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master.UMI filmsthe text directly from the original or copy submitted.Thus,some thesis anddissertation copies are in typewriter face,while others may be from any type ofcomputer printer.  \nThe quality of this reproduction is dependent upon the quality of thecopy submitted.Broken or indistinct print,colored or poor quality illustrationsand photographs,print bleedthrough,substandard margins,and improperalignment can adversely affect reproduction.  \nIn the unlikely event that the author did not send UMI a complete manuscriptand there are missing pages,these will be noted.Also,if unauthorizedcopyright material had to be removed,a note will indicate the deletion.  \nOversize materials(e.g.,maps,drawings,charts)are reproduced bysectioning the original,beginning at the upper left-hand corner and continuingfrom left to right in equal sections with small overlaps.  \nPhotographs included in the original manuscript have been reproducedxerographically in this copy.  Higher quality 6”x 9”black and whitephotographic prints are available for any photographs or illustrations appearingin this copy for an additional charge.Contact UMI directly to order.  \nProQuest Information and Learning  \n300 North Zeeb Road,Ann Arbor,MI 48106-1346 USA800-521-0600  \nNOTE TO USERS  \nThis reproduction is the best copy available.  \nUMI  \nTHE ORLANDO FURIOSO IN PRINT,1516-1542:ANHISTORICAL STUDY AND A DESCRIPTIVE BIBLIOGRAPHY  \nby  \nAntonio C.Ricci  \nA thesis submitted in conformity with the requirementsfor the Degree of Doctor of Philosophy,Graduate Department of Italian Studies,in the University of Toronto  \n⑥Copyright by Antonio C.Ricci 1998  \nAcquisitions andBibliographic Services  \n395 Wellington Street  \nOttawa ON K¹A ON4  \nCanada  \nThe author has granted a non-exclusive licence allowing theNational Library of Canada toreproduce,loan,distribute or sellcopies of this thesis in microform,paper or electronic formats.  \nThe author retains ownership of thecopyright in this thesis.Neither thethesis nor substantial extracts from itmay be printed or otherwisereproduced without the author'spermission.  \nanadä  \nBibliotheque nationaledu Canada  \nAcquisitions etservices bibliographiques  \n395,rue Wellington  \nOttawa ON K1A ON4  \nCanada  \nYour fie Votre neleranca  \nOur hile Notre reference  \nL'auteur a accordé une licence nonexclusive permettant à la  \nBibliotheque nationale du Canada dereproduire,preter,distribuer ouvendre des copies de cette thèse sousla forme de microfiche/film,dereproduction sur papier ou sur formatélectronique.  \nL'auteur conserve la propriete dudroit d'auteur qui protege cette these.Nila these ni des extraits substantielsde celle-ci ne doivent etre imprimésou autrement reproduits sans sonautorisation.  \n0-612-58657-X  \nAbstract  \nAntonio C.Ricci  \nDepartment of Italian Studies,University of Toronto  \nDegree:Ph.D.  \nYear of Convocation:1998  \nThesis Title:The Orlando Furioso in Print,1516-1542:An Historical Studyand a Descriptive Bibliography.  \n# Abstract\n\nThe aim of this dissertation s to reconstruct the history of LudovicoAriosto's Orlando Furioso as a material object from the editio princeps of1516 to Gabriele Giolito's edition of 1542.The analysis is based on thephysical evidence derived from the direct examination of extant copies ofthe thirty-six editions that appeared during the period under consideration.My primary concern is the evolution of the formal presentation of theFurioso,and specifically the physical features of format,layout,illustration,decoration,and size and styles of type.The Introduction sets out themethodological bases of the dissertation,namely historical bibliography forPart I,and analytical and descriptive bibliography for Part II;it also providesa survey of previous work on the subject.Although I have drawn to someextent on these prior studies,the application of Anglo-American  \nbibliographical techniques to the early editions of the Furioso 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