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The drama uses a reader-theatre style approach with audience interaction, beginning when actors create swamp-creature sounds and shift into the story. Wiley must confront the Hairy Man after his father is taken, leaning on mammy’s warnings and Wiley’s protective dogs while the atmosphere intensifies toward the approaching 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are the main roles in the play?","Question",{"text":113,"@type":114},"The play is written for 2 men, 1 woman, and 3 chorus members, with characters including Wiley, Mammy, and the Hairy Man.","Answer",{"name":116,"@type":111,"acceptedAnswer":117},"What are the play’s timing and setting?",{"text":118,"@type":114},"The time is “Last week,” and the place is “A woods.”",{"name":120,"@type":111,"acceptedAnswer":121},"How does the play begin for performance?",{"text":122,"@type":114},"The actors create swamp-creature sounds without warning until they join together, then the 1st begins the story and pulls the audience into the 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Stokes  \nadapted for the stage by  \nAlice Molter  \nThe Dramatic Publishing CompanyWoodstock,Ilinois●Wilton,Connecticut ·Melbourne,Australia  \n# NOTICE\n\nThe amateur and stock acting rights to this work are controlled exclu-sively by THE DRAMATIC PUBLISHING COMPANY without whosepermission in writing no performance of it may be given.Royalty feesare given in our current catalogue and are subject to change withoutnotice.Royalty must be paid every time a play is performed whether ornot it is presented for profit and whether or not admission is charged.Aplay is performed anyime it is acted before an audience.All inquiricsconceming amateur and stock rights should be addressed to:  \nDRAMATIC PUBLISHING  \nP.O.Box 129,Woodstock,llinois 60098.  \nCOPYRIGHT LAW GIVES THEAUTHOR OR THE AUTHOR'S AGENTTHE EXCLUSIVE RIGHT TO MAKE COPIES.This law provides authorswith a fair return for their creative efforts.Authors eam their living fromthe royalties they receive from book sales and from the performance oftheir work Conscientious observance of copyright law is not only ethical,itencourages authors to continue their creative work.This work is fullyprotected by copyright.No alterations,deletions or substitutions may bemade in the work without the prior written consent of the publisher.Nopart of this work may be reproduced or transmitted in any form or byany means,electronic or mechanical,including photocopy,recording,videotape,film,or any information storage and retrieval system,withoutpermission in writing from the publisher.It may not be performed eitherby professionals or amateurs without payment of royalty.All rights,in-cluding but not limited to the professional,motion picture,radio,televi-sion,videotape,foreign language,tabloid,recitation,lecturing,publica-tion,and reading are reserved.On all programs this notice should appear:  \n\"Produced by special arrangement withTHE DRAMATIC PUBLISHING COMPANY of Woodstock,Ilinois”  \nOMCMLXX byJACK STOKESRevised OMCMXCIV  \nPrinted in the United States of AmericaAll Rights Reserved(WILEY AND THE HAIRY MAN)  \nCover design by Susan Carle  \nISBN 1-58342-147-5  \n# WILEY AND THE HAIRY MAN\n\nA Play in One ActFor 2 Men,1 Woman and 3 Chorus Members(Flexible)  \n# CHARACTERS\n\nWILEYMAMMYHAIRY MANCHORUS MEMBERS  \nTIME:Last week.  \nPLACE:A woods.  \nAs Reader's Theatre,Wiley and the Hairy Man adaptswell to competition.A performance of Wiley and theHairy Man won first place in 1982 at the state finals of theIllinois High School Association Group Interpretation(readers theatre)contest;another by a different school,second place in 1985.  \n# WILEY AND THE HAIRY MAN\n\nSCENE:The ACTORS,less the HAIRY MAN,can mingle andtalk with AUDIENCE.Suddenly without warning one ofthem makes a swamp creature sound;and he can't stop.Atfirst,the OTHERS try to ignore him.But as he continues,the OTHERS begin to join him in making such sounds.This sets the atmosphere and moves them into place,atwhich time 1ST begins the story.  \n1ST.Now this here the story of the Hairy Man,  \nHow Wiley and his mammy made the Hairy Man  \nStomp  \nAnd rage  \nAnd guh-nash his teeth.  \nCHORUS.Guh-nash his teeth.  \n1ST.Poor Wiley's pappy had a-fallen in the hands of theHairy Man.  \n2ND.A dancer and a dreamer Wiley's pappy was he,  \nAnd he fell in the hands of the Hairy Man.  \nCHORUS (terrified whisper).Hairy Mannnn  \n1ST (building on his previous line).  \nIn the hairy,scary hands of the Hairy Mannnn  \nCHORUS (building on their previous speech).Hairy Mannn.1ST.And Wiley's mammy said to Wiley,\"Wiley,Wiley!\"said she.  \nMAMMY.Wiley.WILEY.Yasm.  \nWILEY AND THE HAIRY MAN  \nMAMMY.Wiley!WILEY.Yasm.  \nMAMMY.He done got yo pappy,2ND.Said Mammy said she,MAMMY.You better be keerful—WILEY.Or he gonna git me…Yasm.  \n(Wiley's DOGS,played by two CHORUS MEMBERS,bound about WILEY,who pets them.)  \n1ST.So Wiley,wherever he went,took his","cbCailJvP1Svm0K3","https://ap.wps.com/l/cbCailJvP1Svm0K3","pdf",1913574,36,"English","# Notice\n# Characters\n# Scene\n## Opening and audience interaction\n## Wiley’s threat and the Hairy Man","[{\"question\":\"Who are the main roles in the play?\",\"answer\":\"The play is written for 2 men, 1 woman, and 3 chorus members, with characters including Wiley, Mammy, and the Hairy Man.\"},{\"question\":\"What are the play’s timing and setting?\",\"answer\":\"The time is “Last week,” and the place is “A woods.”\"},{\"question\":\"How does the play begin for performance?\",\"answer\":\"The actors create swamp-creature sounds without warning until they join together, then the 1st begins the story and pulls the audience into the action.\"}]","WILEY AND THE HAIRY MAN - A Play in One Act - Read online | PDF",1790624878,55]