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Developed from 2017 and staged inside and outside Universitas Gadjah Mada in multiple formats, from multimedia pakeliran to all-night performances, WGM introduced special puppet figures. Public exposure through FGDs, national seminars, and performances tested its relevance. Using interviews and observation, the study reports a “Nusantara” concept and positive reception in both academic and artistic communities, while noting the need for future continuity.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":40,"@type":76,"position":81},"https://docshare.wps.com/document/research-report/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/wayang-gajahmada-in-visual-and-performing-arts-research-based-innovation-of-javanese-puppetry-and-its-reception-in-the-academic-and-artistic-environments/633207/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/wayang-gajahmada-in-visual-and-performing-arts-research-based-innovation-of-javanese-puppetry-and-its-reception-in-the-academic-and-artistic-environments/633207.png","ImageObject",300,407,{"name":92,"@type":93},"Jasmine","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-29","2026-10-22",true,{"@type":102,"interactionType":103,"userInteractionCount":8},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"What concept underlies Wayang Gajah Mada in visual and performance aspects?","Question",{"text":112,"@type":113},"The study finds that WGM follows a “Nusantara” concept in both visual and performative ways.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"How was Wayang Gajah Mada developed and where has it been performed?",{"text":117,"@type":113},"WGM was designed from 2017 and performed several times inside and outside Universitas Gadjah Mada using formats such as multimedia pakeliran and conventional all-night performances.",{"name":119,"@type":110,"acceptedAnswer":120},"How did academic and artistic communities respond to Wayang Gajah Mada?",{"text":121,"@type":113},"WGM received good receptions from both academic and artistic environments, where the puppets were used in their performances.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},633207,1792671784,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":39,"category_name":40,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":8,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":139,"language":140,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":67,"update_tm":129,"read_time":144},2336478487870,"https://ap-avatar.wpscdn.com/davatar_085a072bc5b1113ac321206ff7593b45","WAYANG GAJAHMADA IN VISUAL AND PERFORMING ARTS: Research-Based Innovation of Javanese Puppetry and its Reception in the Academic and Artistic Environments  \nRudy Wiratama 1, Sindung Tjahyadi 2  \n1 Universitas Gadjah Mada, Yogyakarta  \n[1](1 Email: dhadhaptulak90@gmail.com)[ Email: dhadhaptulak90@gmail.com](1 Email: dhadhaptulak90@gmail.com)  \n2 Universitas Gadjah Mada, Yogyakarta  \n2 Email: [sindungtjahyadi@ugm.ac.id](sindungtjahyadi@ugm.ac.id)  \nABSTRACT  \nWayang Gajah Mada (WGM), named after its main character and also the initiator university, was one of a few Javanese puppetry which used historical chronicles as its repertoire. This genre of wayang was designed from 2017 and has been performed several times both inside and outside the Universitas Gadjah Mada with various formats, from pakeliran multimedia to a conventional pakeliran semalam (all-night performance). Aside of its particular repertoires that depicted the biography of Mahapatih Gajah Mada, the team of Universitas Gadjah Mada also designed a special figures for the performances, which formed a new kind of puppet genre. The challenge began when it came publicly through many occasions, such as FGDs, national seminar, and the performances themselves. As a new puppet genre, both in visual and performance terms, the WGM have to proof its relevancy and significance to both of the academic and artistic societies, so it could guarantee its own sustainability for a long time. This article aims to answer: (a) what is the main concept of WGM both in visual and performative  \nDOI: [https://doi.org/10.20111/terob.v14i2.68](https://doi.org/10.20111/terob.v14i2.68)  \n*Correspondensi: Rudi Wiratama 1, Sindung Tjahyadi 2  \n[1](1Email:   dhadhaptulak90@gmail.com)[Email: ](1Email:   dhadhaptulak90@gmail.com)~~[ ](1Email:   dhadhaptulak90@gmail.com)~~[ dhadhaptulak90@gmail.com](1Email:   dhadhaptulak90@gmail.com)  \n[2](2 Email : sindungtjahyadi@ugm.ac.id)[ Email :](2 Email : sindungtjahyadi@ugm.ac.id)[ ](2 Email : sindungtjahyadi@ugm.ac.id)[sindungtjahyadi@ugm.ac.id](2 Email : sindungtjahyadi@ugm.ac.id)  \n[Received](Received:28-04-2024)[:28-04-2024](Received:28-04-2024)  \n[Accepted](Accepted:30-04-2024)[:30-04-2024](Accepted:30-04-2024)  \n[Published](Published:06-05-2024)[:06-05-2024](Published:06-05-2024)  \nTerob Journal is licensed under a Creative Commons Attribution-ShareAlike 4.0  \nInternational License  \nCopyright: © 2024 by the authors.  \ncontext, and also (b) how was the reception of both academic and artistic environments concerning the creation of this new puppet. Using the interview and observation methods, this article finds that WGM having a “Nusantara” concept both in visual and performative ways, and it received a good receptions from both academic and artistic environment which used the puppets in their performances. But despite of these positive reviews, it needs to struggle for its continuity in the future.  \nKeywords: Wayang Gajah Mada, Shadow Puppet, Innovation, Reception, Nusantara  \nINTRODUCTION  \nIndonesian wayang or puppets has been awarded World Masterpiece of Intangible and Oral Heritage for Humanity by UNESCO since November 7th, 2003, which date was commemorated by its government as National Puppetry Day (Hari Wayang Dunia) . Rooted back to prehistoric ages, wayang has been considered as one of ten particular characteristics of indigenous Indonesian culture by ethnologist JLA Brandes (1878) .  \nAside of its “animist” origin, according to Western spectacle, wayang proven to be accomodative to foreign influences, beginning with the adaptation of Mahabharata and Ramayana epics since 10th century, the spread of 16th century Sufi teachings through Wali-enhanced wayang performances, until the use of wayang to support the developmentalism ideology embraced by Soeharto’s New Order (1966- 1998) (Pemberton, 1994; see also Haryono, 2008, and Hinzler, 1981) . The flexibility of wayang itself made this kind of performing art durable through a long span of time, and i","cbCaikVCkHol0l6I","https://ap.wps.com/l/cbCaikVCkHol0l6I","pdf",762995,17,"English","# Abstract\n# Introduction\n## UNESCO recognition and historical roots of wayang\n## Adaptation and flexibility across foreign influences\n## Challenges faced by existing wayang genres\n## Expansion of repertoires and historical chronicles as wayang material\n## Historical innovations: from wayang gedhog/klithik to wayang madya and dupara","[{\"question\":\"What concept underlies Wayang Gajah Mada in visual and performance aspects?\",\"answer\":\"The study finds that WGM follows a “Nusantara” concept in both visual and performative ways.\"},{\"question\":\"How was Wayang Gajah Mada developed and where has it been performed?\",\"answer\":\"WGM was designed from 2017 and performed several times inside and outside Universitas Gadjah Mada using formats such as multimedia pakeliran and conventional all-night performances.\"},{\"question\":\"How did academic and artistic communities respond to Wayang Gajah Mada?\",\"answer\":\"WGM received good receptions from both academic and artistic environments, where the puppets were used in their performances.\"}]","WAYANG GAJAHMADA IN VISUAL AND PERFORMING ARTS - Research-Based Innovation of Javanese Puppetry and its Reception in the Academic and Artistic Environments | PDF",43]