[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-0-en-105":3,"doc-seo-608026-105":59,"doc-detail-608026-en":130},{"code":4,"msg":5,"data":6},0,"success",[7,13,18,23,28,33,38,43,48,51,55],{"id":8,"doc_module":4,"doc_module_name":9,"category_name":10,"show_sort_weight":11,"slug":12},1,"Document","Story & Novel",90,"story-novel",{"id":14,"doc_module":4,"doc_module_name":9,"category_name":15,"show_sort_weight":16,"slug":17},2,"Literature",80,"literature",{"id":19,"doc_module":4,"doc_module_name":9,"category_name":20,"show_sort_weight":21,"slug":22},4,"Exam",70,"exam",{"id":24,"doc_module":4,"doc_module_name":9,"category_name":25,"show_sort_weight":26,"slug":27},5,"Comic",60,"comic",{"id":29,"doc_module":4,"doc_module_name":9,"category_name":30,"show_sort_weight":31,"slug":32},6,"Technology",50,"technology",{"id":34,"doc_module":4,"doc_module_name":9,"category_name":35,"show_sort_weight":36,"slug":37},7,"Healthcare",40,"healthcare",{"id":39,"doc_module":4,"doc_module_name":9,"category_name":40,"show_sort_weight":41,"slug":42},8,"Research & Report",30,"research-report",{"id":44,"doc_module":4,"doc_module_name":9,"category_name":45,"show_sort_weight":46,"slug":47},9,"Religion & Spirituality",20,"religion-spirituality",{"id":46,"doc_module":4,"doc_module_name":9,"category_name":49,"show_sort_weight":46,"slug":50},"World Cup","world-cup",{"id":52,"doc_module":4,"doc_module_name":9,"category_name":53,"show_sort_weight":52,"slug":54},10,"Lifestyle","lifestyle",{"id":56,"doc_module":4,"doc_module_name":9,"category_name":57,"show_sort_weight":24,"slug":58},19,"General","general",{"code":4,"msg":60,"data":61},"ok",{"site_id":62,"language":63,"slug":64,"title":65,"keywords":66,"description":67,"schema_data":68,"social_meta":123,"head_meta":125,"extra_data":127,"updated_unix":129},105,"en","visual-representations-of-kovecses-conceptual-metaphor-love-is-fire-in-the-chinese-comic","Visual Representations of Kövecses’ Conceptual Metaphor “Love is Fire” in the Chinese Comic","","In the cognitive linguistic view, metaphor is defined as understanding one conceptual domain in terms of another, forming conceptual metaphors that have both linguistic manifestations and non-linguistic realizations. Comics provide a rich source to depict conceptual metaphors “literally,” such as representing a person in love with visible cues like a red face. This paper examines non-verbal expressions of love in the Chinese comic album Old Master Q within Kövecses’ theory and related assumptions.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":40,"@type":76,"position":81},"https://docshare.wps.com/document/research-report/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/visual-representations-of-kovecses-conceptual-metaphor-love-is-fire-in-the-chinese-comic/608026/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/visual-representations-of-kovecses-conceptual-metaphor-love-is-fire-in-the-chinese-comic/608026.png","ImageObject",300,407,{"name":92,"@type":93},"miaandmiso","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-29","2026-10-17",true,{"@type":102,"interactionType":103,"userInteractionCount":24},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"What does the paper define as a conceptual metaphor?","Question",{"text":112,"@type":113},"It treats metaphor as understanding one conceptual domain in terms of another, where the resulting conceptual metaphor can be realized both linguistically and non-linguistically.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"Why are comics used in this study?",{"text":117,"@type":113},"Comics are presented as a rich source for non-linguistic realization of metaphors, often depicting conceptual metaphors “literally” through visual cues.",{"name":119,"@type":110,"acceptedAnswer":120},"How does the paper connect Chinese and English with “Love is Fire”?",{"text":121,"@type":113},"It argues that representations of love in comics match dominant concepts and that English and Chinese share the metaphor LOVE IS FIRE, following the same route by describing love via psychological effects, while still showing cultural variation.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},608026,1792893502,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":39,"category_name":40,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":24,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":139,"language":140,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":67,"update_tm":144,"read_time":145},7971478544854,"https://ap-avatar.wpscdn.com/davatar_994ba38a5ba835b3df7d355c54d3ed8d","Dan Chang  \n1084436  \nMAIAS, 1st semester  \nM1 . 1 H  \n[xiaoson0310@hotmail.com.cn](xiaoson0310@hotmail.com.cn)[ ](xiaoson0310@hotmail.com.cn)Yidan Li  \n1080469  \nMAIAS, 2ed semester  \nM1 . 1 H  \n[yidanlee@hotmail.com](yidanlee@hotmail.com)  \nVisual Representations ofKövecses’ Conceptual Metaphor “Love is Fire” in the Chinese Comic  \nOld Master Q  \nUniversität Bayreuth  \nInercultural and Intercultural Pragmatics  \nss 2006  \nJoachim Grzega  \nPDF 文件使用 \"pdfFactory Pro\" 试用版本创建 [www.fi](www.fi)nepri[nt.cn](nt.cn)  \nTABLE OF CONTENTS  \nAbstract- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -1  \nI. Introduction- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -1  \nII. The Conceptual Metaphor “Love is Fire” - - - - - - - - - - - - - - - - - - - - - - - - - - - -3  \nA. Western Definition of Love- - - - - - - - -- - - - - - - - - - - - - - - - - - - - - - - -3  \nB. Chinese Definition of Love- - - - - -- - - - - - - - - - - - - - - - - - - - - - - - - - -3  \nC. The Correspondence between the Source and Target- - - - - - - - - - - - - - - -4  \nD. The Explanation of the Conceptual Metaphor- - - - - - - - - - - - - -- - - - - - -5  \nIII. Selection of Subject- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -6  \nIV. Physiological Effects Accompany Love- - - - - - - - - - - - - - - - - - - - - - - - - - - -6  \nA. Kövecses’ assumptions- - - - - - - - - - - - - - - - - - - - - - - - - - - - - -- - - - -7  \nB. Other Effects besides Kövecses’ Assumption- - - - - - - - - - - - - - - - - - -7  \n1. Body Alignment- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -7  \n2. Shoulder-shrug- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -7  \n3. Self-touch- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -8  \n4. Smiling- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -8  \n5. Closed Eyes- - -- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -8  \n6. Looking Each Other into the Eyes- - - - - - - - - - - - - - - - - - - - - - - - - -9  \nV. Selection of Comics- - -- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -9  \nA. The Reason Why We Choose Comics- - - - - - - - - - - - - - - - - - - - - - - - -9  \n1.What is Comics- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -9  \n2. Deacon’s Theory of Three Types of Signs- - - - - - - - - - - - - - - - - - - -9  \n3. Some Other Reasons- - - - - - - - - - - - -- - - - - - - - - - - - - - - - - - - - - -10  \nB. Old master Q- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -11  \n1.General Introduction- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -11  \n2. Politics and Issused in Old Master Q- - - - - - - - - - - - - - - - - - - - - - -11  \nVI. Pictorial Representations of Love in the comic Old Master Q- - - - - - - - - - - --12  \nA. Connecting Pictorial Signs of Love to Kövecses’ assumption- - - - - - - 12  \n1. Body heat- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -13  \n2. Increased heart rate- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 13  \n3. Blushing - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -13  \n4. Interference with accurate perception- - - - - - - - - - - - - - - - - - - - - - -14  \nB. Pictorial Signals of Love in the Old Master Q- - - - - - - - - - - - - - - - - - -14  \nC. Results- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -16  \nVII. The Universality and Cultural Variation in Metaphors- - - - - - - - - - - - - - - - -18  \nA. The Universality of Metaphors- - - - - - - - - - - - - - - - - - - - - - - - - - - -18  \nB. Cultural Variation in Conceptual Metaphors- - - - - - - - - - - - - - - - - - -20  \n1. Cross-Cult","cbCaivDdrjCIVOOZ","https://ap.wps.com/l/cbCaivDdrjCIVOOZ","pdf",199193,25,"English","# Abstract\n# Keywords\n# I. Introduction\n# II. The Conceptual Metaphor “Love is Fire”\n## A. Western Definition of Love\n## B. Chinese Definition of Love\n## C. The Correspondence between the Source and Target\n## D. The Explanation of the Conceptual Metaphor\n# III. Selection of Subject\n# IV. Physiological Effects Accompany Love\n## A. Kövecses’ assumptions\n## B. Other Effects besides Kövecses’ Assumption\n# V. Selection of Comics\n# VI. Pictorial Representations of Love in the comic Old Master Q\n# VII. The Universality and Cultural Variation in Metaphors\n# VIII. Conclusion and Discussion\n# References","[{\"question\":\"What does the paper define as a conceptual metaphor?\",\"answer\":\"It treats metaphor as understanding one conceptual domain in terms of another, where the resulting conceptual metaphor can be realized both linguistically and non-linguistically.\"},{\"question\":\"Why are comics used in this study?\",\"answer\":\"Comics are presented as a rich source for non-linguistic realization of metaphors, often depicting conceptual metaphors “literally” through visual cues.\"},{\"question\":\"How does the paper connect Chinese and English with “Love is Fire”?\",\"answer\":\"It argues that representations of love in comics match dominant concepts and that English and Chinese share the metaphor LOVE IS FIRE, following the same route by describing love via psychological effects, while still showing cultural variation.\"}]","Visual Representations of Kövecses’ Conceptual Metaphor “Love is Fire” in the Chinese Comic | PDF",1792210535,63]