[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"doc-detail-116782-en":3,"doc-seo-116782-105":30,"detail-sidebar-cat-0-en-105":82},{"code":4,"msg":5,"data":6},0,"success",{"doc_id":7,"user_id":8,"nickname":9,"user_avatar":10,"doc_module":4,"category_id":11,"category_name":12,"doc_title":13,"doc_description":14,"doc_content":15,"file_id":16,"file_url":17,"file_type":18,"file_size":19,"view_count":4,"is_deleted":4,"is_public":20,"is_downloadable":20,"audit_status":20,"page_count":21,"language":22,"language_code":23,"site_id":24,"html_lang":23,"table_of_contents":25,"faqs":26,"seo_title":27,"seo_description":14,"update_tm":28,"read_time":29},116782,1099514068365,"Aurelia","https://ap-avatar.wpscdn.com/avatar/10000253d8d9f28188e?_k=1776742907772140068",2,"Literature","The Nashville Chronicles - The Making of Robert Altman's Masterpiece","The Nashville Chronicles presents a meticulously researched account of how Robert Altman's landmark film Nashville was created and executed. Drawing on extensive cooperation and interviews with key participants, the book documents Altman’s improvisational process, his preference for non-linear storytelling, and how the production managed Nashville’s layered structure of multiple interweaving storylines. Through journalistic anecdotes and behind-the-scenes reporting, it explores the film’s shift from city-industry themes to a broader portrait of America’s obsession with fame and success.","THE  \nNASHVILLECHRONICLES  \nU.S.$26.00  \nCan.$38.50  \nDirector Robert Altman's cult-film masterpieceNashville is given its first ever behind-the-scenesviewing in this scrupulously researched book byNewsday and The Advocate film critic Jan StuartWritten with the full cooperation of Altman,andincluding interviews with virtually everyone in-volved with the film,The Nashville Chronicles is aremarkable piece of reporting that explores boththe creation of and the execution of a classic film.  \nhen Nashville was first released in 1975,Robert Altman had already established him-self as a film director with a unique vision and a nat-ural ability to walk the fine line between thehyperreal and the surreal.A few years earlier,Altman had earned great acclaim—and financialsuccess—through the brilliant and darkly comicfilm M*A*S*H,later to be turned into one of televi-sion's most enduring series.That wildly successfulmovie was followed by a series of quirky films,allprovocative and controversial,but none with thescope of vision he was to demonstrate in his nextrelease,Nashville.  \nAs might be expected,the making of Nashvillestarted outjust as unfocused and haphazard as hadall of Altman's prior films.His improvisational style,his disdain for linear story line,his reliance on theactors to find their own ways through to the end—all these traits promised chaos many times overwhen imposed on a \"concept\"as complicated andfraught with potential problems as Nashville was.For Nashville was not one story,it was twenty-fourseparate stories,all happening at once,layered andoverlapping,weaving in and out.And Nashville wasnot conceived as a film about a city and its industry(in this case,country music),but as a film aboutAmerica and its obsession with fame and success.  \nPE12  \nDigitized by the Internet Archivein 2012  \n登  \n# The Making of Robert Altman's Masterpiece\n\nJAN STUART  \nSIMON &SCHUSTER New York London Toronto Sydney Singapore  \nCopyright ◎2000 by Jan StuartAll rights reserved,including the right of reproductionin whole or in part in any form.  \nSIMON &SCHUSTER and colophon are registered trademarksof Simon &Schuster,Inc.  \nDesigned by Bonni Leon Berman  \nManufactured in the United States of America  \n1  3  5  7  9  10  8  6  4  2  \nLibrary of Congress Cataloging-in-Publication Data  \nStuart,Jan.  \nThe Nashvill chronicles :the making of Robert Altman's masterpiece/Jan Stuart.  \np.cm.  \nIncludes index.  \n1.Nashville (Motion picture)2.Altman,Robert,1925-  I.Title.  \nPN1997.N332 S782000  \n791.43'72—dc21  \n00-061875  \nISBN 0-684-86543-2  \n\"I’m Easy,\"words and music by Keith Carradine.Copyright ◎1975 Universal-MCAMusic Publishing,Inc.,a division of Universal Studios,Inc.(ASCAP).International Copy-right Secured.All Rights Reserved.  \n\"It Don't Worry Me,\"words and music by Keith Carradine.Copyright ◎1975 Uni-versal-MCA Music Publishing,Inc.,a division of Universal Studios,Inc.(ASCAP).Inter-national Copyright Secured.All Rights Reserved.  \n\"I Never Get Enough,\"words and music by Richard Baskin and Ben Raleigh.Copy-right ◎1975 Universal-MCA Music Publishing,Inc.,a division of Universal Studios,Inc.(ASCAP).International Copyright Secured.All Rights Reserved.  \n\"200 Years,\"words and music by Richard Baskin,Henry Gibson,and Robert Altman.Copyright ◎1975 Universal-MCA Music Publishing,Inc.,a division of Universal Studios,Inc.(ASCAP).International Copyright Secured.All Rights Reserved.  \n\"Keep a Goin',\"words and music by Richard Baskin,Henry Gibson,and Robert Alt-man.Copyright C1975 Universal-MCA Music Publishing,Inc.,a division of UniversalStudios,Inc.(ASCAP).International Copyright Secured.All Rights Reserved.  \n\"My Idaho Home,\"words and music by Ronee Blakley.Copyright ◎1975 Universal-MCA Music Publishing,Inc.,a division of Universal Studios,Inc.(ASCAP).InternationalCopyright Secured.All Rights Reserved.  \n\"Memphis,\"words and music by Karen Black.Copyright ◎1975 Universal-MCA Mu-sic Publishing,Inc.,a division of Universal Studios,Inc.(ASCAP).International C","cbCaijIblFIlEOxJ","https://ap.wps.com/l/cbCaijIblFIlEOxJ","pdf",27215065,1,376,"English","en",105,"# The Making of Robert Altman's Masterpiece\n# Acknowledgments","[{\"question\":\"Why is Nashville described as more than one story in the book?\",\"answer\":\"Because the film is structured as twenty-four separate stories happening at once, layered and overlapping rather than presented as a single continuous narrative.\"}]","The Nashville Chronicles - 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