[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-126500-en":3,"doc-seo-126500-105":31,"detail-sidebar-cat-0-en-105":92},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":20,"is_deleted":4,"is_public":11,"is_downloadable":11,"audit_status":11,"page_count":21,"language":22,"language_code":23,"site_id":24,"html_lang":23,"table_of_contents":25,"faqs":26,"seo_title":27,"seo_description":28,"update_tm":29,"read_time":30},126500,8796095461564,"Liam","https://ap-avatar.wpscdn.com/davatar_155a257f0dc6eb9ab79c44ca47cae57d",1,"Story & Novel","The Only One Left - A Novel - Riley Sager","\u003Cp>A novel by Riley Sager that begins with a tense conversation framed by typewritten pages and a fragile trust. The narrator speaks to a confidant about a night that ended near disaster, recalling cold rain, violent wind, bloodied hands, and a knife tossed away at the last moment. While one person offers a version of events, the narrator admits deep doubt and fear, balancing the urge to protect against the need to suspect. The story builds around confession, memory, and the possibility of a terrifying truth.\u003C/p>","\u003Cp>ALSO BY RILEY SAGER &nbsp;\u003C/p>\u003Cp>Final Girls The Last Time I Lied Lock Every Door Home Before Dark Survive the Night The House Across the Lake &nbsp;\u003C/p>\u003Cp>An imprint of Penguin Random House LLC &nbsp;\u003C/p>\u003Cp>[penguinrandomhouse.com](penguinrandomhouse.com) &nbsp;\u003C/p>\u003Cp>Copyright &copy; 2023 by Todd Ritter &nbsp;\u003C/p>\u003Cp>Penguin Random House supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin Random House to continue to publish books for &nbsp;\u003C/p>\u003Cp>every reader. &nbsp;\u003C/p>\u003Cp>DUTTON and the D colophon are registered trademarks of Penguin Random House LLC. &nbsp;\u003C/p>\u003Cp>Interior images: Damask wallpaper &copy; Graphic design; blood on wall &copy; [IS MODE / shutterstock.com](IS MODE / shutterstock.com) &nbsp;\u003C/p>\u003Cp>ඔඑඊකඉකඡ ඗ඎ උ඗ඖඏකඍඛඛ උඉගඉඔ඗ඏඑඖඏ-එඖ-඘ඝඊඔඑඋඉගඑ඗ඖ ඌඉගඉ &nbsp;\u003C/p>\u003Cp>has been applied for. &nbsp;\u003C/p>\u003Cp>ISBN 9780593183229 (hardcover) &nbsp;\u003C/p>\u003Cp>ISBN 9780593474471 (export) &nbsp;\u003C/p>\u003Cp>ISBN 9780593183236 (ebook) &nbsp;\u003C/p>\u003Cp>Cover design by Kaitlin Kall &nbsp;\u003C/p>\u003Cp>Cliff image by Nicol Grespi/EyeEm/Getty; house &copy;Imogen Seed/Millennium Images, UK &nbsp;\u003C/p>\u003Cp>ඊ඗඗ඓ ඌඍඛඑඏඖ ඊඡ ඏඍ඗කඏඍ ග඗ඟඖඍ , ඉඌඉ඘ගඍඌ ඎ඗ක ඍඊ඗඗ඓ ඊඡ ඕ඗ඔඔඡ ඒඍඛජඓඍ &nbsp;\u003C/p>\u003Cp>This is a work of fiction. Names, characters, places, and incidents either are the product of the author ’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental. &nbsp;\u003C/p>\u003Cp>pid_prh_6.0_ 143818110_c0_r0 &nbsp;\u003C/p>\u003Cp>CONTENTS &nbsp;\u003C/p>\u003Cp>Cover &nbsp;\u003C/p>\u003Cp>Also by Riley Sager &nbsp;\u003C/p>\u003Cp>Title Page &nbsp;\u003C/p>\u003Cp>Copyright &nbsp;\u003C/p>\u003Cp>Dedication &nbsp;\u003C/p>\u003Cp>Chapter One &nbsp;\u003C/p>\u003Cp>Chapter Two &nbsp;\u003C/p>\u003Cp>Chapter Three &nbsp;\u003C/p>\u003Cp>Chapter Four &nbsp;\u003C/p>\u003Cp>Chapter Five &nbsp;\u003C/p>\u003Cp>Chapter Six &nbsp;\u003C/p>\u003Cp>Chapter Seven &nbsp;\u003C/p>\u003Cp>Chapter Eight &nbsp;\u003C/p>\u003Cp>Chapter Nine &nbsp;\u003C/p>\u003Cp>Chapter Ten &nbsp;\u003C/p>\u003Cp>Chapter Eleven &nbsp;\u003C/p>\u003Cp>Chapter Twelve &nbsp;\u003C/p>\u003Cp>Chapter Thirteen &nbsp;\u003C/p>\u003Cp>Chapter Fourteen &nbsp;\u003C/p>\u003Cp>Chapter Fifteen &nbsp;\u003C/p>\u003Cp>Chapter Sixteen &nbsp;\u003C/p>\u003Cp>Chapter Seventeen &nbsp;\u003C/p>\u003Cp>Chapter Eighteen &nbsp;\u003C/p>\u003Cp>Chapter Nineteen &nbsp;\u003C/p>\u003Cp>Chapter Twenty &nbsp;\u003C/p>\u003Cp>Chapter Twenty-One &nbsp;\u003C/p>\u003Cp>Chapter Twenty-Two &nbsp;\u003C/p>\u003Cp>Chapter Twenty-Three Chapter Twenty-Four &nbsp;\u003C/p>\u003Cp>Chapter Twenty-Five &nbsp;\u003C/p>\u003Cp>Chapter Twenty-Six &nbsp;\u003C/p>\u003Cp>Chapter Twenty-Seven Chapter Twenty-Eight &nbsp;\u003C/p>\u003Cp>Chapter Twenty-Nine &nbsp;\u003C/p>\u003Cp>Chapter Thirty &nbsp;\u003C/p>\u003Cp>Chapter Thirty-One &nbsp;\u003C/p>\u003Cp>Chapter Thirty-Two &nbsp;\u003C/p>\u003Cp>Chapter Thirty-Three Chapter Thirty-Four &nbsp;\u003C/p>\u003Cp>Chapter Thirty-Five &nbsp;\u003C/p>\u003Cp>Chapter Thirty-Six &nbsp;\u003C/p>\u003Cp>Chapter Thirty-Seven Chapter Thirty-Eight &nbsp;\u003C/p>\u003Cp>Chapter Thirty-Nine Chapter Forty &nbsp;\u003C/p>\u003Cp>Chapter Forty-One &nbsp;\u003C/p>\u003Cp>Chapter Forty-Two &nbsp;\u003C/p>\u003Cp>Chapter Forty-Three Chapter Forty-Four &nbsp;\u003C/p>\u003Cp>Acknowledgments About the Author &nbsp;\u003C/p>\u003Cp>To my family &nbsp;\u003C/p>\u003Cp>We’re at the typewriter again, Lenora in her wheelchair and me &nbsp;\u003C/p>\u003Cp>standing beside her as I place her left hand atop the keys. Afresh page sits in the carriage, replacing the one from last night. Now faceup on the desk, it serves as a partial transcript of our conversation. &nbsp;\u003C/p>\u003Cp>i want to tell you everything &nbsp;\u003C/p>\u003Cp>things ive never told anyone else &nbsp;\u003C/p>\u003Cp>yes about that night &nbsp;\u003C/p>\u003Cp>because i trust you &nbsp;\u003C/p>\u003Cp>But I don’t trust Lenora. &nbsp;\u003C/p>\u003Cp>Not entirely. &nbsp;\u003C/p>\u003Cp>She’s capable of so little yet accused of so much, and I remain torn between wanting to protect her and the urge to suspect her. &nbsp;\u003C/p>\u003Cp>But if she wants to tell me what happened, I’m willing to listen. &nbsp;\u003C/p>\u003Cp>Even though I suspect most ofit will be lies. Or, worse, the complete, terrifying truth. &nbsp;\u003C/p>\u003Cp>The fingers of Lenora’s left hand drum against the keys. She’seager to begin. I take a deep breath, nod, and help her type the first sentence. &nbsp;\u003C/p>\u003Cp>The thing I remember most &nbsp;\u003C/p>\u003Cp>The thing I remember most--the thing I still have nightmares about--is when it was all but over . &nbsp;\u003C/p>\u003Cp>I remember the roar of the wind as I stepped onto the terrace . It blew off the ocean in howling gusts that scraped over the cliff before slamming directly into me . Rocked onto my heels , I felt like I was being shoved by an invisible , immovable crowd back toward the mansion . &nbsp;\u003C/p>\u003Cp>The last place I wanted to be . &nbsp;\u003C/p>\u003Cp>With a grunt , I regained my footing and started to make my way across the terrace , which was slick from rainfall . It was pouring , the raindrops so cold th\u003C/p>","cbCait7JakGASaU7","https://ap.wps.com/l/cbCait7JakGASaU7","pdf",2880177,3,373,"English","en",105,"# Contents\n## Chapter One - Chapter Seven\n## Chapter Eight - Chapter Fifteen\n## Chapter Sixteen - Chapter Twenty-Three\n## Chapter Twenty-Four - Chapter Thirty-One\n## Chapter Thirty-Two - Chapter Forty-Three\n## Acknowledgments - About the Author","[{\"question\":\"Who is the narrator addressing at the start of the book?\",\"answer\":\"The narrator is speaking to a trusted listener during a typewriter exchange, introducing the conversation as a transcript of what follows.\"},{\"question\":\"What event haunts the narrator most?\",\"answer\":\"The narrator’s strongest memory is a night when everything was nearly over, marked by stormy weather, blood, and the presence of a knife.\"},{\"question\":\"How does the narrator feel about Lenora’s story?\",\"answer\":\"The narrator is torn between protecting Lenora and suspecting her, admitting distrust and expecting that most of what Lenora says may be lies—or something worse.\"}]","The Only One Left by Riley Sager [PDF] - Free Download & Read Online | PDF","A novel by Riley Sager that begins with a tense conversation framed by typewritten pages and a fragile trust. 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