine, among other publications. Some of his work around this time concerned the trial of Oscar Wilde, whom he’d befriended while a student. The trial, particularly Wilde’s defense of “the love that dare not speak its name,” moved him greatly. In 1896, he published his ɹrst book, a collection of his essays called The Works of Max Beerbohm, and the ɹrst of many collections of his caricatures, Caricatures of Twenty-ɹve Gentlemen. Two years la","cbCaibFZJLpb3Su7","https://ap.wps.com/l/cbCaibFZJLpb3Su7","pdf",2203492,256,"English","# Praise and Critical Endorsements\n# Author Background: Max Beerbohm\n# Library and Reading Anecdote\n# Publication Information and Afterword","[{\"question\":\"Zuleika Dobson的主要文学特征是什么？\",\"answer\":\"材料强调其“farcical/ fantasy”精神，风格机智、讽刺克制而带强烈个性，并以冷幽默与高雅文体呈现。\"},{\"question\":\"谁为Zuleika Dobson提供了赞誉与评论？\",\"answer\":\"文本中收录了Virginia Woolf、Evelyn Waugh、E. M. Forster、Bertrand Russell等多位作者与媒体的评价。\"},{\"question\":\"Max Beerbohm在这份材料中有哪些背景信息？\",\"answer\":\"材料概述了他在牛津的经历、作为随笔家与漫画家的职业发展、与奥斯卡·王尔德相关的经历，以及他后来的人生迁居与逝世等要点。\"}]","Zuleika Dobson - Max Beerbohm | PDF",394]