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It compares Macbeth with classical Greek tragedy, referencing authors and mythic elements such as Eschylus, Prometheus, and the Attic stage. The passage also highlights scenes considered too bold for representation and contrasts reading versus theatrical performance, concluding with an affirmative appraisal of Macbeth’s value in dramatic poetry.",{"@graph":69,"@context":114},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":15,"@type":76,"position":81},"https://docshare.wps.com/document/literature/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/thetemple-sha-kespeare/569059/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/thetemple-sha-kespeare/569059.png","ImageObject",300,407,{"name":92,"@type":93},"Mia  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scenes.","Answer","https://schema.org",{"og:url":83,"og:type":116,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":118,"canonical":83},"index,follow",{"doc_id":120,"site_id":62},569059,1792611563,{"code":4,"msg":5,"data":123},{"doc_id":120,"user_id":124,"nickname":92,"user_avatar":125,"doc_module":4,"category_id":14,"category_name":15,"doc_title":65,"doc_description":67,"doc_content":126,"file_id":127,"file_url":128,"file_type":129,"file_size":130,"view_count":81,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":131,"language":132,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":133,"faqs":134,"seo_title":135,"seo_description":67,"update_tm":136,"read_time":137},687207024478,"https://ap-avatar.wpscdn.com/davatar_a8503ba1806abce46bf441b54a3ca4cd","2on Sans Droict  \n之⑨2  \n4./  \n# THETEMPLE SHA KESPEARE\n\nВутЬгНла регтйпюпвЁ Мазгз МаспШапЮ Соand W.Aldia Wright,Erq.,the text herewsedis that ofthe“Cambridge”Edion,  \nFirat irsua of this Bdinion ef \"Macheth“prinad z806.Reyined zo6,7897,z8o8,18o8,1800.roo0,1900,1Qoz,19o2,1903,r003,1004,100s,roc6,rocb,roo8,1909,1909тото,тотзлотльлотое  \nLONDON:3·M·DENT·8·SONS·LD.·  \nNEW YORK:E·P·DUTTON·&CO.MCMXVI·  \n\"I REGARD Macbeth,upon the whole,as the greatesttreasure of our dramatic literature.We may look asBritons at Greek sculpture,and at Italian paintings,witha humble consciousness that our native art has neverreached their perfection;but in the drama we can confrontEschylus himself with Shakespeare;and of all moderntheatres,owrs alone can compete with the Greek in theunborrowed nativeness and sublimity of its superstition.In the grandeur of tragedy Macbeth has no parallel,till wego back to the Promethexs and the Faries of the Atticstage.I could even produce,if it were not digressing toofar from my subject,ianumerable instances of strikingsimilarity between the metaphorical mintage of Shake·speare's and of Eschylus's style,-a similarity,both inbeauty and in the fault of excess,that unless the contraryhad ben proved,would lead me to suspect our greatdramatist to have been a studious Greek scholar.Buttheir resemblance arose from the consanguinity of nature.In one respect,the tragedy of Macbeth always remindsme of Eschylus's poetry.It has scenes and conceptionsabsolutely too bold for representation.What stage coulddojustice to Eschylus,when the Titan Prometheus makeshis appeal to the elements;and when the hammer is heardin the Scythian Desert that rivets his chains?Or whenthe Ghost ofClytemnestra rushes intoApollo's temple,androuses the sleeping Furies?I wish to imagine thesescenes:I should be sorry to see the acting of themattempted.In like manner,there are parts of Macbethwhich I delight to read much more than to see in thetheatre....Nevertheless,I feel no inconsistency inreverting from these remarks to my first assertion,that allin all,Macbeth is our greatest possession in dramaticpoetry.\"  \nCAMPBELL.","cbCaivbv9bGkCbNc","https://ap.wps.com/l/cbCaivbv9bGkCbNc","pdf",4028162,148,"English","# THETEMPLE SHA KESPEARE","[{\"question\":\"Does the passage prefer reading Macbeth or seeing it performed?\",\"answer\":\"It suggests there are parts of Macbeth it delights to read much more than to see in the theatre, while expressing regret at attempting to stage certain scenes.\"}]","THETEMPLE SHA KESPEARE | PDF",1791873732,228]