[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"detail-sidebar-cat-0-en-105":3,"doc-seo-143898-105":59,"doc-detail-143898-en":131},{"code":4,"msg":5,"data":6},0,"success",[7,13,18,23,28,33,38,43,48,51,55],{"id":8,"doc_module":4,"doc_module_name":9,"category_name":10,"show_sort_weight":11,"slug":12},1,"Document","Story & Novel",90,"story-novel",{"id":14,"doc_module":4,"doc_module_name":9,"category_name":15,"show_sort_weight":16,"slug":17},2,"Literature",80,"literature",{"id":19,"doc_module":4,"doc_module_name":9,"category_name":20,"show_sort_weight":21,"slug":22},4,"Exam",70,"exam",{"id":24,"doc_module":4,"doc_module_name":9,"category_name":25,"show_sort_weight":26,"slug":27},5,"Comic",60,"comic",{"id":29,"doc_module":4,"doc_module_name":9,"category_name":30,"show_sort_weight":31,"slug":32},6,"Technology",50,"technology",{"id":34,"doc_module":4,"doc_module_name":9,"category_name":35,"show_sort_weight":36,"slug":37},7,"Healthcare",40,"healthcare",{"id":39,"doc_module":4,"doc_module_name":9,"category_name":40,"show_sort_weight":41,"slug":42},8,"Research & Report",30,"research-report",{"id":44,"doc_module":4,"doc_module_name":9,"category_name":45,"show_sort_weight":46,"slug":47},9,"Religion & Spirituality",20,"religion-spirituality",{"id":46,"doc_module":4,"doc_module_name":9,"category_name":49,"show_sort_weight":46,"slug":50},"World Cup","world-cup",{"id":52,"doc_module":4,"doc_module_name":9,"category_name":53,"show_sort_weight":52,"slug":54},10,"Lifestyle","lifestyle",{"id":56,"doc_module":4,"doc_module_name":9,"category_name":57,"show_sort_weight":24,"slug":58},19,"General","general",{"code":4,"msg":60,"data":61},"ok",{"site_id":62,"language":63,"slug":64,"title":65,"keywords":66,"description":67,"schema_data":68,"social_meta":124,"head_meta":126,"extra_data":128,"updated_unix":130},105,"en","the-studs-lonigan-trilogy","The Studs Lonigan Trilogy","","The Studs Lonigan Trilogy traces the formative years of Studs Lonigan, an Irish immigrant youth growing up on Chicago’s South Side in the early twentieth century. Through carefully selected episodes spanning the mid-1910s into 1931, the narrative captures his conflicting thoughts, emotions, and shifting self-presentation under relentless social authorities. The introduction emphasizes how conventional boundaries between life and art dissolve, drawing readers into Studs’s inner world, where hopes for a better future coexist with shame, embarrassment, and pressures to be hard and masculine.",{"@graph":69,"@context":123},[70,84,106],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":10,"@type":76,"position":81},"https://docshare.wps.com/document/story-novel/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/the-studs-lonigan-trilogy/143898/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/the-studs-lonigan-trilogy/143898.png","ImageObject",300,407,{"name":92,"@type":93},"Sage","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-11-04","2026-08-25",true,{"@type":102,"interactionType":103,"userInteractionCount":105},"InteractionCounter",{"@type":104},"ViewAction",12,{"@type":107,"mainEntity":108},"FAQPage",[109,115,119],{"name":110,"@type":111,"acceptedAnswer":112},"What time span and life stages does the trilogy cover for Studs Lonigan?","Question",{"text":113,"@type":114},"The trilogy spans multiple periods: five months in 1916, key episodes between 1917 and New Year’s Day 1931, and a concentrated six-month focus in 1931, the year of Studs’s death.","Answer",{"name":116,"@type":111,"acceptedAnswer":117},"How does the introduction describe the way the story connects life and art?",{"text":118,"@type":114},"It explains that, in Studs Lonigan, barriers between life and art seem to disappear, immersing readers directly into Studs’s world without an intrusive authorial voice.",{"name":120,"@type":111,"acceptedAnswer":121},"What pressures and expectations shape Studs’s behavior and self-image?",{"text":122,"@type":114},"He is pressured by authorities to be a God-fearing Catholic and to perform masculinity as “hard” and “tough,” while also equating poets with “pansies,” limiting his ability to value his own interior self.","https://schema.org",{"og:url":83,"og:type":125,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":127,"canonical":83},"index,follow",{"doc_id":129,"site_id":62},143898,1787697199,{"code":4,"msg":5,"data":132},{"doc_id":129,"user_id":133,"nickname":92,"user_avatar":134,"doc_module":4,"category_id":8,"category_name":10,"doc_title":65,"doc_description":67,"doc_content":135,"file_id":136,"file_url":137,"file_type":138,"file_size":139,"view_count":105,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":140,"language":141,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":142,"faqs":143,"seo_title":144,"seo_description":67,"update_tm":130,"read_time":145},687197207057,"https://ap-avatar.wpscdn.com/davatar_29158cc5080c5b710cf443261637dec0","PENGUIN BOOKS  \nPublished by the Penguin Group  \nPenguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, U.S.A. Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3 (a  \ndivision of Pearson Penguin Canada Inc.) Penguin Books Ltd, 80 Strand. London WC2R 0RL, England Penguin Ireland, 25 St Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd) Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division  \nof Pearson Australia Group Pty Ltd)  \nPenguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi—110 017, India Penguin Group (NZ), cnr Airborne and Rosedale Roads, Albany, Auckland 1310, New Zealand (a  \ndivision of Pearson New Zealand Ltd)  \nPenguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South  \nAfrica  \nPenguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England  \nYoung Lonigan first published in the United States of America by The Vanguard Press 1932 The Young Manhood of Studs Lonigan published 1934 Judgment Day published 1935 Studs Lonigan published 1935 This edition with an introduction by Ann Douglas published in Penguin Books 2001  \nCopyright James T. Farrell, 1932, 1934, 1935  \nIntroduction copyright © Ann Douglas, 2001  \nAll rights reserved  \neISBN : 978-1-101-50316-4  \nCIP data available  \nThe scanning, uploading and distribution of this book via the Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials.  \nYour support of the author ’s rights is appreciated.  \n[http://us.penguingroup.com](http://us.penguingroup.com)  \nTable of Contents  \nCover  \nIntroduction  \nYoung Lonigan  \nSECTION ONE  \nSECTION TWO  \nSECTION THREE  \nSECTION FOUR  \nThe Young Manhood of Studs Lonigan SECTION ONE-1917—1918—1919  \nSECTION TWO-1922  \nSECTION THREE-1924  \nSECTION FOUR-1926-1929  \nJudgment Day  \nSECTION ONE  \nSECTION TWO  \nEpilogue  \nUnpublished Fragments from “Judgment Day”  \nSuggested Reading  \nAbout the Author  \nINTRODUCTION  \nReading Studs Lonigan for the first time was a revelation to me. From the opening lines, this story of a young “punk” of Irish immigrant origins growing up on Chicago’s South Side in the early decades of the twentieth century held and stirred me as few books ever have. In Studs Lonigan, the conventional barriers between life and art seem to disappear; the words, while powerful in their own right, also serve as evocations, markers of realities stronger, sharper, than language can convey No obvious authorial voice intrudes between reader and character. I was inside Studs’s life, and his world became the only world I had. This, I kept feeling, was real and moving, as close to my consciousness as that intimate stranger, my own body.  \nThe novel selects its moments carefully—the first book covers five months of Studs’s life in 1916 when he is fourteen; the second details various key episodes, a kind of cinematic montage, between 1917 and New Year ’s Day, 1931; the third again tightens its focus to concentrate on six months in 1931, the year of Studs’s death at the age of twenty-nine—yet within these limits, everything is there: all Studs’s conflicting thoughts and feelings, his actions, his moods down to a microshift, and always how he appears, or rather thinks he appears, to others. A creature of the first and largest mass culture society in history, Studs knows no way to live but before an audience, sometimes real, more often imaginary. Everything else, the happy, magical times swimming in Lake Michigan with a pal or sitting in a tree in the park with his girlfriend Lucy, even as he hopes that they will redirect his life, open up a different and better future for him, turn out to be mere respites from the relentless, contradictory imperatives constantly is","cbCaif0ZmLjflTPm","https://ap.wps.com/l/cbCaif0ZmLjflTPm","pdf",3634988,961,"English","# Table of Contents\n## Young Lonigan\n## Section One (1917—1918—1919)\n## Section Two (1922)\n## Section Three (1924)\n## Section Four (1926-1929)\n## Judgment Day\n## Section One\n## Section Two\n## Epilogue\n## Unpublished Fragments from “Judgment Day”\n## Suggested Reading\n## About the Author\n## Introduction","[{\"question\":\"What time span and life stages does the trilogy cover for Studs Lonigan?\",\"answer\":\"The trilogy spans multiple periods: five months in 1916, key episodes between 1917 and New Year’s Day 1931, and a concentrated six-month focus in 1931, the year of Studs’s death.\"},{\"question\":\"How does the introduction describe the way the story connects life and art?\",\"answer\":\"It explains that, in Studs Lonigan, barriers between life and art seem to disappear, immersing readers directly into Studs’s world without an intrusive authorial voice.\"},{\"question\":\"What pressures and expectations shape Studs’s behavior and self-image?\",\"answer\":\"He is pressured by authorities to be a God-fearing Catholic and to perform masculinity as “hard” and “tough,” while also equating poets with “pansies,” limiting his ability to value his own interior self.\"}]","The Studs Lonigan Trilogy | PDF",1480]