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Victoria Burrows uses a knot metaphor to frame tangled yet separable subjectivities, showing how narratives hold relational circuitry, historical pressure, and ambivalent inheritance. 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No reproduction, copy or transmission of this publication may be made without written permission.  \nNo paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1T 4LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted her right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988.  \nFirst published 2004 by PALGRAVE MACMILLAN  \nHoundmills, Basingstoke, Hampshire RG21 6XS and  \n175 Fifth Avenue, New York, N.Y. 10010  \nCompanies and representatives throughout the world  \nPALGRAVE MACMILLAN is the global academic imprint of the Palgrave Macmillan division of St. Martin’s Press, LLC and of Palgrave Macmillan Ltd. Macmillan® is a registered trademark in the United States, United Kingdom and other countries. Palgrave is a registered trademark in the European Union and other countries.  \nISBN 1–4039–2198–9 (HB)  \nThis book is printed on paper suitable for recycling and made from fully managed and sustained forest sources.  \nA catalogue record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data  \nBurrows, Victoria, 1951–  \nWhiteness and trauma : the mother–daughter knot in the fiction of Jean Rhys, Jamaica Kincaid, and Toni Morrison / Victoria Burrows.  \n[p. cm](p. cm).  \nIncludes bibliographical references (p. ) and index.  \nISBN 1-4039-2198-9  \n1. Caribbean fiction (English)–Women authors – History and criticism. 2. Women and literature – Caribbean Area – History – 20th century. 3. Women and literature – United States – History – 20th century. 4. Mothers and daughters in literature. 5. Rhys, Jean. Wide Sargasso Sea. 6. Human skin color in literature. 7. Psychic trauma in literature. 8. Kincaid, Jamaica, Lucy. 9. Morrison, Toni. Sula. 10. Whites in literature. 11. Race in literature. I. Title.  \nPR9205.4. B87 2004  \n813¢.540935252 – dc22 2003060958  \n10 9 8 7 6 5 4 3 2 1  \n13 12 11 10 09 08 07 06 05 04 Printed and bound in Great Britain by Antony Rowe Ltd, Chippenham and Eastbourne  \nFor my mother, Fan;  \nfor my children, Lucia, Tansy and Joshua; and for Gail, who made this possible  \nContents  \nAcknowledgements viii  \nIntroduction: Unravelling the Knot 1  \n1 ‘The White Hush Between Two Sentences’:  \nThe Traumatic Ambivalence of Whiteness in Wide  \nSargasso Sea 25  \n2 Keeping History Safe 41  \n3 ‘Caught between Ghosts of Whiteness’: The Other Side of the Story 60  \n4 Lucy: Jamaica Kincaid’s Postcolonial Echo 72  \n5 The Search for a Voice 86  \n6 ‘The Sea Is History’ 105  \n7 ‘Knots of Death’: Toni Morrison’s Sula 114  \n8 Ambivalent Maternal Inheritances 129  \n9 The ‘Gift for Metaphor’ 142  \nConclusion: A Meditation on Silence 160  \nNotes 173  \nBibliography 205  \nIndex 220  \nAcknowledgements  \nI wish to thank my colleagues in the Department of English, Communication and Cultural Studies at the University of Western Australia for their great support during the long gestation of this book, which grew out of my doctoral thesis undertaken in the department. In particular, I want to acknowledge with deep-felt gratitude the inestimable intellectual mentoring and personal affirmation that Gail Jones provided during this time, and also the wonderful help that Judy Skene so willingly gifted with her eagle-eyed proofreading.  \nI would also like to exp","cbCaikpe3n2kjVNN","https://ap.wps.com/l/cbCaikpe3n2kjVNN","pdf",802569,237,"English","# Contents\n## Introduction: Unravelling the Knot\n## 1 ‘The White Hush Between Two Sentences’: The Traumatic Ambivalence of Whiteness in Wide Sargasso Sea\n## 2 Keeping History Safe\n## 3 ‘Caught between Ghosts of Whiteness’: The Other Side of the Story\n## 4 Lucy: Jamaica Kincaid’s Postcolonial Echo\n## 5 The Search for a Voice\n## 6 ‘The Sea Is History’\n## 7 ‘Knots of Death’: Toni Morrison’s Sula\n## 8 Ambivalent Maternal Inheritances\n## 9 The ‘Gift for Metaphor’\n## Conclusion: A Meditation on Silence\n## Notes\n## Bibliography\n## Index","[{\"question\":\"What is the central framework of the book?\",\"answer\":\"The book frames mother–daughter relations through the metaphor of a densely threaded knot, emphasizing complexity, separation within entanglement, and relational circuitry shaped by whiteness and trauma.\"},{\"question\":\"Which authors’ fiction are analyzed?\",\"answer\":\"Victoria Burrows analyzes the fiction of Jean Rhys, Jamaica Kincaid, and Toni Morrison, focusing on how race, history, and psychological injury appear across their texts.\"},{\"question\":\"What topics do the chapters primarily explore?\",\"answer\":\"Chapters address traumatic ambivalence of whiteness, the handling of history, the pursuit of voice, key interpretive readings (including Wide Sargasso Sea and Sula), and ambivalent maternal inheritance, ending with a meditation on silence.\"}]","Whiteness and Trauma - The Mother-Daughter Knot in the Fiction of Jean Rhys, Jamaica Kincaid and Toni Morrison | PDF",1789949772,365]