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The exam, held in October 2019, follows the CBCS (Choice Based Credit System) framework introduced in 2016. It covers foundational concepts in Indian literary theory, including Bharata's Rasa Theory, Mammata's Alamkara classifications, Anandavardhana's Dhvani Theory, and Kuntaka's Vakrokti. The paper is structured into five main sections, requiring students to demonstrate advanced knowledge of classical Indian aesthetic principles. It challenges candidates to elucidate complex poetic structures, compare scholarly contributions within the Alamkara school, and explain the functions of Bhavas and sentiments. The total marks allotted for this examination are 70, with a time duration of 2.5 hours. It serves as an essential assessment tool for students specializing in Indian classical literature, demanding both theoretical understanding and analytical capacity regarding the historical and functional aspects of poetic expression.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":20,"@type":76,"position":81},"https://docshare.wps.com/document/exam/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/third-year-ba-semester-v-indian-poetics-paper-15-examination-october-2019/319868/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/third-year-ba-semester-v-indian-poetics-paper-15-examination-october-2019/319868.png","ImageObject",300,407,{"name":92,"@type":93},"Quinn","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-22","2026-09-20",true,{"@type":102,"interactionType":103,"userInteractionCount":29},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"What are the primary topics covered in the Indian Poetics exam paper?","Question",{"text":112,"@type":113},"The exam covers key theoretical frameworks including Bharata's Rasa Theory, Mammata's Alamkaras, Anandavardhana's Dhvani Theory, and Kuntaka's Vakrokti.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"What is the structure of the examination paper?",{"text":117,"@type":113},"The paper is divided into five sections, each worth 14 marks, totaling 70 marks, with an optional question structure for sections 1 through 4.",{"name":119,"@type":110,"acceptedAnswer":120},"What specific short note topics are suggested for students?",{"text":121,"@type":113},"Students are asked to prepare notes on s'abdalamkara and arthalamkara, the importance of vrtti and vacyartha in Dhvani, Sthayibhavas, and specific rasas like Sringar and Vira.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},319868,1790066645,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":19,"category_name":20,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":29,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":8,"language":139,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":140,"faqs":141,"seo_title":142,"seo_description":67,"update_tm":143,"read_time":81,"preview_page_count":4},962075114765,"https://ap-avatar.wpscdn.com/davatar_a8503ba1806abce46bf441b54a3ca4cd","# JAA-1601070101051500 Seat No.  \n\nThird Year B.A.(Sem.V)(CBCS)(W.E.F.-2016)Examination  \n## October -2019\n\n# English :Paper-15\n\n(Indian Poetics)[New Course]  \n[Total Marks :70  \n# Time :2.30 Hours]\n\n## 1 What is Rasa Theory of Bharata?Explain and elucidate 14main Rasas as described by him in his Natyashastra.\n\nOR  \n1 What are the Bhavas or Sentiments ?What are their14functions ?Enumerate and explain briefly.  \n# 2 Which are the main Alamkaras according to Mammata?14Explain with examples,each of them.\n\nOR  \n## 2 Who were the main critics of the Alamkara School of14Indian Poetics ?Discuss their contribution.\n\n# 3 Who was Anandvardhana?What was his Dhvani Theory?  14Explain in detail.\n\n## OR\n\n3 What changes were added to the original theory of Dhvani 14by Abhinav Gupta?Discuss in detail.  \n## 4 Define Vakrokti and discuss its types giving examples.14\n\nOR  \n4 Who was Kuntaka?What is his contribution to14Indian Poetics ?  \n# 5 Write short notes :(any two)\n\n## 14\n\n(i)  s'abdalamkara and arthalamkara  \n(ii)Importance of yrtti and vacyartha in Dhvani  \n(iii)Sthayibhavas  \n(iv)Sringar and Vira Rasa","cbCaieUzhOmOVfVc","https://ap.wps.com/l/cbCaieUzhOmOVfVc","pdf",58852,"English","# Rasa and Bhavas\n## Rasa Theory and Sentiment Functions\n# Alamkara School\n## Critics and Contributions to Alamkara\n# Dhvani Theory\n## Anandavardhana and Abhinav Gupta's Perspectives\n# Vakrokti and Types\n## Kuntaka's Contribution to Indian Poetics\n# Short Notes\n## Core Concepts in Poetics","[{\"question\":\"What are the primary topics covered in the Indian Poetics exam paper?\",\"answer\":\"The exam covers key theoretical frameworks including Bharata's Rasa Theory, Mammata's Alamkaras, Anandavardhana's Dhvani Theory, and Kuntaka's Vakrokti.\"},{\"question\":\"What is the structure of the examination paper?\",\"answer\":\"The paper is divided into five sections, each worth 14 marks, totaling 70 marks, with an optional question structure for sections 1 through 4.\"},{\"question\":\"What specific short note topics are suggested for students?\",\"answer\":\"Students are asked to prepare notes on s'abdalamkara and arthalamkara, the importance of vrtti and vacyartha in Dhvani, Sthayibhavas, and specific rasas like Sringar and Vira.\"}]","Third Year B.A. Semester V - Indian Poetics Paper 15 Examination - October 2019 | PDF",1789947591]