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Board presents a personal, affectionate account of Bristol’s theatres across the period 1490 to 1925. Framed as more a love-letter than a history, it emphasizes intimate knowledge of stage life and acknowledges limits of space, echoing the reviewer’s view that the author’s devotion shapes what is included. The foreword highlights notable productions, key theatre figures, and how such ideals benefit both performers and the wider Bristol public.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":10,"@type":76,"position":81},"https://docshare.wps.com/document/story-novel/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/the-storyofthe-bristol-stage-1490-1925-a-love-letter-than-a-history/434578/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/the-storyofthe-bristol-stage-1490-1925-a-love-letter-than-a-history/434578.png","ImageObject",300,407,{"name":92,"@type":93},"Bulrr","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-28","2026-09-29",true,{"@type":102,"interactionType":103,"userInteractionCount":24},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"Why does the book describe itself as more a love-letter than a history?","Question",{"text":112,"@type":113},"The foreword explains that the author’s passion makes it difficult to keep to strict historical coverage, so the work reads like an affectionate letter to the subject rather than a complete chronicle.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"What time span does the book cover?",{"text":117,"@type":113},"The title page states the range as 1490—1925.",{"name":119,"@type":110,"acceptedAnswer":120},"Who wrote the foreword and what was their role?",{"text":121,"@type":113},"H. Slater Stone wrote the foreword as a long-time critic who discusses Bristol theatres, recalls past productions, and praises several theatre figures.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},434578,1791239313,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":8,"category_name":10,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":24,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":139,"language":140,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":67,"update_tm":144,"read_time":145},5909892115043,"https://ap-avatar.wpscdn.com/davatar_6f874abed73319feea01a86fa6f0fab8","# The StoryofThe Bristol Stage\n\n1490—1925  \nBy  \nM.E.BOARD  \nAuthorBARDClass Mark                                s/PN 2596·B7BBook No.266544  \n1  \nUNIVERSITY  \nOF NOTTINGHAMLIBRARY  \nUNIVERSITY OF NOTTINGHAMWITHDRAWNFROM THE LIBRARY  \nThe silver ticket of admission,taken by the kind permissionof the Curator of the Bristol Museum and Art Gallery.  \nThe StoryofThe Bristol Stage  \n1490—1925  \nBy  \nM.E.BOARD  \nTHE FOUNTAIN PRESS,1o Clifford's Inn,Fleet Street,London,E.C.4  \nMy Thanks  \nTo Mrs.Chute with whom I have wanderedin the land of memories.  \nTo Mr.Fortescue-Harrison,the kindest ofmen.  \nTo Mr.Slater Stone for his keen interest andhelp.  \nTo Mr.Douglas Millar,that lover of thestage.  \nTo Dr.Parker for unfailing helpand kindness.  \nTo Mr.W.Lewis for information for theLittle Theatre.  \nTo Mr.Watts for information for the OldRoyal.  \nI have found information in books:  \nFor the section on the primitive theatres inBristol,Theatrical Bristol,by Guy Tracey Watts,published I9I5.  \nFor the section on the Theatre Royal,olderrecords and books,principally the book by Mr.Jenkins.  \nFor the section on the Prince's Theatre,thepublications of the Bristol Times and Mirror andWestern Daily Press and The Bristol Stage by  \nG.R.Powell,published I919  \nTHIs BooK  \nis more a love-letter than a history.  \nHistory is the chronicle made by wise men oflearning.  \nLove is our own.M.E.B.  \n## A Foreword\n\nMIss BoARD has dared much in attempting towrite a history of the Bristol Stage from I490to I925 within the confines of so small a bookas this,but she pleads guilty to its being a love-letter and we all know that the impetuous loverof either sex is apt,for lack of time and space,to leave out much that would interest the manin the street and the woman his wife.Thereader will readily agree that it is a love-letter,but will also suspect that the authoress is weddedto her subject,for she displays such an intimateknowledge of it:repeatedly it is obvious shewould tell us yet more but has to desist when shesees those eloquent words“House Full”whichremind her that her space,like that of the theatre,is not made of elastic.  \nFor more than thirty years it has been myprivilege as a critic to sit in judgment week byweek at the various theatres in Bristol and Icannot resist calling up from the murky past manyghosts that walk in memory's garden.In theearly days of the Old,Bristol played a great partin the making of national theatrical history andin more recent days at the Prince's,Henry Irvingproduced The Story of Waterloo,Fred TerryThe Borderers,Oscar Asche Count Hannibal andMrs.Patrick Campbell Lady Tetley's Divorce,not to mention others.  \nA Foreword  \nOf course,if one wrote of Prince's Pantomimehistory in full it would require a volume of thissize all to itself merely to chat about the personnelof the casts.Incidentally,I am not the author-ess,so I desist.But may I join with her ineulogizing in particular the late James MacreadyChute,and S.Fortescue-Harrison and DouglasMillar,all personal friends of mine,who hold highideals of what the atmosphere of the stage shouldbe on both sides of the curtain.Cleanness ofmind the trio displayed in marked degree and itis good for their theatres,and,through them,goodfor the citizens of Bristol at large.  \nH.SLATER STONE.  \nDecember,I925.22 Duchess Road,Clifton,Bristol.","cbCaigvpLfnUwuPB","https://ap.wps.com/l/cbCaigvpLfnUwuPB","pdf",2640431,74,"English","# A Foreword","[{\"question\":\"Why does the book describe itself as more a love-letter than a history?\",\"answer\":\"The foreword explains that the author’s passion makes it difficult to keep to strict historical coverage, so the work reads like an affectionate letter to the subject rather than a complete chronicle.\"},{\"question\":\"What time span does the book cover?\",\"answer\":\"The title page states the range as 1490—1925.\"},{\"question\":\"Who wrote the foreword and what was their role?\",\"answer\":\"H. Slater Stone wrote the foreword as a long-time critic who discusses Bristol theatres, recalls past productions, and praises several theatre figures.\"}]","The StoryofThe Bristol Stage - 1490-1925 - A Love-Letter Than a History | PDF",1790669898,114]