[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-192579-en":3,"doc-seo-192579-105":31,"detail-sidebar-cat-0-en-105":91},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":20,"is_deleted":4,"is_public":21,"is_downloadable":21,"audit_status":21,"page_count":22,"language":23,"language_code":24,"site_id":25,"html_lang":24,"table_of_contents":26,"faqs":27,"seo_title":28,"seo_description":14,"update_tm":29,"read_time":30},192579,687197100911,"Himbo","https://ap-avatar.wpscdn.com/avatar/a000239b6f1da00475?x-image-process=image/resize,m_fixed,w_180,h_180&k=1785132997149421697",2,"Literature","The Story of Modern Art","A narrative account traces the development of modern art from late eighteenth-century innovations through successive schools and key creative figures such as Turner, Daumier, Ryder, and Marini. The foreword frames modernism as a shift away from older courtly and rococo traditions, outlining a historical movement toward neo-classicism, then toward abstraction in the 1950s. It explains the author’s motivation to make modern art understandable through biographical and chronological storytelling, addressing audiences who feel alienated by conventional critical writing.","| GOVERNMENT OF INDIA  \u003Cbr>DEPARTMENT OF ARCHAEOLOGY  \u003Cbr>CENTRAL ARCHAEOLOGICAL  \u003Cbr>LIBRARY  \u003Cbr>709.○  \u003Cbr>h   |\n| --- |\n\n二  \nD.G A.79.  \n—1  \n十  \n338  \n—1  \n,  \nJ  \nTHE STORY OF MODERN ART  \n100000  \n1  \nOTHER BOOKS BY SHELDON CHENEY  \nA NEW wORLD HISTORY OF ART  \nEXPRESSIONISM IN ART  \nA PRIMER OF MODERN ART  \nTHE THEATRE:3000 YEARS OF DRAMA,ACTING AND STAGECRAPTART AND THE MACHINE(with Martha Candler Cheney)MEN WHO HAVE WALKED WITH GOD  \nTHE STORY OFMODERNART  \n16588  \nBY SHELDON CHENEY  \nMETHUEN     CO.LTD)   ·LONDON  \nFIRST PUBLISHED IN 1941 BY THE VIKING PRESS,INC,USA.REVISED AND ENLABGED EDrTION 1958  \nPUBLISHED IN 1958 IN ENGLAND BYMETHUEN AND co.LTD,36 ESSEX STREET,1ONpON,W.C.2.  \nPRINTED IN THE U.S.A.BY VAIL-BALLOU PRESS,INC.  \nCATALOGUE NUMBER 6118/u  \nThe illustrations facing and on the title page are:    ·PAUL CrZANSE:The Card Plavers.Louvre(Archives Photographiques)PABLo PicAsso:Three Musicians.Gallatin Collection,Philadelphia Museum of AnfMARCEL DuCHAMP:Nude Descending a Staircase.Arensberg Collection,PhiladelphinMuseum of Art  \nFLETCHER MARTIN:Shooting Gallery.Los Angeles County Fair Collection,Pomona,Califomia  \nAcknowledgement is made to authors and publishers for brief excerpts from the followingbooks and periodicals:The Art of Spiritual Harmony by Wassily Kandinsky(Constable &Co.Ltd.,London);Cubists and Post-Impressionism by Arthur Jetome Eddy(A.C.McClurg &Co.,Chicngo);Dear Theo edited by Irving Stone(Constable &Co.Ltd,London);TheJournal of Eugene Delacroix translated by Walter Pach (Jonathan Cape Ltd.,London);D'Eugene Delacroix au Neo-Impressionisme by Panl Signac(Librairie Floury,Paris);Gauguinby John Rewald(Hyperion Press,Paris and New York);Ingres by Walter Pach(Harpcr&Brothers,New York);Life of Paul Gauguin by Robert Bumett(R.Cobden-Sanderson Ltd.London);Manet and the French Impressionists by Theodore Duret(G.Richards,London);Masters of Popuhar Painting by Holger Cahill,Maximilian Gauthicr,Jean Cassou,DorothyMiller,and others(Museum of Modem Art,New York);Memoirs of the Lite of JohnConstable,R.A.by C.R.Leslie(Medici Society,London);Nineteenth Century Painting byJohn Rothenstein(John Lane,London);Paul Cezanne by Gerstle Mack(Jonathan Cape Ltd.,London);Paul Cezanne:His Life and Art by Ambroise Vollard(Crown Publishers,NewYork);Paul Gauguin's Intimate Journals translated by Van Wyck Brooks(William Heinemann Ltd.London);Rcbels of Art by Gcorge Slocombe(Arts &Decoration Book Socicty,New York);and A Short History of French Painting by E.G.Underwood (Oxford UniversityPress,London).Several very bricf quotations of artists'sayings are from the series of monographs on moden artists published by the Museum of Modern Art,New York.Two quotaltions are from periodicals:The Little Review(Paris,19:2)and Twice a Year edited byDorothy Norman(New York,1940-41).One quotation is from an inttoduction by HillaRebay in a catalogue of the Salomon R.Guggenheim Collection of Non-objective Paintings  \nBNIRALARCAAEO1OGIGA0LIBRARY,NEW DELHl.  \nAce,M0…-……6588学Deta…-05.     7  \nCn            -…一  \n# FOREWORD\n\n一HIs book is a narrative account of the development of the art that isIim mid-twentieth century called modern.I have accepted here theof creative invention since about 18oo.My story is of the succession ofschools thereafter,and of creative individuals such as Turner and Daumier,Ryder and Marini.The time-span is from the era when David as revolu-tionary dictator in France suppressed the old rococo,courtly art and triedto re-establish,in neo-classicism,the Renaissance tradition as the one al-lowable mode of art,to the period of the abstractionists,of the 195os.  \nI came to the decision to write such a book one night in a prosperouscity of Pennsylvania some years ago.Amuseum director had invited me tospeakon modern art before an audience trained,it was clear from the galleryexhibits,to judge paintings and sculptures realistically,for their likeness tonature,their anecdotal cleverness,and their silky finish.After I had talkedand h","cbCaieCXY3VbH1xm","https://ap.wps.com/l/cbCaieCXY3VbH1xm","pdf",55948156,3,1,758,"English","en",105,"# Foreword\n## Purpose of the book\n## Background and motivations\n## The challenge of interpretation","[{\"question\":\"What time span does the foreword cover when describing modern art’s development?\",\"answer\":\"It spans from the era of David’s revolutionary influence in France through to the period of the abstractionists in the 1950s.\"},{\"question\":\"Why did the author decide to write this book?\",\"answer\":\"After being invited to speak on modern art and observing strongly opposing views from a museum director and a patron, the author sought a new approach to understanding modernism.\"},{\"question\":\"How does the author propose making modern art understandable to readers?\",\"answer\":\"By showing how artists abandoned older art and by telling the story of modernism biographically and chronologically along the lives of major revolutionaries.\"}]","The Story of Modern Art | 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