[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-0-en-105":3,"doc-seo-321583-105":59,"doc-detail-321583-en":130},{"code":4,"msg":5,"data":6},0,"success",[7,13,18,23,28,33,38,43,48,51,55],{"id":8,"doc_module":4,"doc_module_name":9,"category_name":10,"show_sort_weight":11,"slug":12},1,"Document","Story & Novel",90,"story-novel",{"id":14,"doc_module":4,"doc_module_name":9,"category_name":15,"show_sort_weight":16,"slug":17},2,"Literature",80,"literature",{"id":19,"doc_module":4,"doc_module_name":9,"category_name":20,"show_sort_weight":21,"slug":22},4,"Exam",70,"exam",{"id":24,"doc_module":4,"doc_module_name":9,"category_name":25,"show_sort_weight":26,"slug":27},5,"Comic",60,"comic",{"id":29,"doc_module":4,"doc_module_name":9,"category_name":30,"show_sort_weight":31,"slug":32},6,"Technology",50,"technology",{"id":34,"doc_module":4,"doc_module_name":9,"category_name":35,"show_sort_weight":36,"slug":37},7,"Healthcare",40,"healthcare",{"id":39,"doc_module":4,"doc_module_name":9,"category_name":40,"show_sort_weight":41,"slug":42},8,"Research & Report",30,"research-report",{"id":44,"doc_module":4,"doc_module_name":9,"category_name":45,"show_sort_weight":46,"slug":47},9,"Religion & Spirituality",20,"religion-spirituality",{"id":46,"doc_module":4,"doc_module_name":9,"category_name":49,"show_sort_weight":46,"slug":50},"World Cup","world-cup",{"id":52,"doc_module":4,"doc_module_name":9,"category_name":53,"show_sort_weight":52,"slug":54},10,"Lifestyle","lifestyle",{"id":56,"doc_module":4,"doc_module_name":9,"category_name":57,"show_sort_weight":24,"slug":58},19,"General","general",{"code":4,"msg":60,"data":61},"ok",{"site_id":62,"language":63,"slug":64,"title":65,"keywords":66,"description":67,"schema_data":68,"social_meta":123,"head_meta":125,"extra_data":127,"updated_unix":129},105,"en","volume-6-world-premiere-issue-6","VOLUME 6 - World Premiere - Issue 6","","Volume 6 presents a World Premiere–focused concert program featuring works by Paul Dukas, Tan Dun, and Dmitri Shostakovich, paired with R. Strauss and Weill. The centerpiece is Dukas’s The Sorcerer’s Apprentice, with program narration outlining its origins from Goethe and earlier satirical sources, then describing the master-apprentice plot and the broom’s transformation. The notes also situate the April 30, 1992 performance in the New York Philharmonic tradition. Additional repertoire includes Tan Dun’s Water Percussion concerto commissioned by the New York Philharmonic.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":40,"@type":76,"position":81},"https://docshare.wps.com/document/research-report/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/volume-6-world-premiere-issue-6/321583/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/volume-6-world-premiere-issue-6/321583.png","ImageObject",300,407,{"name":92,"@type":93},"Himbo","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-11-09","2026-09-21",true,{"@type":102,"interactionType":103,"userInteractionCount":29},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"What is Dukas’s The Sorcerer’s Apprentice based on, according to the notes?","Question",{"text":112,"@type":113},"The notes state that the plot was paraphrased by Henri Blaze from Goethe’s ballad, which in turn was based on an older yarn told by the Greek satirist Lucian of Samosata, traced to Egyptian sources.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"What happens when the apprentice tries the spell in the story?",{"text":117,"@type":113},"After overhearing the spell, the apprentice turns a broom into a human servant to fetch and carry out tasks. When he orders it to stop, he lacks the proper words, causing the room to overflow.",{"name":119,"@type":110,"acceptedAnswer":120},"How is the performance of April 30, 1992 referenced in the program materials?",{"text":121,"@type":113},"The text notes that the April 30, 1992 performance is the one heard here, within the New York Philharmonic’s long history of performing the piece under multiple conductors.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},321583,1792104515,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":39,"category_name":40,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":29,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":31,"language":139,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":140,"faqs":141,"seo_title":142,"seo_description":67,"update_tm":143,"read_time":144,"preview_page_count":4},687197100911,"https://ap-avatar.wpscdn.com/avatar/a000239b6f1da00475?x-image-process=image/resize,m_fixed,w_180,h_180&k=1785132997149421697","VOLUME 6World PremiereTan DIWater PePCUSsion ConceptDChristupner lanDukasThe SOrueep'AppPenileShostakovichPiano CoTcerto No.2Helen HuangR.Strauss川ElenspiegelWeil]eptemheP SuyAngelina Reaux  \nMasur's eformance showed the fruis of  \nprobing study...The orchestral playing,moreover,was model.  \nBill Zakariasen,THE DAILY NEWSon Dukas's Sorcerer's Apprentice  \n,  \nIn Tan's sonic world,tones and pitches are neverfixed or steady,but rather slippery and sliding.Even when the conventional Western instrumentsplay,they bend to Eastern glissandi,showingnot only the influence of Takemitsu,but alsoa world in fux.  \n—Robert Hilferty,NEWSDAY  \nDUKAS  \nThe Sorcerer's Apprentice,Scherzo after a Ballad of GoetheApril 30,May 1,5,1992  \nSHOSTAKOVICH  \nPiano Concerto No.2 in FMajor,Op.102  \nApril 12,13,14,17,2001HELEN HUANG,Piano  \nTAN DUN  \nConcerto for Water Percussion and Orchestrain Memory of Toru Takemitsu  \nJune 3,4,5,8,1999  \nWoRLD PREMIERE,NEW YORK PHILHARMONIC COMMISSIONCHRISTOPHER LAMB,Percussion  \n■  \n经U9Zis [l1U0Z←u    U2鼎USZU611·.1|II川   0089 |IIIII uoz“  II 0Z008 sILI IIu6L画si     UUD←     U D   鼎U UEl←  \n# R.STRAUSS\n\nTill Eulenspiegels lustige Streiche,Op.28Till Eulenspiegel's Merry Pranks(After the Old Rogue's Tale,Set in Rondo Form for Large Orchestra)June 3,4,5,8,1999  \nWEILL  \n“September Song”from Knickerbocker Holiday  \nDecember 18,1993  \nANGELINA REAUX,Soprano  \nNEWYORK PHILHARMONIC ARCHIVES  \nI  乙乙       UI u   .Iu业D    .IlIll uozIal\"으L La uSl_ u,ni 으[ 'Miu uplt_k怕99h4阳Y。怕Ms三附  \nVolume 6  \nDISC 1(76:15)  \n①DUKAS:The Sorcerer's Apprentice  \n10:23  \nSHOSTAKOVICH:Piano Concerto No.2(19:28)2 I.Allegro7:073 II.Andante6:454 II.Allegro  \n5:30  \nTAN DUN:Concerto for Water Percussion(26:30)(World Premiere,New York Philharmonic Commission)  \n5 Prelude:Largo molto rubato  \nI.Adagio molto misterioso9:556 I.Andante molto animato9:527 I.Allegro molto agitato6:42  \n15:21  \nB R.STRAUSS:Till Eulenspiegels lustige Streiche  \n9 WEILL:September Song  \n3:28  \nNEW YORK PHILHARMONIC ARCHIVFS  \nDUKAS  \nNOT3S  \n# The Sorcerer's ApprenticeScherzo after a Ballad of Goethe\n\nPAUL DUKAS  \nBorn October 1,1865,in ParisDied May 27,1935,in Paris  \nThe Sorcerer's Apprentice was composed in 1897 and first performed inParis that year at a concert of the Societé Nationale.The New YorkPhilharmonic first performed the piece on November 25,1909,withGustav Mahler conducting.Since then,it has been performed by thePhilharmonic numerous times,under the direction of conductors such asArturo Toscanini,Dimitri Mitropoulos,Andre Kostelanetz,and KurtMasur,whose April 30,1992,performance is heard here.This piece isoften performed in Young People's Concerts,in part because of its playfulnature and inpart because of its fame following its inclusion in the 1940Walt Disney movie Fantasia.  \nich crackling Gallic wit and as much gusto as if the story had not been ancientin ancient Egypt,Dukas's scherzo The Sorcerer's Apprentice tells us a vivid storywith a moral:“A little learning is a dangerous thing.\"The plot of Dukas's piecewas paraphrased by the Frenchman Henri Blaze from the famous ballad by Goethe,which in turn was based on the yarn told in Greek by the Syrian satirist Lucian ofSamosata,who must have had it from Egyptian sources.There are two persons in thetale:a master sorcerer and an envious apprentice.  \nDespite his generous teaching,the sorcerer would never part with the secret of onefavorite trick.He would take a broom,clothe it,and mutter a spell,whereupon thebroom turned into a human servant ready to order meals,carry water,and performother tasks.But one day the apprentice overheard the spell and decided to try it forhimself.The preliminary hocus-pocus sounds in the mysterious harmonies of Dukas'sintroduction.Soon three bassoons begin a grotesque,jumping figure which suggests thebroom hobbling out to fetch water at the bidding of the apprentice.When he hasenough water,the apprentice orders the broom to cease and become a broom again.Butto his horror he does not know the ","cbCaiqRcSCfiGBqW","https://ap.wps.com/l/cbCaiqRcSCfiGBqW","pdf",1388331,"English","# Dukas - The Sorcerer’s Apprentice\n## Composition history and performances\n## Plot and musical description\n# Concert program listing\n## Disc 1 track durations","[{\"question\":\"What is Dukas’s The Sorcerer’s Apprentice based on, according to the notes?\",\"answer\":\"The notes state that the plot was paraphrased by Henri Blaze from Goethe’s ballad, which in turn was based on an older yarn told by the Greek satirist Lucian of Samosata, traced to Egyptian sources.\"},{\"question\":\"What happens when the apprentice tries the spell in the story?\",\"answer\":\"After overhearing the spell, the apprentice turns a broom into a human servant to fetch and carry out tasks. When he orders it to stop, he lacks the proper words, causing the room to overflow.\"},{\"question\":\"How is the performance of April 30, 1992 referenced in the program materials?\",\"answer\":\"The text notes that the April 30, 1992 performance is the one heard here, within the New York Philharmonic’s long history of performing the piece under multiple conductors.\"}]","VOLUME 6 - World Premiere - Issue 6 | PDF",1789959726,126]