[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-143917-en":3,"doc-seo-143917-105":31,"detail-sidebar-cat-0-en-105":92},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":20,"is_deleted":4,"is_public":21,"is_downloadable":21,"audit_status":21,"page_count":22,"language":23,"language_code":24,"site_id":25,"html_lang":24,"table_of_contents":26,"faqs":27,"seo_title":28,"seo_description":14,"update_tm":29,"read_time":30},143917,2336464648746,"Skyler","https://ap-avatar.wpscdn.com/davatar_276721f389ce27ea32af1340a28f341c",2,"Literature","To the Lighthouse - Part 1 - Chapter 1 - The Window","To the Lighthouse is presented as a modernist literary work associated with Virginia Woolf and the Bloomsbury Group, highlighting her reputation as a leading twentieth-century novelist and essayist. The excerpt opens with “Part 1 The Window” and focuses on family dynamics in the Ramsay household, where discussions of weather and a promised journey shape the children’s hopes. Character voices contrast skepticism and care, using detailed interior perception and symbolic everyday objects to frame anticipation, doubt, and emotional endurance.","To the Lighthouse Virginia Woolf  \nPublished: 1927  \nCategorie(s): Fiction, Literary  \nSource: [http://gutenberg.net.au](http://gutenberg.net.au)  \nAbout Woolf:  \nVirginia Woolf (January 25, 1882 – March 28, 1941) was an English novelist and essayist regarded as one of the foremost modernist literary figures of the twentieth century. During the interwar period, Woolf was a significant figure in London literary society and a member of the Bloomsbury Group. Her most famous works include the novels Mrs Dalloway (1925), To the Lighthouse (1927), and Orlando (1928), and the book-length essay A Room of One's Own (1929) with its famous dictum,\"a woman must have money and a room of her own if she is to write fiction\".  \nAlso available on Feedbooks Woolf:  \n Mrs Dalloway (1925)  \n AHaunted House (1921)  \n The Waves (1931)  \n Orlando (1928)  \n Mrs Dalloway in Bond Street (1923)  \n Between the Acts (1941)  \n The Duchess and the Jeweller (1938)  \n The New Dress (1927)  \n The Mark on the Wall (1917)  \n A Room of One 's Own (1929)  \nCopyright: This work is available for countries where copyright is Life+70.  \nNote: This book is brought to you by Feedbooks  \n[http://www.feedbooks.com](http://www.feedbooks.com)  \nStrictly for personal use, do not use this file for commercial purposes.  \nPart 1 The Window  \nCha ter 1   \np  \n\"Yes, of course, if it's fine tomorrow,\" said Mrs Ramsay. \"But you'll have to be up with the lark,\" she added.  \nTo her son these words conveyed an extraordinary joy, as if it were settled, the expedition were bound to take place, and the wonder to which he had looked forward, for years and years it seemed, was, after a night's darkness and a day's sail, within touch. Since he belonged, even at the age of six, to that great clan which cannot keep this feeling separate from that, but must let future prospects, with their joys and sorrows, cloud what is actually at hand, since to such people even in earliest childhood any turnin the wheel of sensation has the power to crystallise and transfix the moment upon which its gloom or radiance rests, James Ramsay, sitting on the floor cutting out pictures from the illustrated catalogue of the Armyand Navy stores, endowed the picture of a refrigerator, as his mother spoke, with heavenly bliss. It was fringed with joy. The wheelbarrow, the lawnmower, the sound of poplar trees, leaves whitening before rain, rooks cawing, brooms knocking, dresses rustling—all these were so coloured and distinguished in his mind that he had already his private code, his secret language, though he appeared the image of stark and uncompromising severity, with his high forehead and his fierce blue eyes, impeccably candid and pure, frowning slightly at the sight of human frailty, so that his mother, watching him guide his scissors neatly round the refrigerator, imagined him all red and ermine on the Bench or directing a stern and momentous enterprise in some crisis of public affairs.  \n\"But,\" said his father, stopping in front of the drawing-room window, \"it won't be fine.\"  \nHad there been an axe handy, a poker, or any weapon that would have gashed a hole in his father's breast and killed him, there and then, James would have seized it. Such were the extremes of emotion that Mr Ramsay excited in his children's breasts by his mere presence; standing, as now,  \nlean as a knife, narrow as the blade of one, grinning sarcastically, not only with the pleasure of disillusioning his son and casting ridicule upon his wife, who was ten thousand times better in every way than he was (James thought), but also with some secret conceit at his own accuracy of judgement. What he said was true. It was always true. He was incapable of untruth; never tampered with a fact; never altered a disagreeable word to suit the pleasure or convenience of any mortal being, least of all of his own children, who, sprung from his loins, should be aware from childhood that life is difficult; facts uncompromising; and the passage to that fable","cbCaigR1r9nsqWm9","https://ap.wps.com/l/cbCaigR1r9nsqWm9","pdf",1202496,5,1,187,"English","en",105,"# Part 1 The Window\n## Chapter 1","[{\"question\":\"What is the setting and immediate theme at the start of “Part 1 The Window”?\",\"answer\":\"The opening places the Ramsay family in conversation about whether it will be fine to travel to the lighthouse, using the weather promise to shape hopes and anxieties.\"},{\"question\":\"How does Mrs Ramsay’s attitude differ from Mr Ramsay’s in Chapter 1?\",\"answer\":\"Mrs Ramsay ties the journey to comfort and support for a vulnerable child, while Mr Ramsay expresses blunt skepticism and emphasizes difficult truths.\"},{\"question\":\"How are the children’s expectations portrayed in this excerpt?\",\"answer\":\"James Ramsay’s anticipation is rendered as intense, almost ritualized joy, as small objects and ordinary sounds become part of a private emotional world.\"}]","To the Lighthouse - 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