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It explores how fate operates as an external force beyond human authority, while also coexisting with regularity and interconnected phenomena. The booklet expands on cyclical mythological time, the relation between reality and myth, and how artists examine fate’s coordinates through earthly and cosmic themes, including choice, free will, and predetermination.",{"@graph":69,"@context":123},[70,84,106],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":10,"@type":76,"position":81},"https://docshare.wps.com/document/story-novel/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/threads-of-fate-charts-of-history-exhibition-booklet/157814/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/threads-of-fate-charts-of-history-exhibition-booklet/157814.png","ImageObject",300,407,{"name":92,"@type":93},"Anda","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-11-01","2026-08-29",true,{"@type":102,"interactionType":103,"userInteractionCount":105},"InteractionCounter",{"@type":104},"ViewAction",12,{"@type":107,"mainEntity":108},"FAQPage",[109,115,119],{"name":110,"@type":111,"acceptedAnswer":112},"How does the exhibition frame the idea of fate?","Question",{"text":113,"@type":114},"Fate is presented as an external force beyond human authority, yet linked to universal regularity and the interrelation of phenomena. 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The accompanying display case ties these themes to Boris Vorobyev’s animalist life and artistic choices.","https://schema.org",{"og:url":83,"og:type":125,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":127,"canonical":83},"index,follow",{"doc_id":129,"site_id":62},157814,1787989953,{"code":4,"msg":5,"data":132},{"doc_id":129,"user_id":133,"nickname":92,"user_avatar":134,"doc_module":4,"category_id":8,"category_name":10,"doc_title":65,"doc_description":67,"doc_content":135,"file_id":136,"file_url":137,"file_type":138,"file_size":139,"view_count":105,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":29,"language":140,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":67,"update_tm":130,"read_time":44},962075006959,"https://ap-avatar.wpscdn.com/avatar/e0002397efbe92a78e?_k=1776741047341049297","Threads of Fate, Charts of History  \n25 Apr—28 Jul 2024  \nWhat brought us here? Curiosity, accident—or, perhaps, fate itself? At times, it can seem that life is a series of coincidences, at others that it is a well-ordered, even predetermined system.  \nThreads ofFate, Charts of History is an exhibition dedicated to the idea offate and the mythology associated with it. Interpretation is of greater importance to Threads ofFate, Charts of History than predetermined plots—as in a myth, what you see in the exhibition is what you were intended to see.  \nFate acts as an external force, it surpasses man and is not subject to man’s authority. This said, the unpredictability and inexplicability offate coexist with the interrelation of phenomena and universal regularity. In the mythologies of different cultures, fate acts asthe guardian of universal order and equilibrium on a scale incomprehensible to man. Fate can serve to explain or justify events in human lives. However, by associating itself with higher powers and outside causes, mankind finds itself confronted with the question of how choices are made and to what extent freewill can be said to exist. How should we behave in the faceoffate—humbly take its blows or, like the heroes of myths, seek to challenge it?  \nMythologies that address the notion offate arefounded on a particular conception of time and man’s place within it. Mythological time is cyclical. Each ensuing twist repeats the one that preceded it and atthe sametime differs from it—in the same way that days and years differ from one another. Mythological heroes exist at once in and outside time. The changes to human life that come with every newera renew these connections in time and tighten the threads that run between reality and mythology. But to what extent are the historical events and phenomena that stand before humankind in the form offate repeatable or explainable?  \nThe works featured in this exhibition explore various facets of the concept offate. The view offate proposed by each artist is different, but their works are united by a shared interest in both the ways in which mythological categories persist today and in what they can tell us about ourselves. The works of Lyudmila Baronina, Katya Isaeva, Rodion Kitaev, and Mayana Nasybullova are distinguished by an attempt to seethe world in the present moment. They explore the directions that can betaken by fate and the coordinates according to which we can attempt to understand it—in doing so, they address the earthly and the cosmic, the natural and the artificial, free will, freedom of choice, and predetermination. Though plotsofthe myths and novels may be predetermined,  \np. 1 GES-2 Threads of Fate, Charts of History  \ntheir interpretations can differ: freedom isto be found in the fact that each of us is free to choose for ourselves how to read the signs offate and compose them into a chart of history.  \nKatyaIsaeva  \n(р. 1980)  \nYour turn. Vorobyev, 2024  \nChess board with pieces, bench, display case with works by Boris Vorobyev and archival materials  \nCommissioned and produced by GES-2 House of Culture  \nKatya Isaeva’s work comprises a chess board populated by animal figurines and a display case dedicated to the life and work of the Soviet artist and animalist Boris (Isai) Vorobyev (1911–1990).  \nIsaeva’s chess board resonates with a quotation from Friedrich Nietzsche’s Thus Spoke Zarathustra engravedon a bench that stands nearby. In Thus Spoke Zarathustra, Nietzsche considered the transformationsofthe soul and the freedom of human will ina metaphorical key. According to Nietzsche, the soul goes through three consecutive metamorphoses—the camel, the lion, and, finally, the child. The weight-bearing camel must first become a lion and “create itself freedom for new creation.” The lion must then become a playing child, unrestrained by conventionality—only then does the spirit become able to create its own world—that is, to realise its will.  \nThe display case th","cbCaifRG7OGfOcit","https://ap.wps.com/l/cbCaifRG7OGfOcit","pdf",59611,"English","# Threads of Fate, Charts of History\n## Fate and mythological interpretation\n## Cyclical time and human agency\n## Featured works: Katya Isaeva\n## Featured works: Lyudmila Baronina","[{\"question\":\"How does the exhibition frame the idea of fate?\",\"answer\":\"Fate is presented as an external force beyond human authority, yet linked to universal regularity and the interrelation of phenomena. The exhibition emphasizes interpretation over fixed plot.\"},{\"question\":\"What role does mythological time play in these works?\",\"answer\":\"Mythological time is described as cyclical: each turn repeats what came before while differing from it. Mythological heroes exist both within and outside time, renewing links between reality and mythology with each new era.\"},{\"question\":\"What themes does Katya Isaeva explore through the chess board work?\",\"answer\":\"The chess board with animal figurines connects to Nietzsche’s idea of transformation of the soul and the freedom of human will. The accompanying display case ties these themes to Boris Vorobyev’s animalist life and artistic choices.\"}]","Threads of Fate, Charts of History - Exhibition booklet | PDF"]