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While familiar brutal figures mingle with mythological horrors, Rogers also unveils wholly original, life-like creations that evoke feverish dreams and forbidden legends. In a dingy crypt-like workroom, Jones observes the tools and process behind the grotesque displays, then listens as Rogers grows increasingly candid—its accounts turning openly demented as the night proceeds.",{"@graph":69,"@context":123},[70,84,106],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":10,"@type":76,"position":81},"https://docshare.wps.com/document/story-novel/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/the-horror-in-the-museum-part-1-narrative/515235/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/the-horror-in-the-museum-part-1-narrative/515235.png","ImageObject",300,407,{"name":92,"@type":93},"Levi","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-27","2026-10-06",true,{"@type":102,"interactionType":103,"userInteractionCount":105},"InteractionCounter",{"@type":104},"ViewAction",11,{"@type":107,"mainEntity":108},"FAQPage",[109,115,119],{"name":110,"@type":111,"acceptedAnswer":112},"Who is Stephen Jones, and why does he visit the museum?","Question",{"text":113,"@type":114},"Stephen Jones visits out of languid curiosity after hearing about the underground museum’s unusually horrible wax displays. He comes expecting disappointment but is drawn in by what feels different and distinctive.","Answer",{"name":116,"@type":111,"acceptedAnswer":117},"What makes Rogers’ collection stand out from typical “gory” exhibits?",{"text":118,"@type":114},"Along with common gruesome figures, the museum includes imaginative, diseased-genius creations and wholly original shapes. Rogers’ work also features mythic and forbidden-legend creatures, displayed with uncanny scale and lighting.",{"name":120,"@type":111,"acceptedAnswer":121},"What does Jones discover when he meets Rogers in person?",{"text":122,"@type":114},"Jones finds Rogers in a crypt-like office where images are repaired and created, surrounded by wax parts, tools, and materials. He also learns that Rogers’ talk grows more communicative over repeated visits, eventually turning openly insane.","https://schema.org",{"og:url":83,"og:type":125,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":127,"canonical":83},"index,follow",{"doc_id":129,"site_id":62},515235,1791438048,{"code":4,"msg":5,"data":132},{"doc_id":129,"user_id":133,"nickname":92,"user_avatar":134,"doc_module":4,"category_id":8,"category_name":10,"doc_title":65,"doc_description":67,"doc_content":135,"file_id":136,"file_url":137,"file_type":138,"file_size":139,"view_count":105,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":140,"language":141,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":142,"faqs":143,"seo_title":144,"seo_description":67,"update_tm":145,"read_time":146},7971461740909,"https://ap-avatar.wpscdn.com/davatar_155a257f0dc6eb9ab79c44ca47cae57d","The Horror in the Museum  \nH. P. Lovecraft  \nI.  \nIt was languid curiosity which first brought Stephen Jones to Rogers’ Museum. Someone had told him about the queer underground place in Southwark Street across the river, where waxen things so much more horrible than the worst effigies at Madame Tussaud’s were shewn, and he had strolled in one April day to see how disappointing he would find it. Oddly, he was not disappointed. There was something different and distinctive here, after all. Of course, the usual gory commonplaces were present—Landru, Dr. Crippen, Madame Demers, Rizzio, Lady Jane Grey, endless maimed victims of war and revolution, and monsters like Gilles de Rais and Marquis de Sade—but there were other things which had made him breathe faster and stay till the ringing of the closing bell. The man who had fashioned this collection could be no ordinary mountebank. There was imagination—even a kind of diseased genius—in some of this stuff.  \nLater he had learned about George Rogers. The man had been on the Tussaud staff, but some trouble had developed which led to his discharge. There were aspersions on his sanity and tales of his crazy forms of secret worship—though latterly his success with his own basement museum had dulled the edge of some criticisms while sharpening the insidious point of others. Teratology and the iconography of nightmare were his hobbies, and even he had had the prudence to screen off some of his worst effigies in a special alcove for adults only. It was this alcove which had fascinated Jones so much. There were lumpish hybrid things which only fantasy could spawn, moulded with devilish skill, and coloured in a horribly life-like fashion.  \nSome were the figures of well-known myth—gorgons, chimaeras, dragons, cyclops, and all their shuddersome congeners. Others were drawn from darker and more furtively whispered cycles of subterranean legend—black, formless Tsathoggua, many-tentacled Cthulhu, proboscidian Chaugnar Faugn, and other rumoured blasphemies from forbidden books like the Necronomicon, the Book of Eibon, or the Unaussprechlichen Kulten of von Junzt. But the worst were wholly original with Rogers, and represented shapes which no tale of antiquity had ever dared to suggest. Several were hideous parodies on forms of organic life we know, while others seemed taken from feverish dreams of other planets and other galaxies. The wilder paintings of Clark Ashton Smith might suggest a few—but nothing could suggest the effect of poignant, loathsome terror created by their great size and fiendishly cunning workmanship, and by the diabolically clever lighting conditions under which they were exhibited.  \nStephen Jones, as a leisurely connoisseur of the bizarre in art, had sought out Rogers himself in the dingy office and workroom behind the vaulted museum chamber—an evil-looking crypt lighted dimly by dusty windows set slit-like and horizontal in the brick wall on a level with the  \nancient cobblestones of a hidden courtyard. It was here that the images were repaired—here, too, where some of them had been made. Waxen arms, legs, heads, and torsos lay in grotesque array on various benches, while on high tiers of shelves matted wigs, ravenous-looking teeth, and glassy, staring eyes were indiscriminately scattered. Costumes of all sorts hung from hooks, and in one alcove were great piles of flesh-coloured wax-cakes and shelves filled with paint-cansand brushes of every description. In the centre of the room was a large melting-furnace used to prepare the wax for moulding, its fire-box topped by a huge iron container on hinges, with aspout which permitted the pouring of melted wax with the merest touch of a finger.  \nOther things in the dismal crypt were less describable—isolated parts of problematical entities whose assembled forms were the phantoms of delirium. At one end was a door of heavy plank, fastened by an unusually large padlock and with a very peculiar symbol painted over it. Jones, who had","cbCaivpuKW6N9IxG","https://ap.wps.com/l/cbCaivpuKW6N9IxG","pdf",101828,23,"English","# The Museum Visit\n## The Collection and Its Origins\n## Rogers’ Workroom and Process\n## Growing Confessions","[{\"question\":\"Who is Stephen Jones, and why does he visit the museum?\",\"answer\":\"Stephen Jones visits out of languid curiosity after hearing about the underground museum’s unusually horrible wax displays. He comes expecting disappointment but is drawn in by what feels different and distinctive.\"},{\"question\":\"What makes Rogers’ collection stand out from typical “gory” exhibits?\",\"answer\":\"Along with common gruesome figures, the museum includes imaginative, diseased-genius creations and wholly original shapes. Rogers’ work also features mythic and forbidden-legend creatures, displayed with uncanny scale and lighting.\"},{\"question\":\"What does Jones discover when he meets Rogers in person?\",\"answer\":\"Jones finds Rogers in a crypt-like office where images are repaired and created, surrounded by wax parts, tools, and materials. He also learns that Rogers’ talk grows more communicative over repeated visits, eventually turning openly insane.\"}]","The Horror in the Museum - Part 1 - Narrative | PDF",1791309943,35]