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The notes outline concepts such as types of ambiguity, metaphoric meanings, and how different statements can create tension or multiple readings. They also introduce technical terms and frameworks associated with New Criticism and practical criticism, including meaning, feeling, intension, and context-dependent interpretation.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":15,"@type":76,"position":81},"https://docshare.wps.com/document/literature/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/william-empsons-work-seven-types-of-ambiguity-metaphon-asneeating-17-metaphon-esneeating/318827/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/william-empsons-work-seven-types-of-ambiguity-metaphon-asneeating-17-metaphon-esneeating/318827.png","ImageObject",300,407,{"name":92,"@type":93},"Liam","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-09-21","2026-09-20",true,{"@type":102,"interactionType":103,"userInteractionCount":8},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"What main idea do these notes emphasize about literary language?","Question",{"text":112,"@type":113},"The notes emphasize that language and interpretation can produce ambiguity, allowing multiple meanings rather than a single fixed reading.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"How do the notes connect Empson’s ideas to Milton?",{"text":117,"@type":113},"They reference Milton’s work to show how ambiguity can arise from wording and interpretation, including pastoral themes and narrative stance.",{"name":119,"@type":110,"acceptedAnswer":120},"Which criticism frameworks and terms are mentioned beyond Empson?",{"text":121,"@type":113},"The notes mention New Criticism and practical criticism, including terms related to meaning, feeling, intension, and how language use affects interpretation.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},318827,1789995624,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":14,"category_name":15,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":8,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":139,"language":140,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":67,"update_tm":144,"read_time":145},8796095461564,"https://ap-avatar.wpscdn.com/davatar_155a257f0dc6eb9ab79c44ca47cae57d","高  \nPage No.:  \nDate:[  \nudis-了Naliom Empson   \n工. A Rihads  \nden  \nA  \nEmpson  \nwam  \nworks.  \n 1.  seven   Tyeesot Amkiguity(1930)  \n# 2.9 Seme Vonaioh of Pasteral\n\n3. MtonGo  \nView en MltonCwtiaty   \ndesxnube人ticining  \nh  \n→  \n大the  \n→  \n→sInParadise Lost ,Milton nd  descuing  tty  u  ihowcainganxysne inenountinganmitingedbythewillGwed.  \n大he  \n10  \nVt  \nConcet  \nypes  ambiguil  \n19se  \nouclenences  in the    \n· weud  \nLnd  \nae ten  \npoem  \nmbigu  \n#  1.7Metaphon- esneeating \n\ntwoo thint tngs  \nPage No.:  \nDate:  \neg'  \n(  \nane going to pen uyp.  \neg→  nimal    Fam    Gesnge  Ouoell   \n#  4.2Two心 weemeoningst o woaeeu上CcembunetomakecleanmicatetatoeCmindunuho\n\nhayway  \n somon  \nbee  \nth  \nXne  \nsmL  \n5.> A  \nmade y  theauthor·  \nwhe en大a nething and the  neadeuaunefoncedto inwent 0tatement  大haiownmast  sikelyinconluit  asith  that the authen:  \n7when  a  mecentext andboh te semenoe sppoitt toeach othonidon n atho  \nhn  \nthe △ame  \nthis  \nvshow  \nmund.  \nScanned with CamScanner  \nPage No.:  \nDate:[  \ng   T ype-了  \nAnmal  \nFm  \nOwell  \nGeonge  \n. histeucal  \naleoy  \nhotoucal  \nknewing  \nt  \nit nead  \nwthsu  \nconkext  \n②weoon  \n以  iiam Empon   types s   miguiy i边  \nAns  anay et amae deing■notin人  \n# 2.5 INliamEmpson'swoov   \n\nGod  \nMilton's  \nsoven  Ty96migySemVensonofPasal    \nAns  \n三  \n三  \n②  \nPage No.:  \nDete:[  \nPage No.:  \nDate:  \ni  \nbackggneund  ineonmatieni  unanowened ay  I    Richad)   \nwhenuren?  \nne  \nhe opey  \nimblie  \nns  \n mbiguty  \nthe  \npessiuble  \npen  to m的  \nthat  \nSomethung  \nis  \n(  \nintenbretatien  \nSoo the eience ambiguty iesthntanceconwcuclons  \ne0y αwonkiountJhatmaintauns大hsenlen叫ombiquty  \n ype—06 mkigy  \n1以Metophowhen  uo thungs ane  said to  be acike  which  havedifferenteentpuoboties·  \neg→》It  heast,ond了uu 大heAun·     He wo   wounded by   \nPage No.:  \nDate:  \ninhe autho  \neg→tskayamuedtoit.  \n5hen tautheu discevre人hi idkau in theact —uuting  \n→Empoon descubcsa,umi&ethat ies  wetoeen too  tatements made up heauuthan  \neg0Iamo wsenha and oo at haolone△o Jan, justwsiding lethedownw呀to-.inloek I jus   laakes  cike n△naketheuaso  \n WenastatementLeadeauneforced to inved ta statement ofways nothing and thetheinewn,mestlikely in conlflict wietihat  \nPage No.:  \nDate:□  \nthe  auttho.  \ng.FiaitnEg一Uん!Ahk!Oんl7.Two Weud thatthinonex大aeocesthat a dundlamerta  diwisienn 大houulhemindeg.Manypeople have died.LAQthauiclecmayae  \nScanned with CamScanner  \nDzte:  \nuio-I.ARshaodEull wame I Iver Armstrong Richards o 1893-1979 )>Fathe New    Ctmgave two technical terms ec0oiated    wsitl  the  metapho  ie, enodko  (Subjct)nd  Vehl (imWorkused to edescribe tenor)Meaning   Meaningwue withC.K OgdenPsuncples ot    LntewayyCriticiʌmPonactcal   Cicsm:StudyLtenanyy Judgement Phidesorhy o (1929)RheoConcepts1.  oun kindso Meaning - ' talk aboutak this concept in ti   ctictincaalCniticismtetalmeaningsmade  cfoukind十menngonFeeingSens(Eacts & valic doto)・Intension (conociow  on inconcius  \nPage No.:  \nDate:□  \n2.> talkabout t in “Psunciples       ienaiy  2m  Language can be  usedn t wa→sientu wse o sanguawhh w  to taoutlach→Emstonoe)Em se o langugewecked nn peeuy and atha   ltenoy emotwe nguge wants to occentaunemotionond ottitudesto thosetowho达i△adduessed.②onsQemPnata Cnticism us  ceined Anos 工.ARichavudsthemQ>I . A Richach  oamau s  epenimeneinnd hcambridge student is detailede   Cm Radwasonshe An beonquaitycf△ludentteck九e△ponce In Pnactica Cniticsm,I   Ricandslinkfooeinds   meaning in mesthumanutenancetheseanensSe one,Feeling—Intenn  \nDete:  \nQ>   I. A  RichaolsPooctical CilicismQn&wphaeun the nisteyinnegnated 心eglionhcitical thought. ullat'hb0okttle ns.stuyinLtenoyy udgemen  \nScanned with CamScanner","cbCaiqVkr4AStpTc","https://ap.wps.com/l/cbCaiqVkr4AStpTc","pdf",32804455,213,"English","# Introduction\n## Seven Types of Ambiguity (1930)\n## Ambiguity in Milton and pastoral\n## Metaphor and multiple meanings\n## Practical criticism and technical terms","[{\"question\":\"What main idea do these notes emphasize about literary language?\",\"answer\":\"The notes emphasize that language and interpretation can produce ambiguity, allowing multiple meanings rather than a single fixed reading.\"},{\"question\":\"How do the notes connect Empson’s ideas to Milton?\",\"answer\":\"They reference Milton’s work to show how ambiguity can arise from wording and interpretation, including pastoral themes and narrative stance.\"},{\"question\":\"Which criticism frameworks and terms are mentioned beyond Empson?\",\"answer\":\"The notes mention New Criticism and practical criticism, including terms related to meaning, feeling, intension, and how language use affects interpretation.\"}]","William Empson's work - seven Types of Ambiguity - Metaphon asneeating - 1.7 Metaphon- esneeating | PDF",1789941335,328]