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The acknowledgments frame influences and mentorship while the poem sequence moves from finding help, boundaries, and private life to encounters with ghosts and history, including a house of history dedicated to Seth. 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Hurry  \nThis book made possible through the Richard Walser and BerniceKelly Harris Fund of the Hanes Charitable Lead Trust  \nCopyright ◎2001 by Emily Herring Wilson  \nLibrary of Congress Cataloging-in-Publication Data  \nWilson,Emily Herring/to fly without hurry/  \nEmily Herring Wilson—Laurinburg,NC/St.Andrews College Press  \nI.Wilson,Emily Herring I.Title  \nSt.Andrews College Press1700 Dogwood MileLaurinburg,NC 28352  \nwww.sapc.edu/sapress.html  \nTo Fly without Hurry  \nPoems  \nby  \nEmily Herring Wilson  \nSt.Andrews College PressLaurinburg,North Carolina  \n2001  \nFor longing  \n# Acknowledgments\n\nSome of these poems were published many years ago in earlier chap-books,now long since fallen into history.Some of them have foundtheir way into journals that I cannot remember and that cannotremember me,though I wish to thank all those editors (some friends)who encouraged me at once with their acceptances.The great teacherin my life has been A.R.Ammons.More recently,one of his students atCornell,Amy Whitney,has taught me.Again,Elizabeth Phillips is agenerous reader.I wish to thank LeAnne Howe for teaching me to seeghosts.My literary influences in these poems are Toni Morrison's novelBeloved,A.R.Ammons'poem\"For Harold Bloom,\"Willa Cather'snovel Death Comes for the Archbishop,Elizabeth Bishop's poem\"Sestina,\"and The Book of Common Prayer.The new poems werewritten in celebration of my sixtieth year to heaven and in gratitude toSt.Andrews College Press.  \nE.H.W.  \nMay 1,2000  \nFinding Help11  \nBanking  \n12  \nStaying Put13  \nBalancing on Stones14  \nA Private Life15  \nThe Letter-Writing  \n16  \nBirthday  \n17  \nMother Voices18  \nWhat I Overheard When I was a Childand What I Made Up19  \nBoundaries20  \nFor the Last Time,Then Once More21  \nThis gray day22  \nWhat We Make of What We See23  \nTime's Anatomy24  \nSplitting Wood25  \nO Careless Love26  \nRainy Day and School27  \nBob Dylan the Cat28  \nFiction's Craft29  \nMemory Floats30  \nSudden Snow at the Colony31  \nWinter's Tracks32  \nThe Accident34  \nJournal Notes35  \nPoetic License36  \nCayuga Heights37  \nPutting Fears to Rest38  \nThe News of Spring39  \nAt the Fish Market40  \nDudley's Twin Aunts41  \nCarried over Water42  \nSeeking Permanence at Long Beach43  \nWaiting for the News44  \nThere are some things you should walk away from45  \nSaying Goodbye46  \nLaurel Fork47  \nAt the End of a Century48  \nIn Abiquiu,New Mexico  \nwith Georgia O’Keeffe and Willa Cather49  \nTo Fly without Hurry50  \nHistory of a Small House51  \n# The House of Historyfor Seth(“Me?Me?”)\n\nPlease,Beloved,give up haunting our house.I leave the doors unlocked,Stitch soft white curtains.All morning small birds feed  \nFrom my hands.I have asked for forgiveness.Let our love overcome our fears.Come,sit with me?Take up these poems  \nWaiting for you.","cbCaisazELyXRxSE","https://ap.wps.com/l/cbCaisazELyXRxSE","pdf",1816650,56,"English","# Acknowledgments\n# Finding Help\n# Banking\n# Staying Put\n# Balancing on Stones\n# A Private Life\n# The Letter-Writing\n# Birthday\n# Mother Voices\n# What I Overheard When I Was a Child and What I Made Up\n# Boundaries\n# For the Last Time, Then Once More\n# This gray day\n# What We Make of What We See\n# Time's Anatomy\n# Splitting Wood\n# O Careless Love\n# Rainy Day and School\n# Bob Dylan the Cat\n# Fiction's Craft\n# Memory Floats\n# Sudden Snow at the Colony\n# Winter's Tracks\n# The Accident\n# Journal Notes\n# Poetic License\n# Cayuga Heights\n# Putting Fears to Rest\n# The News of Spring\n# At the Fish Market\n# Dudley's Twin Aunts\n# Carried over Water\n# Seeking Permanence at Long Beach\n# Waiting for the News\n# There are some things you should walk away from\n# Saying Goodbye\n# Laurel Fork\n# At the End of a Century\n# In Abiquiu, New Mexico with Georgia O’Keeffe and Willa Cather\n# To Fly without Hurry\n# History of a Small House\n# The House of History for Seth (“Me? Me?”)","[{\"question\":\"What themes does the collection emphasize?\",\"answer\":\"The poems focus on longing, memory, fear, private life, and reconciliation through careful, reflective imagery. They also engage with haunting and forgiveness themes.\"},{\"question\":\"Which literary influences are mentioned in the acknowledgments?\",\"answer\":\"The acknowledgments cite Toni Morrison’s Beloved, A.R. Ammons, Willa Cather, Elizabeth Bishop, and The Book of Common Prayer, along with personal mentors.\"},{\"question\":\"How is the poem “The House of History for Seth (“Me? Me?”)” introduced?\",\"answer\":\"The text begins a new main section with the plea for the house to stop haunting and invites “Beloved” to join and take up the poems, framing the dedication’s emotional resolution.\"}]","To Fly without Hurry - Poems - Emily Herring Wilson | PDF",1790618607,86]