[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-50589-en":3,"doc-seo-50589-105":29,"detail-sidebar-cat-0-en-105":90},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":20,"is_deleted":4,"is_public":11,"is_downloadable":11,"audit_status":11,"page_count":21,"language":22,"language_code":23,"site_id":24,"html_lang":23,"table_of_contents":25,"faqs":26,"seo_title":13,"seo_description":14,"update_tm":27,"read_time":28},50589,13056703019404,"Miles","https://ap-avatar.wpscdn.com/davatar_29158cc5080c5b710cf443261637dec0",1,"Story & Novel","The Wind and the Sun","A literary work presenting a dialogue-driven narrative about moral persuasion and differing approaches. The text emphasizes that when trying to achieve the same result, one method relies on restraint while another relies on escalation, with characters reflecting on outcomes and misunderstandings. Translation guidance asks adapters to keep substantive changes to the text and artwork minimal. The story culminates in a clear lesson about effectiveness and character-driven choices, reinforcing the intended message across languages.","ަ ވާ ޔި އި އު ރ  \nKuzhali Manickavel  \nEmanuele Scanziani  \nWhile the author, illustrator, and publisher of this book encourage and support translation of this work into other languages, they request that substantive changes to the text and art be kept to a minimum.  \nަ ަ ު ާ ެ ު ް ު ެ ެ ު ެ ެ ާ ާ ަ ު ު ް ެ ު ަ ަ ު ް ެ  \nއއދވހކ މނދރ، ވޔި އި އރި އ ދމދ އ ދީ މހނކރ ބރގދީ އާ ކު ކަ ކާ މި އެ މު ދެ ދަ ބް ސު ވެ ްމއު އެ ފު ދެ ނެ ވ.  \nެ ެ ެ ު ު ެ ާ ަ ެ ު ު ަ ް ަ ަ ަ  \nވއ ވރށ ފހރވރ ކމއ އކ ބނލއވ.  \nި ި ި ި  \nު ަ ަ ު ޯ ް ަ ް ަ ެ ަ ެ ު ް ު ު ް ަ ެ ޮ ާ ް ެ ަ”ަ  \nއހރނ ވނ ބޑތ ގސ މލނ ލހލއ އތއ މލއނ ބޓފހރ  \nި ި ި ި ީ  \n” ެ ެ ަ ާ ާ ް ަ ް ަ ަ ު ަ  \nކޑއޑއށ ފއތލފއވ .  \nި  \n” ެ ެ ެ ޭ ެ ު ު ް ަ ަ ް ެ ް ެ ަ ް ެ ް ”  \nމއނ އއކމއވސ އރކށ ނކރވނއވ .  \nި ި ި  \nެ ެ ާ ު ަ ު ޮ ަ ާ ެ ް ު ު  \nި އރި ހި ނތނވލފި އ ކނޑ އރވި ލއވ.  \nެ ެ ެ ު ު ” ް ޫ ޭ ެ ަ ަ ު ާ ާ ަ ަ ަ ާ ެ ”  \nތގ މނއކ ވއ މ ބރގދއކ ނނ އރ ބނލއވ.  \nި ި ި ީ ީ  \nް ެ ަ ު ޮ ް ަ ޮ ަ ް ެ ު ު ް ަ ް ު ް ެ ެ ް ު ަ ާ ް ެ ަ”ަ  \nއހރނ ވލތކނ އހނމހނނށ އރ ނފނނ ގތށ ފރވމއ  \nި ީ ި  \nު ނ”!ަ ވއު ބެ ނލެ އެ ވ.  \nި ި  \n” ް ު ޭ ެ ު ު ް ަ ް ަ ަ ް ަ ް ަ ”  \nމކނ އރށ އހނނށ ނކރވނނ  \nި ި  \nް ެ ަ ަ” ެ ެ ެ ް ު ު ެ ާ ަ ޮ ެ ް ު ް ެ ަ ަ  \nނމވސ އރ ހތހޔކމއއކ ހނތނވލއވ. އހރނ  \nި ި ި ި ި ި  \nް ެ ަ ަ ު ަ ް ެ ު ް ަ ަ ަ ް ެ ަ ަ ަ ު ު ޫ ަ ް ެ ަ  \nއި ދވސ ގބލކރީ ނ އހރނނީ ކ ވޔށ ވރނ ވރގދީ މހއ  \nެ ެ ް ު ެ ް ެ ާ ެ ަ ަ ު ” ް ަ ަ  \nކމށ އރ ހމޖހލގނ އނދ ބނޏވ.  \nި ި ި  \nަ ވި އަ ޝު ކާ ވު ކަ ރް ނެ ފި ށެ އެ ވ.ޭ އާ ނަ އް ށޭ އާ ނަ އް ށު ވެ ރި އު ރަ ވު ރަ ގަ ދ  \nެ ެ ަ ު ު ަ ަ ު ާ ެ ު ަ ެ ާ ެ  \nވދނކމގ ހޔލ ކމކނދޔއވ.  \nި ި  \nެ”ޓް ސު ޓޮްކ ށަ ލް ނވު ން ނ؟”ަ ވއެ އް ނެ މަ ފު ްހނ ހާ ޔެ ލް އ ދެ ނެ ވ.  \nި ި ި ީ  \nޭ އާ ނޮ ކު ޅޮ ކު ޅަ ްމއަޗް ށެ އނުޭބރް ނެ ފި ށެ އެ ވ.ޭ އާ ނެ ގާ ބު ރެ ދް ޭއކެ ނޮ ގެ ތް އ  \nެ ެ ް ު ަ ޯ  \nހދމނނވ.  \n” ހނާ ގަ ބަ ލއަ ލާ މާ ކަ ްކ ށޯ ތެ އް ނެ މ ގަ ނެ ގ ބާ މަ ހަ މޮްކ ށެ ލޭ ވނ؟ އާ ނ  \nީ ި ި ި ި  \nު ބް ނެ ޏެ ވ.  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