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Gilbert, editor  \nVirginia Woolf and the  \nNineteenth-Century Domestic Novel  \nEmily Blair  \nState University of New York Press  \nPublished by  \nState University of New York Press, Albany © 2007 State University of New York  \nAll rights reserved  \nPrinted in the United States of America  \nNo part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher.  \nFor information, contact State University of New York Press, Albany, NY [www.sunypress.edu](www.sunypress.edu)  \nProduction by Michael Haggett  \nMarketing by Michael Campochiaro  \nCover photo: Talland House. From Leslie Stephen’s photo albumin the Mortimer Rare Book Room, Smith College.  \nLibrary of Congress Cataloging-in-Publication Data  \nBlair, Emily, 1955–  \nVirginia Woolf and the nineteenth-century domestic novel / Emily Blair.  \n[p. cm](p. cm).—(SUNY series, studies in the long nineteenth century) Includes bibliographical references and index.  \nISBN-13: 978-0-7914-7119-7 (hardcover : alk. paper)  \n1. Woolf, Virginia, 1882–1941—Criticism and interpretation. 2. Women and literature—England—History—20th century. 3. Domestic fiction, English—History and criticism. I. Title.  \nPR6045 .O72Z5613 2007 823'.912—dc22  \n2006023866  \nTo my parents, Bob and Dolly Blair, who taught me to love life, literature, and houses  \nThis page intentionally left blank.  \nContents  \nAcknowledgments ix  \nAbbreviations xi  \nIntroduction—Poetry the Wrong Side Out 1  \n1 The Slant of the Kitchen Chair: Reassessing Virginia Woolf’s  \nRelationship to Her Nineteenth-Century Predecessors 11  \n2 The Etiquette of Fiction 41 3 The Wrong Side of the Tapestry:  \nElizabeth Gaskell’s Wives and Daughters 71  \n4 The Bad Woman Writer—“Prostituting Culture and Enslaving Intellectual Liberty”: Virginia Woolf and Margaret Oliphant 111  \n5 A Softly, Spiritually Green Damask:  \nMargaret Oliphant’s Domestic Genius 137  \n6 Cool, Lady-like, Critical or Ravishing, Romantic, Recalling Some English Field or Harvest:  \nVirginia Woolf’s Perfect Hostess 171  \nEpilogue 229  \nNotes 235  \nWorks Cited 263  \nIndex 277  \nThis page intentionally left blank.  \nAcknowledgments  \nThis project began as a dissertation. I thank the English Department atthe University of California, Davis, for its generous support in a Dissertation Year Fellowship. I would also like to thank my mentors Elizabeth Langland and Catherine Robson, whose guidance in Victorian Studies and ever cheerful encouragement were invaluable. My special thanks goto Patricia Moran, whose knowledge of Woolf Studies and unstinting support has aided and encouraged me in every stage of the process.  \nI owe a great debt to the many scholars and participants at the annual Virginia Woolf Conferences between 1998 and 2003. Their comments and suggestions on the papers I presented during the inception of this project were insightful, often pointing me toward aspects of Woolf’s work that I had not considered. I especially appreciate my talks with Georgia Johnston, who steered me toward the work of Molly Hite and Mark Wigley. From the Eighteenth and Nineteenth Century British Women’s Literature Conference in 2001, I thank Talia Schaffer for her generous suggestion that I have a look at Mrs. Haweis and her comments on“green.” For her kind permission to quote liberally from The Autobiography of Margaret Oliphant: The Complete Text, I thank Elisabeth Jay. At SUNY Press, I would like to thank James Peltz and Michael Haggett. To Carol McKay and the anonymous reviewer at SU","cbCaiqSjiGTZBDg6","https://ap.wps.com/l/cbCaiqSjiGTZBDg6","pdf",1328074,302,"English","# Introduction—Poetry the Wrong Side Out\n# The Slant of the Kitchen Chair: Reassessing Virginia Woolf’s Relationship to Her Nineteenth-Century Predecessors\n# The Etiquette of Fiction\n# The Wrong Side of the Tapestry: Elizabeth Gaskell’s Wives and Daughters\n# The Bad Woman Writer—“Prostituting Culture and Enslaving Intellectual Liberty”: Virginia Woolf and Margaret Oliphant\n# A Softly, Spiritually Green Damask: Margaret Oliphant’s Domestic Genius\n# Cool, Lady-like, Critical or Ravishing, Romantic, Recalling Some English Field or Harvest: Virginia Woolf’s Perfect Hostess\n# Epilogue","[{\"question\":\"What is the focus of Virginia Woolf and the Nineteenth-Century Domestic Novel?\",\"answer\":\"The book focuses on Virginia Woolf’s relationship to nineteenth-century domestic fiction and how that tradition shapes literary themes, authorship, and cultural critique.\"},{\"question\":\"Which authors receive major discussion in the chapters?\",\"answer\":\"The table of contents highlights studies involving Elizabeth Gaskell and Margaret Oliphant, alongside Virginia Woolf.\"},{\"question\":\"How is the book structured for readers?\",\"answer\":\"It includes an introduction, seven numbered chapters, an epilogue, followed by notes, works cited, and an index.\"}]","Virginia Woolf and the Nineteenth-Century Domestic Novel - read online free | PDF",1789988046,465]