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The speech challenges the status quo in Australian art music through a humorous, pointed framing around “industry allergy,” while addressing gender equity in performance and composition, funding inequities affecting the Australian Music Centre, and pressures on organisations such as ASTRA. It also discusses recording diversity via independent labels and questions leadership and representation in orchestras, using a repeated “statistic alert” motif.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":15,"@type":76,"position":81},"https://docshare.wps.com/document/literature/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/what-would-peggy-do-14th-annual-peggy-glanville-hicks-address-speech/593508/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/what-would-peggy-do-14th-annual-peggy-glanville-hicks-address-speech/593508.png","ImageObject",300,407,{"name":92,"@type":93},"Jasmine","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-22","2026-10-15",true,{"@type":102,"interactionType":103,"userInteractionCount":14},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"Who delivered the 14th Annual Peggy Glanville-Hicks Address in 2012?","Question",{"text":112,"@type":113},"Michael Kieran Harvey delivered the address in 2012.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"What main concerns does the speech raise about Australian music?",{"text":117,"@type":113},"It addresses gender representation, inequitable funding for key music institutions, challenges for organisations supporting new compositions, and the leadership and recording landscape for Australian art music.",{"name":119,"@type":110,"acceptedAnswer":120},"Why does the speaker repeatedly emphasize a “statistic alert”?",{"text":121,"@type":113},"The speaker states that, for reasons of “industry allergy” and for everyone’s sanity, he will mention only one statistic during the speech and signals it as a “statistic alert.”","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},593508,1792672685,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":14,"category_name":15,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":14,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":139,"language":140,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":67,"update_tm":144,"read_time":145},2336478487870,"https://ap-avatar.wpscdn.com/davatar_085a072bc5b1113ac321206ff7593b45","What Would Peggy Do?  \n14th Annual Peggy Glanville-Hicks Address 2012  \nMichael Kieran Harvey  \nThe New Music Network established the Peggy Glanville-Hicks Address in 1999 in honour of one of Australia’s great international composers. It is an annual forum for ideas relating to the creation and performance of Australian music. In the spirit of the great Australian composer Peggy Glanville-Hicks, an outstanding advocate of Australian music delivers the address each year, challenging the status quo and raising issues of importance in new music. In 2012, Michael Kieran Harvey was guest speaker presenting his Address entitled What Would Peggy Do? at the Sydney Conservatorium on 22 October and BMW Edge Fed Square in Melbourne on 2 November 2012. The transcripts are reproduced with permission by Michael Kieran Harvey and the New Music Network.  \n[http://www.newmusicnetwork.com.au/index.html](http://www.newmusicnetwork.com.au/index.html)  \nAustralian Journal of Music Education 2012:2,59-70  \nJust in case some of you are wondering about what to expect from the original blurb for this address: the pie-graphs didn’t quite work out, and powerpoint is so boring, don’t you agree?  \nFor reasons of a rare dysfunctional condition I have called (quote)“industry allergy”, and for everyone’s sanity, I promise I will mention only one statistic, one… HORRIFYING …statistic, during this entire speech.  \nWhat would Peggy do?  \nBefore I properly begin, I must admit that I am at odds with many of my artmusic colleagues on a range of issues. I note also that many of them have far too much “common-sense” to agree to give this address, apart from those squealing for yet more cash for their grand opera of course, but that’s hardly surprising. One need only read their opera plot summaries. [Circular finger-motion at temple] .  \nI did read an absolutely awe-inspiring Peggy Glanville-Hicks Address by Jon Rose however, and I guess my views are known to the address organisers, so, therefore, I will proceed, certain in the knowledge that I will offend many and encourage, I hope, a valuable few.  \nIn preparing this address I would like to acknowledge the indispensable help of the eminent poet and psychiatrist Professor Saxby Pridmore, the composer and my inspiring friend Dr Nigel Westlake, the imperturbable and dignified Sally Howland of APRA, the phenomenal CEO of the AMC John Davis and the virtuosic musicologist/mandolinist Dr Michael Hooper. I would like to especially thank the AMC Advisory Committee for putting up with my outrageous outbursts of outrage at their various meetings... when I found out the truth about AMC funding.  \nNow, what would Peggy say about the state of classical music in Australia? (Here I am referring  \nto notated music primarily, but the definition I’m sure can embrace all artmusic) .  \n1. I think she would notice immediately how well women are doing as performers and composers-a quick glance through a wonderful recent publication, Women of Note, by Rosalind Appleby confirms this (and I strongly recommend this publication to you all); Peggy would then wryly observe how women are now just as equally ignored and discriminated against by our taxpayersubsidised orchestras and opera companies as their male counterparts WARNING: STATISTIC ALERT!!! -only 7 percent – 7 percent- [show 7 fingers for photo opportunity!] of our orchestral programs and even less of our opera season is Australian music; (this includes old music by wannabe Poms such as Percy Grainger and wannabe Elgars, wannabe Ravels, wannabe Brahms, Poots and Parrysetc etc) .  \n2. Peggy would rejoice that there is still an Australian Music Centre representing Australian composers, and performers, to the world. This, in spite of the efforts of certain hostile funding bodies to starve it of funds. Why, she would ask, is this amazing resource, under the dogged and inspired leadership of John Davis, not directly federally funded like the National Film and Sound Archives or indeed the Na","cbCaiedxwVDOCPqh","https://ap.wps.com/l/cbCaiedxwVDOCPqh","pdf",514958,12,"English","# What Would Peggy Do?\n## Background and purpose of the address\n## Industry allergy and statistic alert\n## Five focus issues on Australian classical music","[{\"question\":\"Who delivered the 14th Annual Peggy Glanville-Hicks Address in 2012?\",\"answer\":\"Michael Kieran Harvey delivered the address in 2012.\"},{\"question\":\"What main concerns does the speech raise about Australian music?\",\"answer\":\"It addresses gender representation, inequitable funding for key music institutions, challenges for organisations supporting new compositions, and the leadership and recording landscape for Australian art music.\"},{\"question\":\"Why does the speaker repeatedly emphasize a “statistic alert”?\",\"answer\":\"The speaker states that, for reasons of “industry allergy” and for everyone’s sanity, he will mention only one statistic during the speech and signals it as a “statistic alert.”\"}]","What Would Peggy Do? - 14th Annual Peggy Glanville-Hicks Address - Speech | PDF",1792077383,18]