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The acknowledgments trace the author’s intellectual formation through grants, conferences, and institutional exchanges, showing how feedback from scholars and organizers shaped early chapters and research. International travel and conversations with collaborators further inspired a project focused on immigrant homes and memory across cities.",{"@graph":69,"@context":122},[70,84,105],{"@type":71,"itemListElement":72},"BreadcrumbList",[73,77,79,82],{"item":74,"name":75,"@type":76,"position":8},"https://docshare.wps.com","Home","ListItem",{"item":78,"name":9,"@type":76,"position":14},"https://docshare.wps.com/document/",{"item":80,"name":15,"@type":76,"position":81},"https://docshare.wps.com/document/literature/",3,{"item":83,"name":65,"@type":76,"position":19},"https://docshare.wps.com/document/the-future-of-nostalgia/626815/",{"url":83,"name":65,"@type":85,"image":86,"author":91,"headline":65,"publisher":94,"fileFormat":97,"inLanguage":63,"description":67,"dateModified":98,"datePublished":99,"encodingFormat":97,"isAccessibleForFree":100,"interactionStatistic":101},"DigitalDocument",{"url":87,"@type":88,"width":89,"height":90},"https://docshare.wps.com/thumbnails/the-future-of-nostalgia/626815.png","ImageObject",300,407,{"name":92,"@type":93},"jay","Person",{"url":74,"name":95,"@type":96},"DocShare","Organization","application/pdf","2026-10-22","2026-10-21",true,{"@type":102,"interactionType":103,"userInteractionCount":8},"InteractionCounter",{"@type":104},"ViewAction",{"@type":106,"mainEntity":107},"FAQPage",[108,114,118],{"name":109,"@type":110,"acceptedAnswer":111},"How does the author define nostalgia in the work?","Question",{"text":112,"@type":113},"Nostalgia is described as longing not only for a lost time and home, but also for friends who once lived there and are now dispersed worldwide.","Answer",{"name":115,"@type":110,"acceptedAnswer":116},"Which kinds of support helped the author develop the book?",{"text":117,"@type":113},"The author credits grants, conference presentations, feedback from scholars and organizers, and later support such as fellowships and sabbaticals that enabled research and writing.",{"name":119,"@type":110,"acceptedAnswer":120},"What research focus did the author pursue regarding immigrants?",{"text":121,"@type":113},"The author began an interview project on immigrant homes, inspired by collaboration and conversations related to ex-Soviet immigrant culture.","https://schema.org",{"og:url":83,"og:type":124,"og:title":65,"og:site_name":95,"og:description":67},"article",{"robots":126,"canonical":83},"index,follow",{"doc_id":128,"site_id":62},626815,1792678628,{"code":4,"msg":5,"data":131},{"doc_id":128,"user_id":132,"nickname":92,"user_avatar":133,"doc_module":4,"category_id":14,"category_name":15,"doc_title":65,"doc_description":67,"doc_content":134,"file_id":135,"file_url":136,"file_type":137,"file_size":138,"view_count":8,"is_deleted":4,"is_public":8,"is_downloadable":8,"audit_status":8,"page_count":139,"language":140,"language_code":63,"site_id":62,"html_lang":63,"table_of_contents":141,"faqs":142,"seo_title":143,"seo_description":67,"update_tm":144,"read_time":145},3985747858866,"https://ap-avatar.wpscdn.com/davatar_a8503ba1806abce46bf441b54a3ca4cd","THE FUTURE OF NOSTALGIA  \nTHE FUTURE OF NOSTALGIA  \nSVETLANA BOYM  \nCopyright © 2001 by Svetlana Boym  \nPublished by Basic Books  \nA Member of the Perseus Books Group  \nAll rights reserved. Printed in the United States of America. No part of this book may be reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles  \nand reviews. For information, address Basic  \nBooks, 387 Park Avenue South, New York, NY 10016–8810.  \nDesigned by Elizabeth Lahey  \nText Set in Perpetua 11.5  \nLibrary of Congress Cataloging-in-Publication Data  \nBoym, Svetlana, 1959-  \nThe future of nostalgia/Svetlana Boym.  \n[p. cm. Includes](p. cm. Includes) index.  \nISBN 0-465-00708-2  \neBook ISBN: 9780786724871  \n1. Civilization, Modern—1950-2. Nostalgia—Social aspects.  \n3. Memory—Social aspects. 4. Nostalgia in literature. 5.Authors, Exiled.  \n6. National characteristics. 7. Biography. 8. Identity (Psychology)  \n9. Post-communism—social aspects.  \nI.Title.  \nCB427 .B67 2001  \n909.82—dc21  \n0  \n0-045454  \n10 9 8 7 6 5 4 3 2  \nTo my parents, Yuri and Musa Goldberg  \nACKNOWLEDGMENTS  \nNostalgia is not only a longing for a lost time and lost home but also for friends who once inhabited it and who now are dispersed all over the world. I would like to thank writers and artists whose friendship inspired me as much as their work: Maya Turovskaya, Dubravka Ugrešić, Ilya Kabakov, Vitaly Komar and Alexander Melamid. I am grateful to my colleagues, scholars and friends who read portions of the manuscript in spite of our collective shortage of time: Greta and Mark Slobin, Larry Wolff, William Todd III, Donald Fanger, Richard Stites, Evelyn Ender and Peter Jelavich. I began to develop the idea of writing about nostalgia while on a Bunting grant from 1995 to 1996, and benefited from the discussions at the Institute. The first chapters of the future book were presented at the Conference on Memory at the Center for Literary and Cultural Studies at Harvard in 1995 and at the memorable meeting in Bellagio in April 1996. I am grateful to the organizers, Richard Sennett and Catherine Stimpson, as well as to its participants for their comments and remarks. Two summer IREX grants allowed me to complete the research on my project. Finally, a Guggenheim fellowship and sabbatical from Harvard University in 1998 and 1999 permitted me to write the book. My participation in various international conferences helped challenge and shape my ideas: the Conference on Soviet Culture in Las Vegas in 1997, the Conference on Myth and National Community organized by the European University of Florence and the discussions and lectures at the Central European University of Budapest in summer 2000. My collaboration on the board of the ARCHIVE organized for the study of ex-Soviet immigrant culture in the United States and many long conversations with Alla Efimova and Marina Temkina inspired me to begin my interview project on immigrant homes. Larisa Frumkina and the late Felix Roziner inspired me in that work and shared their immigrant souvenirs and stories with great generosity.  \nEach city I visited and described became my temporary home, at least for the duration of the chapter. In Petersburg I am grateful to Oleg Kharkhordin, a scholar of friendship and a good friend; Olesia Turkina and  \nVictor Mazin for artistic guidance; Victor Voronkov and Elena Zdravomyslova for introducing me to their project on the “free Petersburg”; Nikolai Beliak for sharing dreams and masks of the Theater in the Architectural Environment; and Marieta Tourian and Alexander Margolis for being the best Petersburg guides. My high school best friend, Natasha Kychanova-Strugatch, brought back some not-so-nostalgic memories of our growing up in Leningrad. In writing on Petersburg I benefited from the work of Eua Berard, Katerina Clark and Blair Ruble. In Moscow I enjoyed Masha Gessen’s hospitality, political insight and excellent cooking. Thanks to all ","cbCaidmWcYxjmaCH","https://ap.wps.com/l/cbCaidmWcYxjmaCH","pdf",8692467,523,"English","# Acknowledgments","[{\"question\":\"How does the author define nostalgia in the work?\",\"answer\":\"Nostalgia is described as longing not only for a lost time and home, but also for friends who once lived there and are now dispersed worldwide.\"},{\"question\":\"Which kinds of support helped the author develop the book?\",\"answer\":\"The author credits grants, conference presentations, feedback from scholars and organizers, and later support such as fellowships and sabbaticals that enabled research and writing.\"},{\"question\":\"What research focus did the author pursue regarding immigrants?\",\"answer\":\"The author began an interview project on immigrant homes, inspired by collaboration and conversations related to ex-Soviet immigrant culture.\"}]","THE FUTURE OF NOSTALGIA | PDF",1792540833,805]