[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-40920-en":3,"doc-seo-40920-105":30,"detail-sidebar-cat-0-en-105":91},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":20,"is_deleted":4,"is_public":21,"is_downloadable":21,"audit_status":21,"page_count":22,"language":23,"language_code":24,"site_id":25,"html_lang":24,"table_of_contents":26,"faqs":27,"seo_title":13,"seo_description":14,"update_tm":28,"read_time":29},40920,13056703019662,"Evangeline","https://ap-avatar.wpscdn.com/avatar/be000253a8e92610077?_k=1778726343310543188",8,"Research & Report","Truth and Method","Truth and Method presents a philosophical inquiry into truth through the lens of art, hermeneutics, and language. It develops the question of artistic truth, explores the ontology of the artwork and the hermeneutic significance of play, temporality, and interpretation. The work extends the problem of truth to the human sciences, tracing paths from romantic hermeneutics and historicism to phenomenological research. It culminates in an ontological shift guided by language, treating language as the medium and horizon of hermeneutic experience.","GadamerTRUTH AND METHODcontnuum  \nTRUTH AND METHOD  \nTRUTH AND METHOD  \nSecond,Revised EditionTranslation revised by Joel Weinsheimer and Donald G.Marshall  \nContinuum  \nThe Tower Building11 York RoadLondon SE17NX  \nwww.continuumbooks.com  \nCopyright ◎1975 and 1989 by Sheed &Ward Ltd and theContinuum Publishing Group.  \nISBN 082647697X  \nTypeset by Interactive Scieuces Ltd,GloucesterPrinted and bound in Great Britainby Antony Rowe,Chippenham,Wiltshire  \n80 Maiden Lane  \nSuite 704  \nNew York  \nNY 10038  \nFirst published 1975;second edition 1989;this edition 2004.Reprinted 2006.Allrights reserved.  \nCatch only what you've thrown yourself,all ismere skilland little gain;  \nbut when you're suddenly the catcher of a ballthrown by an eternal partnerwith accurate and measured swingtowards you,to your center,in an archfrom the great bridgebuilding of God:why catching then becomes a power—not yours,a world's  \n—Rainer Maria Rilke  \nContents  \nTranslator's Prefacexi  \nIntroduction  \nXX  \nForeword to the second editionXXV  \nPART 1.The question of truth as it emerges in theexperience of art  \n上  \n1 Transcending the aesthetic dimension  \n3  \n1 The significance of the humanist tradition for thehuman sciences3(A)The problem of method3(B)The guiding concepts of humanism8(i)Bildung(culture)8(ii)Sensus communis17(iii)Judgment27(iv)Taste3I  \n2 The subjectivization of aesthetics through theKantian critique  \n37  \n(A)Kant's doctrine of taste and genius37(i)The transcendental distinctness oftaste37(ii)The doctrine of free and dependentbeauty39(iii)The doctrine of the ideal of beauty41(iv)The interest aroused by natural andartistic beauty43(v)The relation between taste and genius47(B)The aesthetics of genius and the conceptof experience (Erlebnis)49(i)The dominance of the concept ofgenius49  \n(ii)On the history of the word Erlebnis  \n53  \n(iii)The concept of Erlebnis56  \n(iv)The limits of Erlebniskunst and therehabilitation of allegory61  \n# 3 Retrieving the question of artistic truth\n\n70  \n(A)The dubiousness of the concept of aestheticcultivation(Bildung)  \n70  \n(B)Critique of the abstraction inherent in  \naesthetic consciousness  \n772 The ontology of the work of art and itshermeneutic significance1021 Play as the clue to ontological explanation102(A)The concept of play102(B)Transformation into structure and totalmediation110(C)The temporality of the aesthetic119(D)The example of the tragic1252 Aesthetic and hermeneutic consequences130(A)The ontological valence of the picture130(B)The ontological foundation of theoccasional and the decorative138(C)The borderline position of literature153(D)Reconstruction and integration ashermeneutic tasks157  \n# PART IⅡ:The extension of the question of truth tounderstanding in the human sciences172\n\n3 Historical preparation  \n174  \n1 The questionableness of romantic hermeneuticsand its application to the study of history174(A)The change in hermeneutics from theEnlightenment to romanticism174(i)The prehistory of romantichermeneutics174(ii)Schleiermacher's project of a universalhermeneutics183(B)The connection between the historicalschool and romantic hermeneutics194(i)The dilemma involved in the ideal ofuniversal history194(ii)Ranke's historical worldview200(iii)The relation between historical studyand hermeneutics in J.G.Droysen207  \n2 Dilthey's entanglement in the aporias ofhistoricism  \n213  \n(A)From the epistemological problem ofhistory to the hermeneutic foundationof the human sciences  \n213  \n(B)The conflict between science and life-philosophy in Dilthey's analysis ofhistorical consciousness224  \n3 Overcoming the epistemological problemthrough phenomenological research234(A)The concept of life in Husserl and CountYorck234(B〉Heidegger's project of a hermeneuticphenomenology244  \n4 Elements of a theory of hermeneutic experience2671 The elevation of the historicity of under-standing to the status of a hermeneuticprinciple267  \n(A)The hermeneutic circle and the problemof prejudices267  \n(i)Heidegger's disclosure ","cbCaigblIcTWm1SM","https://ap.wps.com/l/cbCaigblIcTWm1SM","pdf",10318991,3,1,637,"English","en",105,"# Contents\n## Translator's Preface\n## Introduction\n## Foreword to the second edition\n## Part 1: The question of truth as it emerges in the experience of art\n## Part 2: The extension of the question of truth to understanding in the human sciences\n## Historical preparation\n## Elements of a theory of hermeneutic experience\n## Analysis of historically effected consciousness\n## Part 3: The ontological shift of hermeneutics guided by language\n## Language and Hermeneutics\n## Appendices and Supplements\n## Afterword\n## Subject Index\n## Author Index","[{\"question\":\"How does the book address the question of truth through the experience of art?\",\"answer\":\"It develops the question of artistic truth by examining issues such as aesthetic consciousness, the ontology of the work of art, and the hermeneutic significance of play, structure, and temporality.\"},{\"question\":\"What path does the text outline for extending truth to the human sciences?\",\"answer\":\"It tracks historical preparation in hermeneutics and historicism, then moves toward overcoming epistemological problems via phenomenological research and a theory of hermeneutic experience.\"},{\"question\":\"What is the role of language in the book’s final ontological turn?\",\"answer\":\"Language is treated as the medium and horizon of hermeneutic experience, shaping both hermeneutic objects and acts, and grounding a hermeneutic ontology.\"}]",1783316761,1605,{"code":4,"msg":31,"data":32},"ok",{"site_id":25,"language":24,"slug":33,"title":13,"keywords":34,"description":14,"schema_data":35,"social_meta":86,"head_meta":88,"extra_data":90,"updated_unix":28},"truth-and-method","",{"@graph":36,"@context":85},[37,53,68],{"@type":38,"itemListElement":39},"BreadcrumbList",[40,44,48,50],{"item":41,"name":42,"@type":43,"position":21},"https://docshare.wps.com","Home","ListItem",{"item":45,"name":46,"@type":43,"position":47},"https://docshare.wps.com/document/","Document",2,{"item":49,"name":12,"@type":43,"position":20},"https://docshare.wps.com/document/research-report/",{"item":51,"name":13,"@type":43,"position":52},"https://docshare.wps.com/document/truth-and-method/40920/",4,{"url":51,"name":13,"@type":54,"author":55,"headline":13,"publisher":57,"fileFormat":60,"inLanguage":24,"description":14,"dateModified":61,"datePublished":62,"encodingFormat":60,"isAccessibleForFree":63,"interactionStatistic":64},"DigitalDocument",{"name":9,"@type":56},"Person",{"url":41,"name":58,"@type":59},"DocShare","Organization","application/pdf","2026-07-11","2026-07-06",true,{"@type":65,"interactionType":66,"userInteractionCount":20},"InteractionCounter",{"@type":67},"ViewAction",{"@type":69,"mainEntity":70},"FAQPage",[71,77,81],{"name":72,"@type":73,"acceptedAnswer":74},"How does the book address the question of truth through the experience of art?","Question",{"text":75,"@type":76},"It develops the question of artistic truth by examining issues such as aesthetic consciousness, the ontology of the work of art, and the hermeneutic significance of play, structure, and temporality.","Answer",{"name":78,"@type":73,"acceptedAnswer":79},"What path does the text outline for extending truth to the human sciences?",{"text":80,"@type":76},"It tracks historical preparation in hermeneutics and historicism, then moves toward overcoming epistemological problems via phenomenological research and a theory of hermeneutic experience.",{"name":82,"@type":73,"acceptedAnswer":83},"What is the role of language in the book’s final ontological turn?",{"text":84,"@type":76},"Language is treated as the medium and horizon of hermeneutic experience, shaping both hermeneutic objects and acts, and grounding a hermeneutic ontology.","https://schema.org",{"og:url":51,"og:type":87,"og:title":13,"og:site_name":58,"og:description":14},"article",{"robots":89,"canonical":51},"index,follow",{"doc_id":7,"site_id":25},{"code":4,"msg":5,"data":92},[93,97,101,105,110,115,120,123,128,131,135],{"id":21,"doc_module":4,"doc_module_name":46,"category_name":94,"show_sort_weight":95,"slug":96},"Story & 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